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BIBLIOGRAPHY • 531

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———. Fujito. With Royall Tyler. Tokyo: National Noh Theatre, 1992.

———. Matsukaze. With Royall Tyler. Tokyo: National Noh Theatre, 1992.

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Kato

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Keene, Donald, ed. Twenty Plays of the No

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Parker, C. K., and S. Morisawa, trans. ‘‘Kokaji.’’ Monumenta Nipponica 3:2

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532 • BIBLIOGRAPHY

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———. The Noh: Sambamme Mono. 3 vols. Tokyo: Hinoki Shoten, 1976,

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———. The Noh. Vol. 2. Battle Noh. Tokyo: Hinoki Shoten, 1987.

———. Warrior Ghost Plays from the Japanese Noh Theater. Ithaca, N.Y.:

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———. Restless Spirits from Japanese Noh Plays of the Fourth-Group. Ithaca,

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Smethurst, Mae J. Dramatic Representations of Filial Piety: Five Noh in Trans-

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Tyler, Royall, ed. and trans. Granny Mountains: A Second Cycle of No

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Ithaca, N.Y.: Cornell East Asia Series, 1978.

———. Pining Wind: A Cycle of No

Plays. Ithaca, N.Y.: Cornell East Asia

Series, 1978.

———. Japanese No

Dramas. London: Penguin, 1992.

Ueda, Makoto, trans. The Old Pine Tree and Other Noh Plays. Lincoln: Univer-

sity of Nebraska Press, 1962.

Waley, Arthur, trans. The No

Plays of Japan. New York: Grove, 1957. Origi-

nally printed 1921.

Wilson, William Ritchie, trans. ‘‘Two Shuramono: Ebira and Michimori.’’

Monumenta Nipponica 24:4 (1969): 415–66.

———. ‘‘Fujito.’’ Monumenta Nipponica 29:4 (1974): 439–49.

Yasuda, Kenneth, trans. Masterworks of the No

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Websites: kyo

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After Seven Centuries, the Humour is Still Funny!: www.yorku.ca/yﬁle/

archive/ index.asp?Article1847

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BIBLIOGRAPHY • 533

Asian Topics: Noh Drama: www.columbia.edu/itc/eacp/asiasite/topics/index

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Checklist of Translations of Noh Plays in Alphabetical Order of Title: www

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Esoteric Literary Commentaries of Medieval Japan and Their Inﬂuence on Noh

Theater: www.oeaw.ac.at/ias/archiv/japan_symp04/klein.htm

Experiencing Noh: www.mindanews.com/culture/asian/noh.shtml

Hachi-no-Ki: A Perspective: www.phoenixbonsai.com/HachiNoKi.html

The History of the Traditional Performing Arts of Kansai: The Kansai Region

and the History and Appeal of Noh Theatre: www.kansai.gr.jp/culture_e/

geinou/rekishi/joruri/main.html

An Introduction to Noh and Kyo

gen: www2.ntj.jac.go.jp/unesco/noh/en/index

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Izumi Motoya: www.japan-zone.com/modern/izumi_motoya.shtml

Japan Access: Noh and Kyo

gen: www.sg.emb-japan.go.jp/JapanAccess/kyo

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Japan Fact Sheet: Noh and Kyo

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Japan Zone: Noh: www.japan-zone.com/culture/noh.shtml

