it is simultaneously a reminder of an ongoing talent drain to more
lucrative markets.
Canadian writers and musicians also enjoyed international
exposure. Some of the most respected writers of the modern era are
Margaret Laurence, Robertson Davies, Margaret Atwood, Alice
Munro, Timothy Findley, Antonine Maillet, Gabrielle Roy, Mordecai
Richler, Michael Ondaatje, W. O. Mitchell, Michel Tremblay, and
Farley Mowat. While many of their works were distinctively
Canadian in setting and composition, they clearly addressed issues
that touched a wider audience. A similar point can be made about
Canadian musicians. The deep traditions of country music and jazz,
as well as the rock industry of the postwar era, became international
in scope. Canadian musicians whose compositions became familiar to
millions included piano virtuosos such as Glenn Gould, jazz greats
such as Oscar Peterson, folk singers such as Anne Murray and
Gordon Lightfoot, and country crooners such as Hank Snow. From
its inception the rock industry was replete with Canadians. An
unbroken line reached from early rock stars such as Joni Mitchell and
Neil Young to late twentieth century pop attractions such as Céline
Dion, Bryan Adams, Alanis Morissette, and Shania Twain. More
recently, groups and artists such as Barenaked Ladies, Nickelback,
Broken Social Scene, and Drake have garnered an international
following. The ease in which these artists move across the border
suggests an international culture that can be interpreted in one of two
ways: either it indicates positive connections, a variation on the
“global village” theme, or it threatens the survival of a distinctive
Canadian culture (see “Canadian Insights Using Humor ” in the
Documents section).
Canadians found themselves confronting similar dilemmas with
the sports industry. The fate of the National Hockey League aptly
illustrates the issue. Started in 1917 with four Canadian teams, by the
1920s the NHL was dominated by American teams. In the early
twenty-first century the NHL’s players come from Canada, the
United States, and a growing number of European countries. As
humorists have long pointed out, hockey is the closest Canadians
come to having a national religion. Canada’s narrow victory in a
1972 hockey series with the Soviets triggered an unusual demonstra-
tion of national pride. By 2000 Canada also had two professional
baseball teams, the Montreal Expos and the Toronto Blue Jays. The
Contemporary Canadian Culture 259
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