Further Reading
ASTM (2000) ASTM Standards on Color and Appearance
Measurement, 6th edn. West Conshohocken, PA: Ameri-
can Society for Testing and Materials.
BSI/ISO (1999) BS 5929-10:1999, ISO 11037: 1999
Methods for Sensory Analysis of Food. General
Guidance and Test Method for Assessment of the Colour
of Foods. London: British Standards Institution.
CIE (1986) Publication Commission Internationale de
l’Eclairage no. 15.2 Colorimetery, 2nd edn. Vienna:
CIE Central Bureau.
Francis FJ and Clydesdale FM (1975) Food Colorimetry:
Theory and Application. Westport, CT: AVI.
Hunt RWG (1998) Measuring Colour, 3rd edn. Surbiton,
UK: Fountain Press.
Hunter RS and Harold RW (1987) The Measurement of
Appearance, 2nd edn. New York: John Wiley.
Hutchings JB (1999) Food Colour and Appearance, 2nd
edn. London: Lippincott Williams & Wilkins.
Mackinney G and Little AC (1962) Color of Foods. West-
port, CT: AVI.
McDonald R (1997) Colour Physics for Industry, 2nd edn.
Bradford, UK: Society of Dyers and Colourists.
MacDougall DB (2002) Colour in Food – Improving Qual-
ity. Cambridge: Woodhead Publishing Co. Ltd.
Texture
M C Bourne, New York State Agricultural Experiment
Station, Cornell University, Geneva, USA
A S Szczesniak, New York, NY, USA
Copyright 2003, Elsevier Science Ltd. All Rights Reserved.
A Quality Factor
0001 Texture is a sensory property of foods which, together
with appearance, aroma, and basic taste, has a pro-
found effect on consumer acceptance of foods. Each
of these properties is composed of a number of notes.
Texture lies between taste and aroma in this respect,
several dozen different texture notes being detectable
in foods, which is more than the four taste notes of
sweet, sour, salt, bitter, and less than the hundreds of
odor notes that can be recognized.
0002 Textural perception occurs directly through the
tactile (touch) and kinesthetic (movement) senses,
and indirectly through the senses of vision and hear-
ing. In contrast to color and flavor, there are no
specific sensory receptors for texture. Texture is an
important quality attribute in almost all foods and
most important in foods that are bland in flavor, or
have the characteristics of crispness or crunchiness. It
contributes to the satisfaction of chewing and the
pleasure of eating. Good textures are indicators of
excellent food preparation. Highly valued is textural
contrast, i.e., the presence of two or more contrasting,
but compatible, characteristics that can occur within
a meal, on the plate, or within a food product.
0003Texture may be defined as ‘that group of physical
characteristics that arise from the structural elements
of the food, are sensed primarily by the feeling of
touch, are related to the deformation, disintegration,
and flow of the food under a force, and are measured
objectively by functions of mass, time, and length.’
This definition teaches that texture has its roots in
structure (molecular, microscopic, macroscopic) and
the manner in which this structure reacts to applied
forces. It also emphasizes that texture is a multi-
dimensional property comprising a number of
sensory characteristics.
0004A large number of terms are popularly used to
describe textural sensations. Table 1 organizes many
of these terms into a manageable system that
facilitates understanding their interrelationships. It
classifies textural properties into mechanical charac-
teristics (reaction of the food to stress), geometrical
characteristics (the feeling of the size, shape, and
arrangements of particles in the food, sometimes
called ‘particulate properties’), and other characteris-
tics (relating to the sensations of moisture, fat, and oil
in the mouth). Table 2 provides physical and sensory
definitions of the mechanical characteristics.
Sensory Evaluation
0005Since, by definition, texture is a sensory property, the
most logical approach to its description and quantifi-
cation is by sensory evaluation. In the early days,
panels with various degrees of training were used to
score specific textural characteristics or ‘texture’ in
general. The scoring methods used were either numer-
ical intensity scales (frequently 0–7, with 0 denoting
absence and 7 a very high intensity of a specific
characteristic) or hedonic scales (ranging from ‘dis-
like extremely’ to ‘like extremely’). The latter should
not be used when the objective is to describe texture
in terms of the characteristics present or to quantify
their intensity.
0006The sensory perception of texture is a dynamic
process which involves the rate and magnitude of
the applied forces, and also the effects of temperature,
saliva, and time. The time element includes the
repeated application of destructive forces in the
masticatory process, and the duration of the food’s
contact with saliva and mouth temperature.
0007The multiparameter nature of texture and the pro-
cess dynamics of its sensory perception during masti-
cation form the basis for the sensory texture profile,
SENSORY EVALUATION/Texture 5167