Japanese Instrument: Noh Flute: homepage3.nifty.com/8627/

Japanese Kyo

gen: marian.creighton.edu/⬃marian-w/academics/english/japan/

kyogen/kyogen.html

Japanese Noh Masks: www.pasar5.com/NOH_MASK/intro.html

Japanese Noh Music: www.theatrehistory.com/asian/noh004.html

Japanese Noh Theatre: www.artelino.com/articles/noh_theater.asp

Japanese Noh (or No

) Theatre Page: www.artsci.wustl.edu/⬃rlneblet/noh/

Japanese Traditional A rt Kyo

gen: www.geocities.com/Paris/Bistro/9934/kyo

gen/kyogen.html

Kyo

gen: www.bookmice.net/darkchilde/japan/jkyogen.html

Kyo

gen: www.geocities.com/dm032/kyogen.html

Kyo

gen in

English: www.geocities.jp/crossculturalwomen/newpage6.htm

Kyo

gen M

asks: www.nohmask21.com/eu/mlist/kyogen.html

Kyo

gen Performance by Chu

zaburo

Shigeyama of Kyoto : www.iar.ubc.ca/

centres/cjr/kyogen.html

Kyo

gen Theater Enthralls Japan with Star: lawrence.com/news/arts/story/

118492

Kyoogen [sic]: Classical Japanese Theatre: www.hirohurl.net/kyogen.html

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Mibu-Dera Kyo

gen Pantomimes: www.yamanakart.com/egg-p/mibu/pages/

plays.html

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534 • BIBLIOGRAPHY

Miracles and Mischief: Noh and Kyo

gen Theatre in Japan: www.absolutearts

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Miracles and Mischief: Noh and Kyo

gen Theater in Japan: artscenecal.com/

ArticlesFile/Archive/Articles2002/Articles1202/NohTheaterA.html

Munakata Ueda and His Shakespearean Noh Plays: www002.tokai.or.jp/noh/

english.html

National Noh Theatre: www.tcvb.or.jp/en/infomation/7recom/wt9.html

The National Theatre of Japan: National Noh Theatre: www.ntj.jac.go.jp/

english/outline/facilities_03.html

Noh: www.things-japan.com/Tali/Noh.htm

Noh and Kyo

gen: web-jpn.org/museum/noh/noh01/noh01.html

Noh and Kyo

gen Plays: www.ubu.com/aspen/aspen10/noh.html

Noh Dancing: linus.socs.uts.edu.au/⬃don/pubs/noh.html

Noh Kyo

gen: www.iijnet.or.jp/NOH-KYOGEN/

Noh Mask: www.nohmask.com/index.html

Noh Mask Gallery: noh-mask.hp.infoseek.co.jp/

Noh Mask Maker in Japan: www.danheller.com/j-ppl-noh-masks.html

Noh Plays: etext.lib.virginia.edu/japanese/noh/

Nomura Kyo

gen-za: www.mansaku.co.jp/english/kyogenza/member.html

The No

Plays of Japan by Arthur Waley: www.sacred-texts.com/shi/npj/

The Noh Robe as Perfection: www.bro-pa.org/noh.html

The Noh Stage: www.theatrehistory.com/asian/noh005.html

Noh Theatre: www.indiana.edu/⬃ealc100/Group2/theatre.html

Noh Theatre (Encyclopedia Britannica article): www.britannica.com/eb/print?

