362 THE LATE MIDDLE AGES
1233 was the year of what later came to be called the “Great Alleluia,” a
celebration of happiness, joy, thanksgiving, rejoicing, praise, and merrymak-
ing—above all a time of peace and calm, when all weapons were cast aside
. . . even the knights and foot soldiers went about singing songs and sacred
hymns. This pious spirit ran throughout all the cities of Italy; I myself wit-
nessed [it] in my native city of Parma....Enormous crowds of men, women,
boys, and girls flocked to the city from the surrounding villages carrying
banners [depicting their local saints] in order to hear our preachers and sing
praises to God. They sang, in fact, with “the voice of a God, not of a man”
[Acts 12:22] and walked with the air of a man who has been saved....Ev-
eryone carried tree branches and lighted candles, and there was preaching
morning, noon, and night....The crowds stopped in every church and
square, where they lifted their hands to God in praise, and blessed His Name
for ever and ever. In fact, they were incapable of stopping their praises, since
they were so drunk on God’s love....They did everything without anger,
discord, quarrel, or bitterness.
What might have triggered such actions? No events of any unique drama or sig-
nificance that we know of occurred in that year or the one preceding it. It is highly
likely, though, that the Alleluia had something to do with the popular assimilation
of the great achievements of the Fourth Lateran Council in 1215, and it was almost
certainly related to the fast developing canonization movement for St. Francis, who
had died in 1226. The Fourth Lateran represented to many the final step in the
Church’s long road to reform (even though it represented to others, as we have
seen, the first step in its decline), and it symbolized the Church Triumphant. In
Francis thousands of people had seen a reflection of Christ himself—a gentle,
loving, lovable, pious, and absolutely approachable person. The reputed miracle
of Francis’ receiving the stigmata (the sudden appearance on his body of marks
corresponding to the wounds that Christ received on the Cross) only added to the
connection. To many, Christ seemed almost to have come yet again, in the person
of Francis, to remind his people that he loved them and that heaven awaited them.
So they rejoiced.
Closely related to this humanization of Christ, and in fact preceding it by
several generations, was a dramatic new emphasis on the role of the Virgin Mary
in Christian life. She had been revered as the model of female piety and virginity
by the Church at large at least since the late fourth century.
6
But unlike the Greek
east, where she was revered as the God-bearer and the Queen of Heaven, Latin
Christians in the early medieval centuries did not place any special emphasis on
Mary. Local saints were of considerably more significance to them. But starting in
the late eleventh century, then picking up momentum throughout the twelfth, and
reaching fever pitch in the thirteenth, was a widespread popular cult focused on
Mary’s direct role in helping one earn salvation. Thousands of churches were
named in her honor; countless sermons emphasized her role as a mediator; miracle
stories proliferated about her continuing action in this world; sculptors, painters,
and mosaicists portrayed the story of her life in loving detail; sea-captains named
their ships after her; musicians wrote love songs to her; mystics claimed to have
had numberless visions of her and to have spoken directly with her. Not only did
6. It was St. Jerome, especially, who brought Mary permanently to the forefront. A rival writer of the
time, named Helvidius, had suggested that Mary, after giving miraculous birth to Jesus, had had a
normal (i.e., sexual) marriage with her husband Joseph. This sent Jerome into a ballistic rage and inspired
him to write a short but blistering book called Against Helvidius. It demolished Helvidius’ position, and
Mary’s perpetual virginity was never questioned thereafter.