vi Encyclopedia of World Writers, 14th through 18th Centuries
AFRICA
In addition to the eventual recording of Africa’s
rich and ancient oral tradition, Olaudah Equiano’s
gripping autobiographical slave narrative, as well
as several Arabic poets such as Muyaka and Sayyid
Abdallah (Ali bin Nasir), highlight the continent’s
literary contribution before 1800.
THE AMERICAS
The literature of the Americas as defined here falls
into three categories: pre-Columbian writing,
Latin American colonial texts, and early North
American literature. The first includes the famous
Popol Vuh, an epic that records the history of the
ancient Quiche Maya from the creation to the
16th century. It miraculously survived and was
copied from a Mayan hieroglyphic manuscript
hidden from the iconoclast colonizers’ view. Latin
American colonial writing consists not only of
eyewitness accounts of discovery and adventure
by colonists such as Columbus or clergy such as
De Motolinia but also of anticonqueror sentiment
such as that of Gama or Cacamatzín. The literature
of America comprises early accounts of the strug-
gles and challenges of colony life, a series of power-
ful theological writings, and the prose writers of the
18th century. Among these, Benjamin Franklin’s
pragmatic yet philosophical prose, Thomas Jeffer-
son’s political writings, and Thomas Paine’s politi-
cal pamphlets occupy a prominent place.
BRITAIN AND IRELAND
As American readers are presumably more famil-
iar with this literature, it will suffice to say here
that only the most prominent or influential
authors and works have been retained in this vol-
ume for the sake of reference and completeness.
EAST ASIA
Whereas in China the best poetry is to be found in
the drama during this period (with notable excep-
tions such as Cao Xuequin or Wu Chengen’s nov-
els), Japan witnessed the beginning of new types of
dramatic literature, such as Noh, Kabuki, and Bun-
raku. Authors such as Zeami inspired these genres,
while Bash¯o was the leading force for bringing
haiku to new heights. The highlight in Korean
writing was King Se-jong’s creation in 1438 of a
new alphabet, considered by linguists to be the
most efficient phonetic transcription to date, save
the modern International Phonetic Alphabet.
FRANCOPHONE EUROPE
The late Middle Ages in France produced the out-
standing lyric poet Villon, as well as growth of the
drama, which includes cycle (mystery and morali-
ty) plays and the genre known as popular farce.
The founders of the Pléiade movement, Ronsard
and du Bellay, personify the spirit of the Renais-
sance that slowly permeates French culture after
1500, while the vigorous and ingenious work of
contemporaries Rabelais and Montaigne laid the
foundations of the classical age. Descartes’s
rationalism imbues the 17th century or grand siè-
cle, which becomes the golden age of theater. In
Racine’s tragedies French verse reaches its height,
while Molière’s brilliant, satirical, social commen-
tary sets the standard for much of subsequent
comedy through the ages. The large volumes of
the Encyclopédie dominate the Enlightenment or
age of the philosophers, among whom Diderot,
Rousseau, and especially Voltaire occupy promi-
nent positions.
GERMANY-NETHERLANDS-
SCANDINAVIA
Erasmus of Rotterdam personifies the pan-Euro-
pean humanist ideal but has no clear answer to the
ideas of the Reformation. Emanating from Ger-
many in the 16th century is Luther, whose transla-
tion of the Bible is probably the era’s greatest
literary achievement. One century apart, two
influential philosophers, Leibniz and Kant, set the
stage for the age of Aufklärung or Enlightenment