eu57400

The Noh Theatre of Japan: www.sushiandtofu.com/sushi_an d_to fu /f ea tu re s_

theNohTheaterOfJapan.htm

Noh the Word: www.pony-express.net/west-east/japan/noh/noh_right.html

Noh Training Project: www.bte.org/Programs/noh.htm

Other Theatrical Portrayals of Dwarf Potted Trees: Kyo

gen: www.phoenix

bonsai.com/Kyogen.html

The Palace of Hana and Yugen: homepage1.nifty.com/HanaYugen/index.html

People Like Me: Kyo

gen. www.worldartswest.org/plm/guide/printablepag es/

japanesekyogen.pdf

Pitt Rivers Museum: Japanese No

h M

asks: www.prm.ox.ac.uk/nohmasks.html

Proﬁle of Matsumoto Kaoru, Kyo

gen Actor: www.toronto.ca.emb-japan.go

.jp/english/news/infocul-news/kyogen/matsumoto-prof ile.pdf

Progressive Noh: go-fubar.com/mag_en/articles/3/

Takigi Noh: www.merit5.co.jp/citylifenews/familyland/takigi/takigi.html

Theatre Nohgaku: www.theatrenohgaku.org/

Theatrical Performances: Noh: www.city.kanazawa.ishikawa.jp/dentou_e/

theater/theatere.html

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BIBLIOGRAPHY • 535

Tsukioka Kogyo

: www.degener.com/noh.htm

Under the Spell of Kyo

gen: www2.aia.pref.aichi.jp/voice/no16/international_

aichi.html

Visit the Ar tist: Noh Mask Maker: www.esprittravel.com/customtours/visi_

noh.html

What is Kyo

gen: www.jfbkk.or.th/event/kyogen_01.html

What is Noh?: www.noh-kyogen.com/english.htm

Wikipedia: Noh: en.wikipedia.org/wiki/Noh

Women in Noh: www.japantimes.co.jp/cgi-bin/getarticle.pl5?ﬂ20040411x1

.htm

Young Masters of the Art s: Noh: web-japan.org/kidsweb/master/noh/index

.html

BUNRAKU

Works on bunraku often discuss kabuki as well.

Adachi, Barbara. The Voices and Hands of Bunraku. Tokyo: Ko

dansha, 1978.

(Revised as Backstage at Bunraku. New York and Tokyo: Weatherhill, 1985.)

Ando, Tsuruo. Bunraku: The Puppet Theatre. New York: Walker/Weatherhill,

1970.

Boyd, Julianne K. ‘‘The Bunraku Puppet Theatre from 1945 to 1964.’’ Ph.D.

diss. City University of New York, 1986.

Coaldrake, A. Kimi. Women’s Gidayu

and the Japanese Theatre Tradition.

London: Routledge, 1997.

Dunn, Charles J. The Early Japanese Puppet Drama. London: Luzac, 1966.

———. ‘‘The Japanese Puppet Theatre.’’ In James Redmond, ed. Themes in

Drama: ‘‘Drama and Mimesis’’ 2. Cambridge: Cambridge University Press,

1980.

Gerstle, Andrew C. Circles of Fantasy: Convention in the Plays of Chikamatsu.

Cambridge, Mass.: Council on East Asian Studies, 1986.

———. ‘‘The Concept of Tragedy in Japanese Drama.’’ Japan Review (Inter-

national Research Center for Japanese Studies, Kyoto) 1:1 (1990): 49–72.

———. ‘‘The Sense of History in 18th Century Jo

ruri Drama.’’ Maske und

Kothurn 35 (Spring 1991): 39–54.

———. ‘‘Text as Performance: Tragedy in Japanese Drama.’’ In Recovering

the Orient: Artists, Scholars, Appropriations, ed. by C. Andrew Gerstle and

Anthony Milner. Armonk, N.Y.: M. E. Sharpe, 1995.

———. ‘‘Performance Literature: Japanese Theatre as a Model.’’ Comparative

Criticism 22 (October 2000): 39–62.

Gerstle, C. Andrew, and Sakurai Hiroshi. ‘‘Margins Between the Real and the

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536 • BIBLIOGRAPHY

Unreal: Bunraku.’’ In Samuel L. Leiter, ed. Japanese Theater in the World.

New York: Japan Society and the Japan Foundation, 1997.

Gerstle, C. Andrew, Kiyoshi Inobe, and William P. Malm. Theater as Music:

The Bunraku Play ‘‘Mt. Imo and Mt. Se: An Exemplary Tale of Womanly

Virtue.’’ Ann Arbor: University of Michigan, 1990.

Gibbons, Jacqueline. ‘‘Chikamatsu’s Osaka.’’ In Peter Preston and Paul Simp-

son-Houseley, eds. Writing the City: Eden, Babylon, and the New Jerusalem.

London: Routledge, 1994.

Heine, Steven. ‘‘Tragedy and Salvation in the Floating World: Chikamatsu’s

Double Suicide Drama as Millenarian Discourse.’’ Journal of Asian Studies

53:2 (1994): 367–93.

Hironaga, Shuzaburo. Bunraku: Japan’s Unique Puppet Theatre. Tokyo:

Tokyo News Service, 1964.

Hoff, Frank. ‘‘Killing the Self: How the Narrator Acts.’’ Asian Theatre Journal

2:1 (1985): 1–27.

Jones, Stanleigh H., Jr. ‘‘Experiment and Tradition: New Plays in the Bunraku

Theatre.’’ Monumenta Nipponica 36:2 (1981): 113–32.

