The scope of this chapter is the second stage of the visualization process—namely visualization mappings of
vector and tensor data in flow fields. In Section 5.2, visualization mappings and resulting icons are discussed
from the standpoint of representation theory, and several of their important properties are identified. The
discussion provides a theoretical basis and a unified framework for analyzing diverse vector and tensor
mappings in Sections 5.3 and 5.4, where the various concepts are illustrated mainly by examples from
aerodynamics (other important areas in flow visualization that are not discussed in this text include
visualization of jets [13, 14, 15] and of atmospheric simulations [16, 17]. Finally, the interested reader will
find in appendix a discussion of some recently developed visualization software environments.
5.2 Visualization Mappings of Flow Data
Since scientific visualization is a new discipline, the correlations between various techniques are little
understood—a fact mainly due to the lack of a conceptual model for thinking about multivariate data
visualization [18]. However, the problem of representation tackled by scientific visualization—i.e., creating a
mental image of the data—is hardly a new subject; its theoretical and practical implications have been studied
extensively in various disciplines such as logic, linguistics, psychology, and sociology.
The following discussion analyzes visualization mappings from the standpoint of representation theory and
identifies general properties of related icons. The purpose of this framework is twofold: first, it allows
scientific visualization to be conceptually distinguished from other applications of computer graphics; second,
it provides a natural categorization of numerous a priori-unrelated visualization mappings to be examined in
the next sections.
5.2.1 Icons
In scientific visualization, icons are often defined as geometrical objects that encode the data at a given point
either through geometric characteristics such as lengths or angles, or through other visible attributes such as
color or opacity [19]. In this chapter, however, we expand this typical notion of “icon” to a more general
concept borrowed from theories of the semiotics of data representation.
Visualization mappings extract a psychologically meaningful representation from the data; thus, they always
posit a relation between an object (data) and its interpretant (psychological imprint of the data), i.e., a
semiological sign [20]. In his work on logic, C.S. Peirce identifies several classes of signs [21]. A sign relates
to the object in three different ways: as an icon, an index, or a symbol. This subdivision of signs—formerly
applied to medical imaging [22]—is relevant to all branches of scientific visualization, including flow
visualization. According to Peirce:
An icon is based on a resemblance between the object and its representation; it is not, however, affected by
the object and has no “dynamic” connection to it. Examples are chemical diagrams that represent molecules.
On the other hand,
An index “is a sign which refers to the object that it denotes by virtue of being really affected by that object
[21];” typical examples include a clock indicating the time of the day and the photograph of an object. In fact,
an index is essentially causal whereas an icon is mainly mimetic [23]. Finally,
A symbol relates to the object by virtue of an arbitrary convention; for example, the correspondence between
the shape of letters in the roman alphabet and their sound is largely arbitrary.
In order to characterize the nature of signs used in scientific visualization, consider, for example, representing
a vector at a given point in space by an arrow. The arrow in itself is an icon, since it has qualities in common
with the data—i.e., direction and length. However, for the visualization mapping to be useful, the orientation
and length of the arrow must be determined by the data. In other words, the representation is causal and the
arrow, as it relates to the data, is indexical. However, this index involves an icon to “embody” the
information.
Many more examples of such combined signs are reviewed in this chapter. For simplicity, we conform to the
prevailing usage of the term “icon.” It should be kept in mind, however, that “icons” here are in fact
“indices-involving-icon” in respect to their semiological functions. The use of these complex signs is a
common property shared by diverse scientific visualization systems, and helps distinguish the discipline from
other applications of computer graphics which usually produce pure icons—as in architectural design or
photorealistic studies.