for some differences at Kato Zakros, which was the
latest of the palaces, are common features at all the
sites. Perhaps the most impressive feature of all the
palaces is the central court, a large, rectangular
plaza, around which the other sections of the pal-
aces were arranged. The east side of the central
court appears to have had a religious character, as
evidenced by cult rooms and pillar crypts (sacred
rooms with recessed floors and a central post) at
Knossos and Malia and the famous throne room—
actually a religious installation—at Knossos. As
mentioned, agricultural storage was important to
the Minoan ruling power, and all the palaces, except
Kato Zakros (which might have had storage struc-
tures in the form of outlying buildings), had large
storage rooms. At Knossos, Malia, and Phaistos
these storerooms lie on the ground floor in the wing
just to the west of the central court. On the floor
above these rooms were the public rooms, or piano
nobile. These were large reception rooms, perhaps
used for public ceremonies.
Each of the four palaces also had a large ban-
quet hall, located on the upper floor, probably to
take in a breeze. The hall was not necessarily at-
tached to the public rooms and might have been
meant for a more private gathering of elites for en-
tertaining and meals. Residential quarters have been
clearly identified at Knossos, Malia, and Phaistos. As
we might expect in the layout of private quarters,
there is a correspondence in the features of these
rooms among similar groups in the same culture.
The residential arrangement can be found in a large
number of elaborate houses, not just the palaces.
That at Knossos is the most elaborate, but it shows
the overall regularity of design. Residential space
there was composed of a long, triple-divided hall,
consisting of a light well, an anteroom, and a back
chamber. Running off this hall was access to a reli-
gious room, the lustral basin, and to toilet facilities.
Within the triple-divided hall, folding doors and
upper windows in the wall between the anteroom
and the back chamber regulated the light and air
coming from the light well.
The palaces themselves were decorated
throughout with elaborate frescoes. Favorite
themes in the wall paintings were scenes from na-
ture, religious gatherings, palace or community
events, and mythological landscapes. The most in-
tricate pottery was used, and possibly manufac-
tured, in the palaces. Several important examples
show serving cups, amphorae (large standing con-
tainers for oils and water), stirrup jars for perfumed
oil, and pithoi (storage vessels), decorated with de-
tailed floral designs, geometric patterns, and marine
creatures. In addition to this pottery, the palaces
also used carved stone bowls, ritual drinking cups
(rhyta) of carved stone and gold, and cut rock crys-
tal ornaments.
An interesting point in relation to the palaces is
the obvious lack of fortifications. We know that the
Minoans were not without a military force, as seen
in the military themes of their works of art and the
chieftain’s cup. But we are at a loss to explain why
there was no need to fortify the different settle-
ments. It may well have been that Knossos, the larg-
est of the palaces, exercised control of the military,
but reference to societies with such political central-
ity shows that even the subordinate settlements had
fortifications. It may well have been that military
campaigns on Crete were limited to raiding, which
often took place without elaborate fortifications.
Little is known concerning how the common
Minoan lived. Perhaps the best-preserved site is that
of Gournia. There a relatively large community sur-
rounded what was an elite residence, with its identi-
fiable central court. The town itself was composed
of two- or three-room houses, some with upper
floors, laid out on compact, paved streets. Unfortu-
nately, the excavation data from Gournia was lost
before it could be published.
It was during these palatial periods that the first
writing in Europe arose. There is some evidence for
a pictographic script, but by far the strongest evi-
dence is for a script dubbed “Linear A,” which was
discovered in the Proto-palatial period at Phaistos.
Large collections of this script, written on clay tab-
lets, have been found at Hagia Triadha and Chania,
on the northwest coast. Although it is recognized
as a syllabary, attempts to decipher this form of writ-
ing have so far proved futile.
We know somewhat more about Minoan reli-
gion of this period. A great deal of the religious
focus was centered in the palaces, with examples
such as the tripartite shrine, the throne room com-
plex, which had a religious function at Knossos. At
this time there was a flowering of rituals on hilltops
and in caves. The hilltop shrines, known as “peak
THE MINOAN WORLD
ANCIENT EUROPE
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