———. ‘‘Puccini Among the Puppets: Madame Butterﬂy on the Japanese Pup-

pet Stage.’’ Monumenta Nipponica 38:2 (1983): 163–74.

Keene, Donald. Bunraku: The Art of the Japanese Puppet Theatre. Tokyo:

dansha, 1965.

Kincaid, Zoe

. ‘‘The Puppet in Japan.’’ Theatre Arts 13 (March 1929): 207–9.

Klopfenstein, Eduard. ‘‘Gassaku: Co-authorship in Classical Jo

ruri of the 18th

Century.’’ In Ian Nish and Charles J. Dunn, eds. European Studies on Japan.

Tenterden, Kent: Paul Norbury, 1979.

Law, Jane Marie. ‘‘The P uppet as Body Substitute: Ningyo

in the Japanese

Shiki Sanbaso

Performance.’’ In Jane Marie Law, ed. Religious Reﬂections

on the Human Body. Bloomington: Indiana University Press, 1995.

———. Puppets of Nostalgia: The Life, Death, and Rebirth of the Japanese

Awaji Ningyo

Tradition. Princeton, N.J.: Princeton University Press, 1997.

Lee, William. ‘‘Chikamatsu and Dramatic Literature in the Meiji Period.’’ In

Haruo Shirane and Tomi Suzuki, eds. Inventing the Classics: Modernity,

National Identity and Japanese Literature. Stanford, Calif.: Stanford Univer-

sity Press, 2001.

Pringle, Patricia. An Interpretive Guide to Bunraku. Honolulu: Community

Service Division, University of Hawai‘i at Manoa, 1992.

———. ‘‘Patronage of Gidayu Narrative Performers of Japanese Bunraku Pup-

pet Theatre 1868–1945.’’ Ph.D. diss. University of Hawai‘i at Manoa, 1999.

Saito, Seijiro, Yamaguchi Hiroichi, and Yoshinaga Takao, eds. Roy Andrew

Miller, trans. Masterpieces of Japanese Puppetry: Sculptured Heads of the

Bunraku Theatre. Tokyo: Tuttle, 1958.

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BIBLIOGRAPHY • 537

Scott, A. C. The Puppet Theatre of Japan. Tokyo: Tuttle, 1963.

Sims, Patricia Pringle. ‘‘Amateur Participation in Gidayu

Narration.’’ Asian

Theatre Journal 11:2 (1994): 260–66.

Staub, Nancy. ‘‘Bunraku: A Contemporary Western Fascination.’’ In Laurence

R. Kominz and Mark Levenson, eds. The Language of the Puppet. Vancou-

ver, Wash.: Paciﬁc Puppetry Center Press, 1990.

Torigoe, Bunzo

. ‘‘Edo Jo

ruri.’’ In C. Andrew Gerstle, ed. 18th-Century Japan:

Culture and Society. Sydney: Allen and Unwin, 1990.

KABUKI

Works on kabuki are often discussed under bunraku as well.

Addiss, Stephen, ed. Japanese Ghosts and Demons: Art of the Supernatural.

New York: George Braziller, 1985.

Akimoto, Shunkichi. ‘‘Kabuki Audiences, Past and Present.’’ Japan Quarterly

3 (1962): 167–73.

Ariyoshi, Sawako. Kabuki Dancer: A Novel of the Woman who Founded

Kabuki. Trans. by James R. Brandon. Tokyo: Ko

dansha, 1994.

Armstrong, Ann Elizabeth. ‘‘Innovations and Compromises: A Performance

History, 1924–1995.’’ In Holly Blumner, Julie A. Iezzi, and Elizabeth E.

Luhrman, eds. 101 Years of Kabuki in Hawai‘i. Honolulu: Department of

Theatre and Dance, University of Hawai‘i, 1995.

Atsumi, Seitaro. ‘‘Kabuki Art of Make-up.’’ Contemporary Japan 10 (February

1941): 203–13.

