678 Part D Automation Design: Theory and Methods for Integration
ited attentional resources. When designing a warning
system, it is critical to take into account the con-
text in which the warning will appear; for example,
in a noisy construction environment, in which work-
ers may be wearing hearing protection, an auditory
warning is not likely to be effective. Whatever the
context, the warning should be designed to stand out
against any background information (i.e., visual clut-
ter, ambient noise). Sanderson [39.38] has provided
a taxonomy/terminology for thinking about sensory
modality in terms of whether information is persistent
in time; whether information delivery is localized, ubiq-
uitous, or personal; whether sensing the information
is optional or obligatory; whether the information is
socially inclusive; whether monitoring occurs through
sampling, peripheral awareness, or is interrupt based;
and information density (Table 39.1). Next, advantages
and disadvantages of different modes of warning pre-
sentation will be discussed in related terms.
39.2.2 Warning Sensory Modality
Visual Warnings
The primary challenge in using visual warnings is that
the user/operator needs to be looking at a specific lo-
cation in order to be alerted, or the warning needs to
be sufficiently salient to cause the operator to reorient
their focus towards the warning. As discussed earlier in
the section on static warnings, the conspicuity of visu-
ally based signals can be maximized by increasing size,
brightness, and contrast [39.36]. Additionally, flashing
lights attract attention better than continuous indicator-
type lights (e.g., traffic signals incorporating a flashing
light intothe red phase) [39.36]. Sinceflash rates should
not be greater than the critical flicker fusion frequency
(≈ 24Hz; resulting in the perception of a continuous
light), or so slow that the on time might be missed,
Sanders and McCormick [39.40] recommend flash rates
of around 10Hz.
Auditory Warnings
Auditory stimuli have a naturally alerting quality and,
unlike visual warnings, the user/operator does not
have to be oriented towards an auditory warning in
order to be alerted, that is, auditory warnings are
omnidirectional (or ubiquitous in Sanderson’s terminol-
ogy) [39.41, 42]. Additionally, localization is possible
based on cues provided by the difference in time and
intensity of the sound waves arriving at the two ears.
To maximize the likelihood that the auditory warning
is effective, the signal should be within the range of
about 800–5000Hz (the human auditory systemis most
sensitive to frequencies within this range – frequencies
contained in speech; e.g., Coren and Ward [39.43]) –
and should have a tonal quality that is distinct from that
of expected environmental sounds – to help reduce the
possibility that it will be masked by those sounds (see
Edworthy and Hellier [39.44] for an in-depth discussion
of auditory warning signals).
Verbal Versus Nonverbal
Any auditory stimulus, from a simple tone to speech,
can serve as an alert as long as it easilyattracts attention.
However, the human auditory system is most sensitive
to sound frequencies contained within human speech.
Speech warnings have the further advantage of being
composed of signals (i.e., words) which have already
been well learned by the user/operator. There is a re-
dundancy in the speech signal such that, if part of the
signal is lost, it can be filled in based on the context pro-
vided by the remaining sounds [39.45, 46]. However,
since speech is a temporally based code that unfolds
over time, it is only physically available for a very lim-
ited duration. Therefore, earlier portions of a warning
message must be held in working memory while the re-
mainder of the message continues to be processed. As
a result, working memory may become overloaded and
portions of the warning message may be lost. With vi-
sually based verbal warnings, on the other hand, there is
the option of returning to,and rereading,earlier portions
of the warning; that is, they persist over time. However,
since the eyes must be directed towards the warning
source, the placement of visually based warnings is
critical so as to minimize the loss of other potentially
critical information (i. e., such that other signals can be
processed in peripheral vision).
While verbal signals have the obvious advan-
tage that their meaning is already established, speech
warnings require the use of recorded, digitized, or
synthesized speech which will be produced within
a noisy background – therefore, intelligibility is a ma-
jor issue [39.44]. Additionally, as indicated earlier, the
speech signal unfolds over time and may take longer
to produce/receive than a simpler nonverbal warning
signal. However, nonverbal signals must somehow en-
code the urgency of the situation – that is, how quickly
a response is required by the user/operator. Extensive
research in the auditory domain indicates that higher-
frequency sounds have a higher perceived urgency than
lower-frequency sounds, that increasing the modula-
tion of the amplitude or frequency of a pulse decreases
urgency, that increases in number of harmonics in-
Part D 39.2