miles of “the States,” placing them within easy reach of printed
material, radio, and television. Individual Canadians chose to purchase
American literature, tune in an American radio station, or watch a
favorite television program about a mythical California family. Yet
many individuals were sufficiently concerned about clearly defining
and protecting a Canadian culture in the postwar era that they turned
to the government to increase its support in the enterprise.
The St. Laurent government charged an investigative body to look
into the problem in 1949. Two years later, the Royal Commission on
National Development in the Arts, Letters, and Sciences published its
findings. Vincent Massey, a diplomat with experience in both the
United States and Britain, chaired the exhaustive study. The Massey
Report found that Canadian culture was on the fringes of society; it
argued that more citizens should incorporate it into their lives and
that the government should have a key role in nurturing it. Leaping
off the report’ s pages was a fear of “mass culture,” a reference to the
influence of American media. The warnings were clear. Canadians
should deliberately encourage and protect their own culture and
education; otherwise, they would become overwhelmed by an
invasive American or international culture. Determining what is
distinctively Canada, long a subject of debate, would continue to
receive the attention of zealous defenders of Canadian culture and
critics who found the exercise frivolous or wasteful (see “Recom-
mendations of the Massey Report” in the Documents section).
Although the government had strong reservations about becom-
ing a patron of the arts, the Massey Report created a wellspring of
governmental largesse to support the country’s cultural industries,
education, and heritage over the next decade. The CBC and the
National Film Board received an infusion of capital in the 1950s.
National television broadcasting began in 1952. Popular Canadian
programs, including La famille Plouffe and Music Hall, entertained
Canadians and carved out a niche in the face of an onslaught of
American-made shows. A National Library was created the following
year; it would be closely linked to an older organization that also
grew in the postwar era, the Public Archives of Canada (now coupled
with the library and renamed Library and Archives Canada). The
Canada Council, created in 1957 with an infusion of inheritance
taxes, provided grants to arts organizations, funding for universities,
and scholarships and loans to students. By the 1960s Canadian
Life in Cold War Canada 179
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