relative peace prevailed in East Asia during the 1920s allowed party cabinets to pursue
an internationalist policy of ‘‘cooperative diplomacy’’ and free trade while cutting
military approp riations, as required of Japan by the Washington Naval Limitation
Treaty (1922). Politically, as well, the dropping in 1913 of the provision, introduced
by Yamagata in 1900, that army and navy ministers had to be officers on active duty,
somewhat strengthened the hand of party government vis-a
`
-vis the military, for that
provision had threatened to make it easier for a service minister to bring down a
cabinet by resigning. After the provision was restored in 1936, army ministers often
did just that.
No historian writing recently has done more to put the theme of Japanese dem-
ocracy back on the front burner than Andrew Gordon, in his book Labor and
Imperial Democracy in Prewar Japan. Whereas the ter m ‘‘Taisho
¯
democracy’’ pre-
dominates in both Western and Japanese accounts, Gordon proposes the term
‘‘imperial democracy,’’ signifying democracy centered on emperor and empire. ‘‘Im-
perial democracy’’ indeed makes more sense than ‘‘Taisho
¯
democracy,’’ a term which
has always obliged historians to explain that they are referring to democratic ideas and
practices that originated before, and continued after, the reign of Emperor Taisho
¯
(1912–26). Drawing a distinction between ‘‘imperial democracy as a movement’’
prior to 1918 and ‘‘imperial democracy as a structure of rule’’ from 1918 to 1932,
Gordon traces the evolution of a lively ‘‘dispute culture’’ of protest, as found among
the workers in the Nankatsu district of Tokyo. He concludes, ‘‘the 1920s saw more
than a short, superficial fling with a democratic fad. The idioms and ideas of empire,
emperor, and democracy reached deep into Japanese society.’’
22
That it ultimately
took the combined crises of the Great Depression, right-wing terrorism, and the
Manchurian Incident to destroy ‘‘imperial democracy as a structure of rule’’ in the
early 1930s attests to the tenacity of ‘‘imperial democracy.’’
It is useful to consider Sheldon Garon’s book The State and Labor in Modern Japan
alongside Gordon’s work, for although Garon is less explicitly concerned with the
theme of democracy, his discussion of what the parties in power actually did, or tried
to do, in the area of public policy bears indirectly on the general issue of Japanese
democracy. Here, it matters that at the time, and in retrospect, the Kenseikai and
Seiyu
¯
kai were quite different in outlook. Before he took office in 1918 Hara had built
up the Seiyu
¯
kai, for example through patronage to cultivate the local support of
prominent rural elites (meibo
¯
ka). But its reliance on these local elites, and the need to
compromise with the oligarchs on the road to power, had made the Seiyu
¯
kai polit-
ically conservative. Hara and his party were instinctively fearful of labor unions and
other organizations that championed democratic reform on behalf of ‘‘the people.’’
Not so the Kense ikai which, under the leadership of Hara’s rival Kato
¯
Takaaki, had
followed a more progressive political trajectory: ‘‘the Kenseikai and its successor, the
Minseito
¯
, took on the trappings of a liberal party intent on attracting the new votes of
workers, tenant farmers, and middle-class urbanites.’’
23
This more pluralist vision
informed the Kenseikai’s social policies during Kato
¯
’s tenure as prime minister from
June 1924 to January 1926, and those of his Minseito
¯
successors. The result was
cooperation with the moderately socialist Japan General Fed eration of Labor (Nihon
Ro
¯
do
¯
So
¯
do
¯
mei) and its political ally, the Social Democratic Party (Shakai Minshu
¯
to
¯
),
to legislate ref orms benefiting the workers. Significantly, progressive ‘‘social bureau-
crats’’ in the Social Bureau of the Home Ministry embraced much the same vision
OLIGARCHY, DEMOCRACY, AND FASCISM 163