20. PPE; Lancelot de Carles.
21. CSP: Spanish; Letters and Accounts of William Brereton.
22. Muir; Thomson; Sir Thomas Wyatt; Letters and Accounts of William Brereton.
23. L&P; CSP: Spanish; CSP: Venetian.
24. History of the King’s Works; CSP: Spanish.
25. History of the King’s Works.
26. Ibid.
27. L&P.
28. Paul Hentzner, Travels in England.
29. Ibid.
30. The Paradise Chamber was demolished with most of the rest of these royal apartments in 1689–
1691 by Sir Christopher Wren. The present Cumberland Suite occupies the site of Henry VIII’s privy
chamber. Henry’s lodgings were replaced by the present King’s Apartments, built for William III.
31. Paul Hentzner, Travels in England.
32. Sunken gardens created in the 1950s in the Tudor style now occupy the site of the Pond Gardens.
33. History of the King’s Works.
34. Rawlinson MSS., Bodleian Library.
35. Cited in Windsor Castle: The Official Guide. The North Terrace was rebuilt in stone by Elizabeth I.
Henry VIII’s private apartments at Windsor were extensively remodelled by Charles II in the 1670s,
and again under George IV in the 1820s. The present State Apartments occupy the site.
44 “The High and Mighty Princess of England”
1. L&P.
2. Now in the National Gallery, London.
3. Holbein’s original portrait of Cromwell is lost. The best copy is in the Frick Collection in New York,
and there are two other copies in the National Portrait Gallery in London. On one of the latter there is
an inscription referring to Cromwell as Master of the Jewel House, which must date the sitting to
1533/4.
4. After Holbein’s death, many of his drawings remained in the Royal Collection, but were sold in 1553
to Henry FitzAlan, Earl of Arundel. They passed in 1590 into the collection of his son-in-law, John,
Lord Lumley, by which time they had been bound into a book. On Lumley’s death in 1609, the book
was acquired by Henry, Prince of Wales, son of James I. His brother Charles I later gave it to the Earl
of Pembroke, who sold it to Thomas Howard, Earl of Arundel, before 1642. The drawings were
purchased by Charles II prior to 1675, and have remained in the Royal Collection ever since. In 1727,
the book of eighty-seven drawings was found by Queen Caroline of Ansbach in a bureau in Kensington
Palace. The pictures were then extracted and framed. George III had them rebound in two volumes, and
in the nineteenth century they were moved to Windsor, where they remain today, remounted and
preserved between acrylic sheeting. Eighty-five of the pictures remain, of which eighty are signed by
Holbein; several have deteriorated and/or been retouched. Sixty-nine have been identified, but some are
incorrectly labelled. In 1590, the Lumley inventory noted that the names on the pictures had been
subscribed by Sir John Cheke, Secretary to Edward VI, who had first come to court in 1542 and may
not have known all the sitters. It is unlikely that any of the existing labels are his: they were probably
copied in the eighteenth century.
5. Karel van Mander.
6. See Derek Wilson, Hans Holbein.
7. Holbein’s design for the cup is now in the Offentliche Kunstsammlung Kupferstichkabinett, Basel.
8. L&P.
9. Ibid.
10. Ibid.