260 chapter five
Sir Anthony Browne meeting the King at Saint-Inglevert and then of
the camp at Marquise.
246
Banners were ubiquitous. Many of the troops were in Henry’s per-
sonal colours of blue and yellow.
247
Landenberg’s gave his cavalry and
infantry ensigns ‘of white and green, and red crosses.’ Cavalry standards
bore the King’s arms in the middle of the cross. He thought these were
the King’s colours, and said that ‘if he had had time, all the horsemen
should have been in the colours of the King’s Majesty’s battle.’
248
e impresario for all this was omas Cawarden, a gentleman of
the privy chamber but, crucially, Master of the Tents and also (from
1545) of the Revels. Cawarden was immensely experienced in the con-
struction of temporary buildings for ceremonies and performances at
court as also for the vast array of tents for the use of the King and his
entourage, tents so vividly portrayed in the Cowdray frescoes.
249
In
May, he paid Anthony Totto (alias Antonio del Anunziato, d. 1554),
sergeant painter,
250
£20 for the painting of coats of arms on the King’s
tents, including 150 6-foot square ‘vanes’ with hatchments in gold and
colours and 36 hatchments ‘of an elle square of the kinges armes with
beastes crowned, the garter and the kings worde in ne golde and
other colours.’
251
Two other serjeant painters, Bartholommeo Penni
(brother of Luca) and the Frenchman Nicholas Lezard/Lisory (d. 1571),
painted imitation jasper and marble walls for the king’s great wooden
house built at Whitefriars.
252
is edice (displayed prominently in the
246
‘e order how the King’s Majesty departed out of the town of Calleys’ Friday,
25 July, dated 12 Oct 1544, BL Calig. E. IV., f. 57, Rymer, Foedera 2nd ed. XV, p. 52,
3rd ed. VI, pp. 120–121. (L&P, XIX, ii, 424).
247
Gruydd, in M.B. Davies ed, ‘Enterprises of Paris and Boulogne’ p. 10; Narra-
tive of the French campaign, L&P, XIX, ii, 424. Henry had ordered ‘12 drummers and
12 fers, of the best, to be employed in these wars’ from his agents in Germany in June
(Council to Fane and Wyndebank 12 June 1544, L&P, XIX, i, 682).
248
Fane and Wyndebank to the Council, Aachen, 16 June 1544, L&P, XIX, i, 716.
249
‘Skilfull and delyghtinge in matters of devise’ (H. Colvin, History of the King’s
Works, IV, part ii, (London, 1982), p. 93).
250
Toto was the son of Nunziato d’Antonio di Domenico, a jobbing painter of Flor-
ence who was best known as a ‘bombardiere’ or pyrotechnician. Antonio (or Toto) del
Nunziata came to England with Torrigiani in 1519 and stayed. He is known to have
painted pictures for Henry VIII none of which have been identied but is best known
as an heraldic painter (L.A. Waldman, Se bene era dipintore di fantocci. Nunziata
d’Antonio, Painter, Pyrotechnician and Bombardier of Florence (forthcoming).
251
SHC, LM/1892/1 and 1893, bill for £20, 31 May 1545; Folger Shakespeare Library,
Loseley MSS, Lb. 261: ‘delyveryd at the Charterhouse for thuse of the kynges highness
tentes and pavilions’ 12 July 1544, £42.
252
SHC, LM/127; Folger SL, Loseley MSS, Lb. 258.