262 John Lee and Keith Stenning
focus can be established simply by the picture, and hence we do not see it as a
convincing way to introduce an antecedent for
The on/off switch.
We can also rethink Singer's
Circuit
example in this context, by relating
it to a certain approach in the treatment of language. Some of the phenom-
ena of natural languages, treated under the label 'iconicity' by linguists, can be
thought of as arising when some aspects of the structure of a represented sit-
uation correspond not to the
semantic
relations, but to the
syntactic
relations
in a linguistic expression. Roughly, imposing an abstract syntax that differenti-
ates identification and attribution functions (which, as we have seen, is required
in type-referential systems) means that although semantic abstraction becomes
possible, it becomes impossible to avoid assuming a specific information per-
spective. A language allows us to leave many semantic relations unspecified, but
syntactic categories are now obligatory. We must partition material into subject
and predicate, and this enforces a partitioning into given and new information
(see Haiman, 1985, especially the paper by Giv6n).
In the context of this theoretical analysis, the Singer example can be re-
assessed. His control panel has to be separated into two sub-diagrams: one con-
sisting of a circuit diagram, and one consisting of the function buttons. The
presence of a box around the buttons makes the structure more salient, but is
not necessary: the fact that these are not a unitary diagram is attested to by
the heterogeneity of interpretation found
across
the sub-diagrams. The fact that
the "ohms" button is found to the left of the resistor R1 is not interpreted to
mean that Rl's resistance is to the left of R1. There is no interpretation of the
spatial relations between sub-diagrams, whereas spatial and topological relations
within the diagram of the circuit are interpreted. Notice that the possibility of
contextual determination of 'reference' in a stream of mouse clicks is the result
of segregating the identifying and predicating functions into these two seman-
tic spaces. Just as the syntax of language provides for nouns, verbs, pronouns
and other syntactic categories that have distinct functions, so the framework
of Singer's system provides a 'syntax' for the sequences of mouse-clicks that it
supports, with the same parallelism of syntactic and semantic categories that
provides for compositionality in language. A graphical interaction 'sentence' can
be taken as predicating the property -- resistance, current borne, etc. -- of the
resistor referred to in the earlier click (cf. also the sequences of mouse events
considered in Lee and Zeevat, op. cit.). In linguistic terms this might be ellipsis,
rather than anaphora. However, there remains the extra-linguistic factor, poten-
tially crucial in processing terms, that reference continues to be indicated by
persistent highlighting 9.
While streams of mouse clicks have a typically closer, and obviously deictically-
mediated, relationship to a graphical context than does natural language, their
tendency to exhibit linearity, token-referentiality and focus phenomena take
them a long way towards the linguistic end of the communication spectrum,
and indicate why we may expect to find in them more linguistic features re-
sembling anaphora, ellipsis, etc. In this sense, we support some of the spirit of
9 Cf. footnote 5.