Women do, of course, have higher overall pitch; in addition, the range of their pitch
is also wider, as a study of American speakers reveals:
Men consistently avoid certain intonation levels or patterns: they very rarely, if ever,
use the highest level of pitch that women use. That is, it appears probable that most
men have only three contrastive levels of intonation, while many women, at least,
have four.
(Brend 1975: 86f.)
Men who have or adopt a similarly wide range of intonation are perceived as effeminate.
Women are reported to use a higher percentage of final rises than men do in Tyneside
Speech (England) (Pellowe and Jones 1978: 110), and Brend reports similar findings for
American English (1975: 87). Above and beyond this, speakers of English identify final
falling intonations significantly more often as masculine and rising ones as feminine
(Edelsky 1979: 22). The interpretation often given to rising intonation is that it shows a
greater degree of uncertainty and/or a greater degree of reserve and politeness (see 4.5.3).
Addington’s report (1968) on the assessment given to each of seven different voice
qualities (breathiness, thinness, flatness, nasality, tenseness, throatiness, orotundity plus
speed and pitch) shows that people can perceive a great variety of differences, though it
is not easy to verbalize just what lies behind each of these labels. His investigation reveals
that breathiness is a feminine feature (suggesting prettier, more petite, more effervescent,
more highly strung) and that breathy males are regarded as younger and more artistic.
Flatness is masculine and comes over negatively (sluggish, cold, withdrawn) for both
sexes. Throatiness is also masculine – more positive in a male (older, more mature, real-
istic, sophisticated, well adjusted) while negative for a woman (less intelligent, more
masculine, lazier, boorish) (1968: 499ff.). Although Addington’s findings are controver-
sial (see Smith 1985: 76), there can be little doubt that people evaluate male and female
speakers differently on the basis of features of pronunciation other than individual,
segmental sounds.
The pronunciation of individual sounds The relatively large number of soci-
olinguistic studies of pronunciation variation in a large variety of urban areas has revealed
that women adopt pronunciations which are relatively closer to the accepted public norms
of the given region while men of the same social class tend to be closer to the non-
standard or vernacular norms. By no means all the sounds of the language are affected.
While men and women may have a tendency towards differing pronunciations of one
particular phoneme in one speech community, they may well have indistinguishable
pronunciations of the same segmental sound in other regions. Occasionally a sex prefer-
ential difference is nearly universal in the English speaking world. The verbal ending
{-ing} illustrates this. Everywhere the pronunciation considered to be standard or ‘correct’
has the velar nasal /
ŋ/, while the alveolar nasal /n/ is considered inappropriate in more
formal situations requiring Standard English. Fischer, looking at children of three to ten
years old in New England, reported that a ‘typical’ boy (‘physically strong, dominating,
full of mischief, but disarmingly frank about his transgressions’) used /n/ more than half
the time, but especially with informal verbs, e.g. punchin’, flubbin’, swimmin’, hittin’
(formal verbs had /
ŋ/, e.g. criticizing, reading, visiting) (1958: 49ff.). Girls typically used
more /
ŋ/ endings, a result that was substantiated for adult speakers in Norwich, England
(Trudgill 1972: 187).
216 USES AND USERS OF ENGLISH