Avitabile, Gunhild. Early Masters: Ukiyo-e Prints and Paintings from 1680 to

1750. Trans. by Celia Brown. New York: Japan Society, 1991.

Bach, Faith. ‘‘New Directions in Kabuki.’’ Asian Theatre Journal 6:1 (1989):

77–89.

———. ‘‘The Contributions of the Omodakaya to Kabuki.’’ Ph.D. diss., St.

Antony’s College, Oxford University, 1990.

———. ‘‘Breaking the Kabuki Actors’ Barriers: 1868–1900.’’ Asian Theatre

Journal 12:2 (1995): 264–79. Reprinted in Samuel L. Leiter, ed. A Kabuki

Reader: History and Performance. Armonk, N.Y.: M. E. Sharpe, 2001.

Banu, Georges. ‘‘Gesamtkunstwerk and Kabuki.’’ Trans. by Marian Schmid.

Contemporary Theatre Review 1, part 2 (1994): 55–65.

Bertrandias, Richard. ‘‘Fish, Rice and Footlights.’’ Theatre Arts 36 (January

1952): 45, 82–83.

Bethune, Robert. ‘‘Describing Performance in the Theatre: Kabuki Training

and the Western Acting Student.’’ The Drama Review 33:4 (1989): 146–66.

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538 • BIBLIOGRAPHY

Blakeney, Ben. ‘‘Rokudaim e. ’’ Contemporary Japan 18 (October/December

1949): 499–521.

Blumner, Holly A. ‘‘Nakamura Shichisaburo

I and the Creation of Edo-Style

Wagoto.’’ In Samuel L. Leiter, ed. A Kabuki Reader: History and Perform-

ance. Armonk, N.Y.: M. E. Sharpe, 2001.

Blumner, Holly A., and Naeko Maeshiba. ‘‘Sukeroku: A History.’’ In Holly

Blumner, Julie A. Iezzi, and Elizabeth E. Luhrman, eds. 101 Years of Kabuki

in Hawai‘i. Honolulu: Depar tment of Theatre and Dance, University of

Hawai‘i, 1995.

Blumner, Holly A., Julie A. Iezzi, and Elizabeth E. Luhrman, eds. 101 Years of

Kabuki in Hawai‘i. Honolulu: Department of Theatre and Dance, University

of Hawai‘i, 1995.

Bowers, Faubion. ‘‘Kabuki Is Broadway Bound . . .’’ Theatre Arts 37 (Septem-

ber 1953): 66–68.

———. ‘‘Backstage at the Kabuki.’’ Theatre Arts 38 (March 1954): 70–73,

89–92.

Brandon, James R. ‘‘Translating Kabuki for English Performance.’’ In Studies

on Japanese Culture. Vol. 2. Tokyo: PEN, 1973.

———. ‘‘Form in Kabuki Acting.’’ In James R. Brandon, William P. Malm,

and Donald H. Shively, eds. Studies in Kabuki: Its Acting, Music, and His-

torical Context. Honolulu: University of Hawai‘i Press, 1978.

———. ‘‘Kabuki: Japan’s First Contemporary Urban Theatre.’’ In Proceedings

of Language, Thought, and Culture Symposium. Osaka: Kansai University

of Foreign Studies, 1978.

———. ‘‘Kabuki in English: Toward Authenticity.’’ In International Confer-

ence Journal: Japanese Tradition: Search and Research. Los Angeles: Uni-

versity of California, Los Angeles, 1981.

———. ‘‘The Theft of Chu

shingura: or the Great Kabuki Caper.’’ In James

R. Brandon, ed. Chu

shingura: Studies in Kabuki and the Puppet Theatre.

Honolulu: University of Hawai‘i Press, 1982.

———. ‘‘Performance: Edo/Tokyo.’’ In Mildred Friedman, ed. Tokyo: Form

and Spirit. Minneapolis, Minn.: Harry N. Abrams, 1986.

———. ‘‘Contemporary Japanese Theatre: Inter-Culturalism and Intra-Cultur-

alism.’’ In Erika Fischer Lichte, ed. The Dramatic Touch of Difference: The-

atre, Own and Foreign. Tubingen: Gunter Narr Verlag, 1990.

