A brief history of modern Istanbul
questioning of matters of culture and civilisation, of modernisation and native
values, this was the period when the spatial construction of the city came
to parallel the social divide. There is an established genre in Turkish litera-
ture and cinema that maps the neighbourhoods of the city onto the attitudes
and emotional charges of the separation between the Westernisers and the
defenders of cultural authenticity.
7
When the nationalists, following the expulsion of the Greek army from
Anatolia and the departure of the last British forces, entered Istanbul in Octo-
ber 1922, they put an end to the cultural debate. From then on, nationalism was
to provide the accepted narrative, attempting to reconcile cultural nativism
with Westernising zeal, while keeping Islam out of the picture. In the Turkish
version, and especially under the influence of inter-war authoritarian regimes,
nationalism took on a strongly statist and relatively ethnic colouring, which
dictated that the Europe-oriented remnants of the Ottoman Christian bour-
geoisie had to be excised from the body national in order for the nation-state
to begin anew on a healthy basis.
8
It was only grudgingly that the new gov-
ernment accepted, as stipulated in the Exchange of Populations annex of the
Lausanne treaty, that the Greeks who could prove their residence in Istanbul
be allowed to remain in the country. The nationalists resented not only the
cosmopolitan empire, which had naively entertained the dream of surviving in
the modern world with its diversity intact, but also the imperialist engineers,
some of whom continued to harbour international fantasies in the immedi-
ate post-war period. As a prelude to that other stalled project, the League of
Nations, the British and French occupation authorities who ruled Istanbul for
three years had briefly entertained the notion of turning it into an international
city housing the future offices of a world government.
9
This, of course, was
a flattering conceit, and a more confident state might even have capitalised
on it; but Turkey was too hurt, too green and too humiliated – even with
the victory of the nationalists. The nationalist regime was afraid and anxious,
7 The classical novel is Peyami Safa’s Fatih-Harbiye, referring to two neighbourhoods on
either side of the divide. As to films, there are several from the 1960s and the 1970s that
treat love affairs between rich, spoiled, but eventually repentant youngwomen who dance
to Western music, and proud and handsome men from the poorer, traditional, and later
gecekondu neighbourhoods. See Mehmet
¨
Ozt
¨
urk, ‘T
¨
urk sinemasında gecekondular’, Euro-
pean Journal of Turkish Studies, thematic issue 1 (2004), www.Tejts.org/document94.html.
8 C¸a
˘
glar Keyder, ‘The Consequences of “the Exchange of Populations” for Turkey’, in
Hirschon (ed.), Crossing the Aegean.
9 For the occupation period, see Nur Bilge Criss, Istanbul under Allied Occupation, 1918–1923
(Leiden: E. J. Brill, 1999); also Clarence Richard Johnson (ed.), Constantinople Today or the
Pathfinder Survey of Constantinople – A Study in Oriental Social Life (New York: Macmillan,
1922).
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