
824 Part D Materials Performance Testing
within an adherent biofilm, of local physicochemi-
cal corrosion cells. The practical consequence of this
perception is that bacteria must be in sustained con-
tact with a metal surface, in well-organized microbial
communities before the corrosion process is initiated.
Bacterial corrosion seems to occur only within the
biofilm! [14.154]. It often shows the same biopit-
ting characteristics as on marble and glass, i. e., small
crater-shaped holes and pits going several hundred mi-
crometers deep through patina and material.
Interaction of Microorganisms with Glass
Biocorrosion of glass was observed on optical glass cor-
roded in tropical climates and on church windows and
other some objects [14.147,155,156]. Even if some au-
thors [14.157] suggest that biodeterioration is a minor
and negligible process, others had demonstrated the im-
portant role played by lichens [14.158,159] by fungi and
other microorganisms [14.160, 161]. Krumbein et al.
stated that microbial growth can occur on clean glass
in the presence of sufficient humidity. In addition of
the supply of hydrating forces, bacteria and fungi act
as physical and chemical agents. They can also metab-
olize, leach, accumulate and redeposit elements like K,
Ca, Mg, Fe, Mn, Ag, P. On dirty glass, water supply
and pollutants deposited on it act as growth-supporting
substrate. As a result of the establishment of microbial
communities often pits are formed and/or other etching
figures that can be clearly related to microbial activities.
Interaction of Microorganisms with Pigments
Mineral, plant and animal pigments can be more or less
susceptible to light (especially plant pigments), but the
most important factor of their susceptability to degrada-
tion is the addition of organic substances like albumen,
casein, wax, arabic gum, etc., which are an optimal
growth substrate for microorganisms. Some of them
provoke chromatic alterations by release of acid or alka-
line products (e.g., turning to blue of malachite green).
Many fungi and bacteria can cause pigment alterations
and addition of detrimental and disturbing fluorescent
pigments that are added to the pigments in wall paint-
ings and thus alterating the total appearance of the mural
painting.
14.4.6 Control and Prevention
of Biodeterioration
The main effort in the study of biodeterioration of works
of art and the interaction of macro- and microorganisms
with the materials of which the objects exist is to under-
stand the deteriorating activity and as a consequence to
develop specific and specialized methods for controlling
the growth of organisms responsible for and hereby pre-
venting the biodeterioration of these valuable materials
for as long as possible.
The choice of methods is related to (1) the na-
ture of the material (stone, wood, paintings, paper,
glass, etc.), (2) its location (archeological area, mu-
seum, church, library, etc.), (3) the extension and form
of treated surfaces (little objects, statues, buildings,
walls), (4) the processes physical/chemical and organ-
isms involved (macro- or microorganisms). In fact, no
method exists that is an overall remedy for all materials,
objects and organisms. Impregnations with consolidants
and water-repellent substances have been frequently
proposed and used and the interactions of these com-
pounds with microbiota were discussed [14.128, 162,
163]. The substances that have been tested and used
range from silanes and siloxanes over acrylic resins
and polyurethanes to epoxy materials, vinyl polymers,
inorganic materials to natural oils, waxes and other sub-
stances. Very dangerous and perilous substances seem
to be fluorosilicon compounds and several hydroxides
that have been frequently used as well as water glass
in the past centuries and in the early decades of this
century.
In the context of this mainly microbiological re-
view, however, biological methods of treatment and the
microbial interaction with chemical consolidants is far
more of interest. In the control of biodeteriogenic or-
ganisms growing on and in buildings or monuments,
as well as other objects of art, the first step should
be to eliminate the most determining factors favoring
or accelerating biodeterioration: light, temperature, rel-
ative humidity (RH), nutritive factors, dust, dirt, etc.
This is easier in indoor environments while it is not al-
ways possible in outdoor environments, where however,
the use of particular devices like environmental recov-
ery and protective measures can keep these parameters
in a range of acceptability. Prevention of biodeterio-
ration of indoor objects is largely determined by the
conditions of the environment where the object is kept
(exhibition or storage). Low RH, conditioning systems
and periodic cleaning can control growth of microrgan-
isms. Valentin et al. [14.164] found that the combination
of low RH and low oxygen levels significantly de-
creases microbial activity on solid support. Previously
Curri (pers. comm.) suggested keeping valuable sculp-
tures made of marble under an inert atmosphere of
nitrogen. Nitrogen, however, may not prevent totally
microbial growth in humid conditions. Thus the preven-
Part D 14.4