———. ‘‘Text and Performance: A Kabuki Perspective.’’ Modern Drama 35

(1992): 159–72.

———. ‘‘The Actor’s Art: Ie no Gei in Kabuki.’’ In Fenway Court 1992. Bos-

ton: Isabella Stewart Gardner Museum, 1993.

———. ‘‘Bridging Cultures: 101 Years of

Kabuki in

Hawaii.’’ In P

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Series 4. Leiden, Netherlands: International Institute for Asian Studies, Uni-

versity of Leiden, 1996.

———. ‘‘Kabuki Performance: Its Value and Use in Western Theatre.’’ In

International Symposium on the Conservation and Restoration of Cultural

Proper ty, ed. Kabuki: Changes and Prospects. Tokyo: Tokyo National

Research Institute of Cultural Properties, 1996.

———. ‘‘Some Considerations of Shakespeare in Kabuki.’’ Theatre Sympo-

sium 6 (1998): 7–18.

———. ‘‘Kabuki and Shakespeare: Balancing Yin and Yang.’’ The Drama

Review 43:2 (1999): 15–53.

———. ‘‘Kabuki: Changes and Prospects: An International Symposium.’’

Asian Theatre Journal 15:2 (1998). Reprinted in Samuel L. Leiter, ed. A

Kabuki Reader: History and Performance. Armonk, N.Y.: M. E. Sharpe,

2001.

———. ‘‘Performance and Text in Kabuki.’’ In Stanca Scholz-Cionca and

Samuel L. Leiter, eds. Japanese Theatre and the International Stage. Leiden,

Netherlands: Brill, 2001.

———. ‘‘Kabuki and the War of Greater East Asia, 1931–1945.’’ In Carol

Davis, ed. Theatre East and West Revisited. Special issue of Mime Journal

(2002–3): 19–40.

Brandon, James R., William P. Malm, and Donald H. Shively, eds. Studies in

Kabuki: Its Acting, Music, and Historical Context. Honolulu: University of

Hawai‘i Press, 1978.

Cavaye, Ronald. Kabuki: A Pocket Guide. Rutland, Vt.: Tuttle, 1993.

Clark, Timothy T., Osamu Ueda, with Donald Jenkins. The Actor’s Image:

Print Makers of the Katsukawa School. Edited by Naomi Noble Richard.

Chicago: The Art Institute of Chicago, in association with Princeton Univer-

sity Press, 1994.

Daly, Matthew. ‘‘The First Instances.’’ In Holly Blumner, Julie A. Iezzi, and

Elizabeth E. Luhrman, eds. 101 Years of Kabuki in Hawai‘i. Honolulu:

Department of Theatre and Dance, University of Hawai‘i, 1995.

Dubroff, Matthew R. ‘‘The People of Kabuki: 1900–1940.’’ In Holly Blumner,

Julie A. Iezzi, and Elizabeth E. Luhrman, eds. 101 Years of Kabuki in Hawai‘i.

Honolulu: Department of Theatre and Dance, University of Hawai‘i, 1995.

Dunn, Charles J. ‘‘Episodes in the Career of the Kabuki Actor Nakamura Utae-

mon III, Including his Rivalry with Arashi Rikan I.’’ Modern Asian Studies

18: 4 (1984): 711–23. Reprinted in Samuel L. Leiter, ed. A Kabuki Reader:

History and Performance. Armonk, N.Y.: M. E. Sharpe, 2001.

Dunn, Charles J., and Bunzo

Torigoe, trans. and eds. The Actors’ Analects.

New York: Columbia University Press, 1969.

Ernst, Earle. The Kabuki Theatre. Rev. ed. Honolulu: University of Hawai‘i

Press, 1974.

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Gerstle, Andrew. ‘‘Flowers of Edo: Eighteenth-Century Kabuki and Its

Patrons.’’ Asian Theatre Journal 4:1 (1987): 52–75. Reprinted in Samuel L.

Leiter, ed. A Kabuki Reader: History and Performance. Armonk, N.Y.: M. E.

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