11. Ibid.
12. It remained in use for centuries; after 1758, it was known as the Eton Latin Grammar.
13. Erasmus, Opus Epistolarum.
14. Ibid.
15. Ibid.
16. More, Correspondence.
17. The 1534 edition ended with the death of Henry VII; Vergil later extended his history to 1537. He
returned to Urbino in 1553 and died there three years later.
18. Cited in Mattingly, Catherine of Aragon.
19. Erasmus, Opus Epistolarum.
20. Ibid.
21. Roger Ascham, The Schoolmaster, in Whole Works.
22. It was first published in 1543 by Richard Grafton.
23. Hall’s chronicle was published by Richard Grafton in 1548 as The Union of the Two Noble and
Illustre Families of Lancaster and York; the main section was entitled “The Triumphant Reign of King
Henry the Eighth.”
24. Henry VIII: A European Court in England.
25. It was printed by William Thynne, and a copy is now in Clare College, Cambridge. Another late
mediaeval classic, John Gower’s Confessio Amantis , was printed the same year by Thomas Berthelet.
26. Cited in L. B. Smith, Henry VIII: The Mask of Royalty; Ferguson, Indian Summer of English
Chivalry.
27. Henry VIII: A European Court in England.
28. The name of the English translator is unknown.
29. B.L. Additional MSS.
30. Inventory.
31. Inventory of the Whitehall library, 1542, in the Public Record Office. There were over nine hundred
volumes in the “upper library” alone (Inventory). There were also over three hundred books in the
library at Greenwich (PPE).
17 “The King’s Painters”
1. Nichols, Notices; Thurley, Royal Palaces.
2. Inventory.
3. Cited by Norris.
4. Loades, Tudor Court.
5. Now in the National Gallery, Washington.
6. Cited in Neville Williams, Henry VIII and His Court.
7. The bust of Henry VII is now in the Victoria and Albert Museum, London, while that of Henry VIII
is in the Metropolitan Museum of Art, New York.
8. Now in the Metropolitan Museum of Art, New York.
9. It is probably the plan of Dover in B.L. Cotton MSS.: Augustus.
10. The date has been determined by dendrochronological analysis. These portraits are still in the Royal
Collection.
11. Inventory.
12. Ibid.; PRO; L&P; Norris; Thurley, Royal Palaces.
13. Its original frame, now lost, recorded her age as thirty-four. Both portraits now have frames
inscribed JOHANNES CORVUS FLANDRUS FACIABAT (Richardson, Mary Tudor).
14. Another, almost identical, version is in the Museum of Fine Arts, Boston.
15. Now in the British Museum.
16. Karel van Mander.