c¸a
˘
glar keyder
globalising cities of the Third World, Istanbul has experienced the shock of
rapid integration into transnational networks and markets and witnessed the
emergence of new social groups since the 1980s.
23
A thin social layer of a new
bourgeois and professional class has adopted the lifestyle and consumption
habits of their transnational counterparts.Globalised lifestyles,shoppingmalls,
gated communities and gentrified neighbourhoods that replicate similar ones
in other globalising cities are stock features of the literature on the new city.
24
Istanbul was already the centre of high-level services oriented to the national
economy during the period when it served as the primate city. Trade and
finance were centred in the city, as were the small communications and media
sectors catering to the country as a whole. The latter sectors included pub-
lishing and cinema. Television had only started to broadcast in the mid-1970s,
and consisted of three public channels based in Ankara. During the 1980s there
was an explosion of media: with de facto deregulation following some years of
‘pirate’ broadcasting, the number of television channels reached twenty. The
number has subsequently climbed to perhaps twice that, and many produc-
tion companies have developed. A similar trend can be observed with radio
stations, which also exploded in numbers following deregulation. The music
industry owes its rapid growth to the proliferation of cassettes, again in the
1980s, and has now matured and entered into partnerships with global media
giants.
25
The growth spurt in publishing came later, with the increase in con-
sumption of magazines and books towards the end of the century. Cinema,
which had entered a period of stagnation following its exuberant activity dur-
ing the 1970s, has revived most successfully, again in the late 1990s. Turkey
now has the highest proportion in Europe of local film revenues in the box
office. In addition to capturing national audiences, Turkish films have also
become perennial favourites in world festivals. As incomes increased, so did
the proportion of employment in culture industries and advertising, and Istan-
bul naturally monopolised these sectors, providing the entire country with
23 Istanbul’s mayor in the 1980s, Bedrettin Dalan, was a bold public entrepreneur who
launched an urban renewal campaign dislocating thousands of ‘old economy’ shops and
workshops and opening swaths of Golden Horn, Bosporus and Marmara waterfront to
parks and footpaths. His tenure marked the beginning of what has become a consistent
theme in urban government: the need to boost Istanbul as a global city attracting
business and tourists. See Oktay Ekinci, Istanbul’u sarsan on yıl: 1983–1 993 (Istanbul:
Anahtar Kitaplar, 1994).
24 N. Tokatlı and Y. Boyacı, ‘The Changing Morphology of Commercial Activity in Istan-
bul’, Cities 16, 3 (1999); Ays¸e
¨
Onc
¨
u, ‘The myth of the “Ideal Home” travels across cultural
borders to Istanbul’, in Ays¸e
¨
Onc
¨
u and Petra Weyland (eds.), Space, Culture and Power:
New Identities in Globalizing Cities (London: Zed Books, 1997).
25 Martin Stokes, ‘Sounding out: the culture industries and the globalization of Istanbul’,
in Keyder (ed.), Istanbul.
516