Perrie M. (ed.) The Cambridge History of Russia, Volume 1: From Early Rus’ to 1689
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11a
11b
Plate 11a. and 11b. Russian cavalrymen. From the 1556 edition of Herberstein. See p. 218.
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12a 12b
Plate 12. Royal helmets in the sixteenth century.
Plate 12a. Helmet of Ivan IV (c.1533). Inscribed: ‘Helmet of Prince Ivan Vasil’evich, son of
Grand Prince Vasilii Ivanovich, Sovereign of All Russia and Autocrat’. See p. 243.
Plate 12b. Helmet of Ivan Ivanovich, son of Ivan IV, decorated with images of
double-headed eagles and lions (1557). Inscribed: ‘This helmet was made on the order of
the faithful and Christ-loving Tsar, Great Sovereign Ivan Vasil’evich of All Russia,
Autocrat, for his faithful son, Tsarevich Ivan Ivanovich in the fourth year after his birth, in
the glorious ruling city of Moscow on the 8th day of July, in the year 7065’. See p. 251.
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Plate 13. The Great Banner of Ivan IV, with apocalyptic images and quotations from
Revelation (1559/60). The central mounted figure is Jesus Christ; the winged horseman on
the right is the Archangel Michael. See pp. 259–60.
Plate 14. A Russian merchant. From a sixteenth-century German engraving in the
collection of P. Ia. Dashkov, reproduced in the 1908 Russian translation of Herberstein.
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Plate 15. Cathedral of the Dormition (1475–9), north and east fac¸ades. Moscow Kremlin.
Photograph by William Brumfield. See p. 343.
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Plate 16. A ceremony in front of St Basil’s cathedral in Moscow (built 1555–61), as witnessed
by the Holstein envoys on 1 October 1634. On the left, the patriarch extends a cross to the
tsar. From the second (1656) edition of Adam Olearius’s account of the embassy.
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Plate 17. Anointing of Tsar Michael during the coronation ritual in the cathedral of the
Dormition, 1613. The regalia seen on gold plates are the Cap of Monomakh, the sceptre
and the orb. From a 1672 account. See p. 400.
Plate 18. Palm Sunday ritual in Moscow, 1662. The procession returns to the Kremlin
from Golgotha (foreground). The church of the Intercession (St Basil’s) is at the left.
Engraving from Baron von Meyerberg’s account of the embassy of the Holy Roman
Emperor to Moscow in 1661–2. See p. 405.
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Plate 19. Tsar Michael Romanov at the age of forty-two (i.e. in 1638). Portrait from the
first (1647) edition of Adam Olearius’s account of Russia.
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Plate 20. Engraved portrait of Tsar Alexis. Vienna (1660s–1670s).
Plate 21. Various types of corporal punishment, depicted against the background of the
Moscow Kremlin. From the 1656 edition of Olearius. See p. 571.
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Plate 22. Russian dress in the seventeenth century. A variety of types of costumes,
reflecting differences in gender and social status. From the second (1656) edition of
Olearius’s account of Russia.
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23b
Plate 23. Popular entertainments. The Church disapproved of such entertainments, and
skomorokhi were banned in 1648. See p. 626.
Plate 23a. Skomorokhi (folk minstrels) singing and dancing to amuse the envoys from
Holstein at Ladoga in 1634. From Adam Olearius’s account of the embassy, first published
in 1647.
Plate 23b. In the foreground, a showman wrapped in a blanket operates a puppet theatre
above his head. From the second (1656) edition of Olearius’s account.
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