176 THE GOIDELIC LANGUAGES
‘very worn’. They are often written seacharán, seomara, caran, ana- mhaith and ana- chaite in non-
standard spelling. Such pronunciation is often indicated in seventeenth- century Munster poetry and
prose writings. Words such as carn ‘a cairn’ and dorn ‘a fi st’ tend to have a long vowel or diphthong in
other dialects.
2 In clusters such as lp, lf, rp and rf one would not expect an epenthetic vowel as the second consonant is
voiceless. However, when the p and f in such clusters are derived from a historical sequence of bth
/bh/, bhth or mhth /βh/, we can claim that the epenthetic vowel was introduced before the deletion of
/h/. This /h/ had caused the devoicing of b and bh to p and f, respectively. Th, which was historically a
voiceless fricative /θ/, changed to /h/ around the end of the twelfth century. In words such as corp ‘a
body’, alp ‘a lump’ and oirfi deach ‘a musician’ where the voiceless consonants p and f are original,
there is no epenthetic vowel. In words such as glórmhar ‘glorious’ and pianmhar ‘painful’, no
epenthetic vowel is inserted between r/n and mh because the preceding stressed vowel is long or a
diphthong (which is the equivalent of a long vowel.)
WORD STRESS
The general tendency in Modern Irish dialects as a whole is to stress the fi rst syllable of a
word. There is a small class of lexical items (no more than twenty in number) which show
non- initial stress in all dialects e.g. amháin ‘one, once’, arís ‘again’, amárach ‘tomor-
row’, inniu ‘today’. However, various dialects show different treatments of non- initial
long vowels. Ulster Irish tends to shorten all long vowels in non- initial syllables e.g.
bradán > bradan /ˈbɾadan/ ‘a salmon’, galún > galun /ˈgaɫun/ ‘a gallon’. Connacht Irish
maintains long vowels in second and subsequent syllables e.g. galún /ˈgaɫuːn/ ‘a gallon’,
seoltóir /ˈsʲoːɫtoːɾʲ/ ‘a sailor’. Munster Irish on the other hand often stresses long vowels in
non-
initial syllables. If a word contains a long vowel in its second syllable, that syllable is
stressed e.g. scadán /skəˈdaːn/ ‘a herring’, seoltóir /ˈsʲoːɫˈtoːɾʲ/ ‘a sailor’. A long vowel in
a third syllable is stressed if all preceding vowels are short e.g peileadóir /pʲelʲəˈdoːɾʲ/ ‘a
footballer
’. Similarly, the - ach- sequence in a second syllable attracts stress if the preced-
ing syllable is short e.g. gealach /ɉəˈɫax/ ‘a moon’, mallacht /məˈɫaxt/ ‘a curse’ but not in
eolach /ˈoːɫəx/ ‘knowledgable’. O’Rahilly (1932: 86–93) claims that this change occurred
due to the infl
uence of Norman French from the twelfth century onwards. However, in
the same book he admits that French infl uence is not suffi cient to explain all such stress
shifts (1932: 92–3, 109–12). Recent attempts to account for this stress shift in Munster
Irish tend to trace the origin of the shift to tensions within the language system itself and
the rise of long vowels in second syllables, which upset the equilibrium that existed previ-
ously (Blankenhorn 1981, Ó Dochartaigh 1987 and Ó Sé 1989).
MORPHOLOGY
Modern Irish has a large number of morphological changes, including initial consonant
mutations, associated with the following grammatical categories: nouns, adjectives, verbs,
prepositions, pronouns, articles, demonstratives and following numerals. The creation of
compound words is also a productive process and involves initial consonant mutations
on the second or subsequent subpart of the compound. The general rule is that the gender
of compound words is dictated by the gender of their fi nal element, e.g. seanbhád < sean
+ bád ‘an old boat’ has masculine gender – bád ‘a boat’ being a masculine noun; simi-
larly, leathbhróg ‘one shoe (of a pair)’ is feminine – bróg ‘a shoe’ being a feminine noun.
Some compounds, however, do not follow this rule and the gender of such compounds is