
The 1999 movie The Insider dramatizes the way the CBS program
handled the report on the tobacco industry in 1995. Don Hewitt, execu
-
tive producer of 60 Minutes, criticized Lowell Bergman, who consulted
on the film and was portrayed as a principled reporter who eventually
quit his job over CBS’s handling of the report. Mr. Hewitt was cast as
more concerned with CBS’s stock price than the truth. Hewitt said that
by turning himself into a hero and portraying Hewitt as a toady, Berg
-
man lied, destroying his credibility as a journalist.
97
In a substitute program, 60 Minutes reported on the lengths to which
the tobacco industry has gone to muzzle its critics. In a personal note at
the close of the program, Mike Wallace said the program’s staff had been
“dismayed that the management of CBS had seen fit to give in to per
-
ceived threats of legal action.” He added, “We lost out—only to some de
-
gree—on this one, but we haven’t the slightest doubt that we’ll be able
to continue the 60 Minutes tradition of reporting such pieces in the fu
-
ture, without fear or favor.”
98
On hearing Wallace’s statement, Richard
Campbell, author of a book on 60 Minutes, quipped, “Unless it involves
the tobacco industry.” He added, “But I think the end result was pretty
weak-kneed,” and noted the program’s failure to mention the manage-
ment decision came as CBS stockholders were considering a merger with
the Westinghouse Electric Company.
99
The New York Times’s comment on
the cancellation of the original program was that “In so doing, in the
eyes of some journalism analysts, the program risked its twenty-
seven-year reputation for taking on any subject, no matter how large or
powerful.”
100
Said Marvin Kalb: “I think what happened here is proof of
the primacy of lawyers over editors.”
101
Small dailies and weeklies particularly have felt the chilling effect the
proliferation of libel suits has had on aggressive reporting. They lack the
size, money, and resources to fight them and are often unduly influ-
enced by social and financial pressures in their local communities. These
factors, rather than the fear of losing libel cases, have caused editors to
become more cautious in their approach to investigative stories and
even routine but controversial reporting about public figures.
102
The threat of suits has helped to improve journalistic accuracy. Re
-
porters are more apt to double-check their facts rather than prove a pre
-
conceived story. Editors and publishers are also likely to be more
responsible by checking for factual accuracy and moving away from the
use of unnamed sources.
The media may also be learning better manners. A study by Gilbert
Cranberg of the Iowa Libel Research Project found that unsatisfactory
postpublication experiences with the press influenced most of the 164
interviewed libel plaintiffs to file libel suits.
103
They complained that
when they called the newspaper, they were bounced from one person to
another. When they did reach someone, they often received such dis
-
courteous responses as, “Well, that’s just the way we do it, buddy!
That’s our policy,” or even worse: “Fuck you, you’re full of shit.”
104
In
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stead of cooling them down, calls to the press made the aggrieved parties
HOLDING THE MEDIA ACCOUNTABLE AND SUING I 191