2
n e o l i b e r a l af r i c a
and Seabrook 2007; Engel and Rye Olsen 2005); it is also a product
of the arguments and reflections of many scholars who are par-
ticularly interested in Africa (for an illustrative set of examples,
see Sender 1999: 89–90; for the orthodox view, see Nissanke and
Thorbecke 2008: 1). In the West more generally, Africa is repre-
sented in the media and mainstream culture as remote, exceptional
and characterised as lacking to some degree or other the proper
properties held by the ‘international community’ or ‘globalisation’
(Elbadawi and Sambanis 2000: 245; Werbner and Ranger 1996). In
broad sweep, and not without a little licence for flair of expression,
Achille Mbembe makes a striking summary:
Africa … is portrayed as a vast dark cave where every benchmark and
distinction come together in total confusion, and the rifts of tragic
and unhappy human history stand revealed; a mixture of the half-
created and the incomplete, strange signs, compulsive movements,
in short a bottomless abyss where everything is noise, yawning gaps
and primordial chaos. (2001: 3)
There is a lot to take in and unpack here, but it is difficult to
disagree with the import of this overview: public and popular
cultures in the West tend to represent Africa in terms of absences,
delinquencies or alienness – each of which serves to reinforce a
sense of Africa’s marginality from any sense of global convergence
and/or progress.
The robustness of this general trope is all the more striking
for the fact that it has persisted throughout a period in which
another discourse, that of globalisation, has worked to represent
the world as increasingly interconnected and converging (Rupert
2000; Hay and Marsh 1999). Discursively, talk of globalisation can
be understood as a recent and virulent incarnation of an expansive
liberalism (Hovden and Keene 2001) which aims to encapsulate
national, cultural and economic differences as ephemeral: either as
differences that don’t make a difference, as ‘historically contingent’
(Tsakalotos 2005: 894) or as ‘rigidities and vestiges’ (Bourdieu 1998)
that temporarily encumber liberal realisations. Within this view,