The assumption, of course, is that the images of the objects of interest have the
same magnification everywhere (no perspective distortion from a tilted view, or
pincushion distortion from a closeup lens, or different magnification in the X and
Y directions from using a video camera and framegrabber, or area distortions because
of piezo creep in an AFM, for example). If the scale is photographed once and then
the calibration is stored for future use, it is assumed that the magnification does not
change. For a light microscope, that is usually a good assumption because the optics
are made of glass with fixed curvatures and, unless some adjustments are made
in the transfer lens that connects the camera to the scope, the same image mag-
nification will be obtained whenever a chosen objective lens is clicked into place.
Focusing is done by moving the sample toward or away from the lens, not altering
the optics.
For a camera on a copy stand, it is usually possible to focus the camera lens,
which does change the magnification. But on the copy stand the scale is usually
included in the image so there is always a calibration reference at hand. Electron
microscopes use lenses whose magnification is continuously adjustable, by varying
the currents in the lens coils. Even in models that seem to provide switch-selected
fixed magnifications, the actual magnification varies with focus, and also depends
on the stability of the electronics. Keeping the magnification constant over time, as
the calibration standard is removed and the sample inserted, is not easy (and not
often accomplished).
Calibrating the brightness or color information is much more difficult than
calibrating the image magnification. Again, standards are needed. For density mea-
surement, film standards with known optical density are available from camera stores
(Figure 5.9), but fewer choices are available for microscopic work. For color com-
parisons, the Macbeth chart shown in Chapter 2 is a convenient choice, but again
is useful only for macroscopic work. A few microscope accessory and supply
companies do offer a limited choice of color or density standards on slides. For
electron microscopy, only relative comparisons within an image are generally prac-
tical. In images such as those produced by the AFM in which pixel value represents
elevation, calibration using standard artefacts is possible although far from routine.
Some of the other AFM modes (tapping mode, lateral force, etc.) produce signals
whose exact physical basis is only partially understood, and cannot be calibrated in
any conventional sense.
One difficulty with calibrating brightness in terms of density for transmission
images, or concentration for fluorescence images, etc., is that of stability. The light
sources, camera response, and digitization of the data are not generally stable over
long periods of time, nor can they be expected to repeat after being turned off and
on again. As mentioned in Chapter 2, some cameras are not linear in their response
and the relationship between intensity and output signal varies with signal strength.
As an example, a camera may be linear at low light levels and become increasingly
non-linear, approaching a logarithmic response at brighter levels. Some manufac-
turers do this intentionally to gain a greater dynamic range. If automatic gain and
brightness circuitry, or automatic exposure compensation is used, there will be no
way to compare one image to another.
2241_C05.fm Page 288 Thursday, April 28, 2005 10:30 AM
Copyright © 2005 CRC Press LLC