
Shinran (1173–1263) Buddhist monk. After spend-
ing his early years in study and practice at Mt. Hiei’s
Enryakuji, Shinran became a follower in 1201 of
Jodo sect founder, Honen, whose nembutsu move-
ment soon became quite powerful. It drew much
criticism from the other Buddhist schools, leading to
its dissolution at the hands of the government and
the expulsion of Shinran to the province of Echigo,
where he became the first priest to be publicly mar-
ried. Pardoned in 1211, Shinran decided to move his
large family to the Kanto region, where he quickly
gained a large following and wrote his most accom-
plished work, Kyogyoshinsho, which described the
path to rebirth in the Pure Land and delineated the
foundational principles of Shinran’s Jodo Shin sect
of Buddhism. Returning to Kyoto in 1235, Shinran
entered his most prolific period of writing, which
lasted until just three years before his death in 1263.
His cremated remains were placed in the Otani area
of Kyoto at the future site of the Honganji.
Shinso
See
SOAMI.
Shizuka Gozen (late 12th century) Shirabyoshi
dancer and mistress of Minamoto no Yoshitsune.
Yoshitsune, one of the heroes of the Gempei War
(1180–85), met with suspicion from his brother
Minamoto no Yoritomo, head of the Minamoto
family, after the war ended. Pursued by Yoritomo’s
troops, Yoshitsune was forced to flee Kyoto accom-
panied voluntarily by his mistress Shizuka. She was
unable to keep up the strenuous pace, so Yoshitsune
abandoned her in the Yoshino region, where she was
captured by monks and taken to Kamakura. She was
allowed to return to Kyoto only after she danced for
Yoritomo against her will. Her life is recounted in
numerous medieval texts.
Siebold, Philipp Franz von (1796–1866) German
physician. Considered the pioneer of Japanese stud-
ies in Europe, Siebold, an employee of the Dutch
East India Company, was sent to Nagasaki in 1823,
where he established a school of “Dutch science”
(rangaku). In 1826, he traveled to Edo to meet the
shogun where he became acquainted with the sho-
gunate’s astronomer, Takahashi Kageyasu. Siebold
and Kageyasu illegally traded Dutch books for
Japanese maps. When the shogunate learned of this
exchange, Siebold was expelled from Japan in 1829
on the grounds that he was a spy and Kageyasu was
sent to prison. He wrote a number of books about
his Japanese experiences including the five-volume
Fauna Japonica (Japanese fauna; 1833–50) and Nip-
pon, Archiv zur Beschreibung von Japan (Nippon, an
archive for the description of Japan; 1832–51).
Soami (Shinso) (ca. 1455–1525) Muromachi sui-
boku painter. Soami was the grandson of Noami and
the son and pupil of Geiami. Besides his fame as a
painter, he also designed landscape gardens, wrote
poetry, and excelled at the tea ceremony. Like his
grandfather and father, Soami served as doboshu, the
curator responsible for the connoisseurship and dis-
play of art works and other valuables owned by the
Ashikaga shoguns. His paintings, mostly landscapes,
were deeply influenced by the Chinese painting style
of Muqi (in Japanese, Mokkei). Soami is also cred-
ited with designing the famous dry landscape garden
at Ryoanji in Kyoto.
Soga Shohaku (1730–1781) Painter. Shohaku stud-
ied Kano school painting, but developed his own
style reminiscent of Muromachi suibokuga (ink
painting). Much of his work was executed using
monochrome ink applied in broad strokes. He is
best known for his figural depictions from Chinese
legend and folklore, and for his landscapes.
Sogi (1421–1502) Rinzai Zen monk and poet. Also
referred to as Iio Sogi. Sogi was a famous renga
(linked verse) poet and traveler. See chapter 8: Lan-
guage and Literature.
Sotatsu (Tawaraya Sotatsu) (unknown–ca. 1643)
Artist. Although little is known about his career,
Sotatsu headed the Tawaraya workshop in Kyoto as
a commercial painter of fans, painted screens, ink
paintings, as well as other commercial art venues.
He gradually rose through the ranks to achieve
recognition by the Kyoto nobility. Sotatsu’s vast
repertoire of works comprises illustrated picture
scrolls from classical literature, and ink paintings
that largely depict the Chinese monochrome style
as well as Zen Buddhist subjects, but he is especially
associated with the revival of Yamato-e themes
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