146 THE CENTRAL MIDDLE AGES
From the rebels’ point of view, the ’Umayyads had failed in their jihad, the struggle
to obey Allah’s will and Islamize the world. The stalling out of the campaign to
crush the Byzantines, after Heraclius’ successful defensive efforts in the first half
of the eighth century, was widely interpreted as evidence of Allah’s displeasure
with the ’Umayyads and justified the rebellion; yet other, subtler motives existed
as well. The Persians, who resided in Iran, regarded themselves as the cultural
superiors of the comparatively rustic Arabs—although, as devout Muslims, they
accepted the unique stature of the Arab Prophet and of Allah’s revelation in the
Arabic language. Unlike the Arabs, the Persians could point to a rich cultural
legacy that went back more than a thousand years: Persian science, mathematics,
poetry, architecture, astronomy, and music were among the glories of the ancient
world, and were in full flower a hundred years before Alexander the Great. Once
the Persians adopted Islam, a strong tension existed between the two cultures. The
early Arabs, as the recipients of Allah’s revelation and the soldiers on whose mar-
tial strength the empire had been created, tended to regard themselves as the sole
possessors of authority within Islam; the Persians, on the other hand, embraced
the Islamic faith but resented the often heavy-handed way in which they were
treated by their new Arab rulers. And hence the revolt in 750.
The new ’Abbasid rulers were themselves Arab, but they popularly champi-
oned the notion that all the peoples of the Islamic world were equal in Allah’s
eyes—or at least so they claimed. The first ’Abbasid rulers, ’Abu ’al-’Abbas (known
by the nickname ’al-Saffah, or “the Butcher”) and ’Abu Jafar (who took the name
’Al-Mansur, “the Conqueror”), awarded the majority of court positions to family
members and agents, and executed any provincial administrators, military com-
manders, and government officials whom they deemed too wealthy, powerful, or
popular. Paranoia about his political and physical security led ’Al-Mansur to build
himself a new, heavily fortified palace in Baghdad (its official name was Madinah
’al-Salaam, or “City of Peace”) on the west bank of the Tigris river at the point
where it comes closest to the Euphrates. This was to become the magnificent cap-
ital of the empire and the economic and cultural hub of the Islamic world. Bagh-
dad’s population numbered in the hundreds of thousands, and its splendid pal-
aces, lush gardens, and bustling streets became the setting for most of the tales of
the Arabian Nights (also known as the One Thousand and One Nights) that were
compiled in the first half of the tenth century.
But while the new dynasts protected their hold on the government, they
greatly liberalized the cultural and social atmosphere so that Persian traditions of
science, art, and philosophy entered the mainstream of Islamic life. This rich new
element, coupled with the Greek legacy absorbed by the Arabs and the Arabs’
own lengthy tradition of poetry and oral history, resulted in a wondrous prolif-
eration of art and thought. The courts of the caliph, not to mention those of the
’Abbasids’ administrative underlings and of prominent urban magnates, became
strongly Orientalized. From the rather staid and pietistic nature of life in ’Um-
ayyad Damascus, Islamic civilization after 750 began to explore and delight in the
brilliant and sensual (but not sensuous) life of Persian culture.
6
The results were
exhilarating even to the point of being gaudy. One ’Abbasid chronicler in the
eleventh century proudly described the splendor of the caliphal court: An embassy
6. Of course, there were exceptions. One extremely popular poet named Bashshar ’ibn Burd sang the
glories of sexual love so wonderfully that the caliph ’al-Mahdi (775–785), the successor to ’al-Mansur,
ordered him executed in 783 on the charge of threatening public morals. To the best of my knowledge,
Bashshar’s erotic works have never been translated into English.