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PAPER AND PAPERBOARD PACKAGING TECHNOLOGY
Printing involves solid print, text, illustrations and diagrammatic repre-
sentations appropriate for the type of product concerned and its market pos-
itioning. As already noted, product positioning and specific brand values will
have a major influence on the print design and the quality of reproduction
required.
Functional needs of the packaging, depending on the product or method of
distribution, may impose constraints. Products such as detergents can be aggressive
to print, particularly in conditions of high humidity. Powdered products packed
hot may impose the need for highly scuff and rub resistant print surfaces. Products
such as chocolate and tobacco are sensitive to retained ink odours and this will
influence the choice of inks and print process. In every case, the overall needs should
be discussed with printing experts.
With respect to quality of reproduction, there is overlap in what can be
achieved today with the different printing processes.
It is used to be said that flexo was poor for solids, half tones, as required for
illustrations, and varnish gloss. This is not true today. Excellent results have also
been demonstrated using UV cured varnish. A flexo press with cutting and creasing
in-line was recently demonstrated for printing cigarette cartons, the printing of
which is currently dominated by gravure.
Gravure was considered the best for solids, and offset litho the best for half tones.
Offset gravure and conventional gravure with electrostatic assist may improve
gravure half-tone reproduction, but the benefits are academic if the capacity to
print large volumes is not available or if run lengths are too low to justify the high
cost of gravure cylinders.
There was a time when, for example a rose would be printed by offset litho
on a carton for chocolate assortments and the rest of the carton, with an overall
solid print, would be printed by sheet-fed gravure. There were specific reasons
for this. Gravure, provided the retained solvent level met the required standards,
was the better choice since in those days the residual odours from oxidation–
polymerisation drying oil-based litho inks were a potential hazard for chocolate
packaging. Moreover there was a risk of set-off and poor rub resistance with
litho on such large solid areas of print. Today there is a wide choice of offset
litho ink and drying systems, particularly with UV (ultraviolet) and EB (electron
beam) assisted drying.
It used to be the case that varnishing in-line by offset litho was poor in terms
of colour and gloss. Today, this no longer applies as presses are fitted with coating
units and can apply UV cured varnishes which are water clear, have high gloss and
rub resistance.
It still the case that the cylinders are relatively dearer for gravure than plates are
for litho and flexo, but they are longer lasting and hence are competitive when
long runs are required.
Silk screen printing has always been known for its ability to print thick films of
ink – it gives the best fluorescent effect, for example. It is possible to use UV