This collection of ballads contains some of the best known English
folk lyrics. It is nowhere near as comprehensive as other books,
such as the massive Child ballad collection. However, the
illustrations are gorgeous, and the selection is excellent. It
should be noted that 'Old English' in this case doesn't mean
'Anglo-Saxon'; strictly speaking these are written in late Middle
or early Mode English. This makes them accessible, even
enjoyable, for a mode audience.
Many of these are from the Scottish border, and deal with clashes between the English and Scots in historical times. Others are set in an idealized 'Old England', including three ballads of Robin Hood. The ballads surprisingly feature well-constructed female characters, who are participants in the action, not just part of the backdrop. These lyrics give some insights, often grim in nature, into the culture and mindset of the middle ages, particularly one (Hugh of Lincoln) with a regrettable anti-Semitic theme.
Some of these ballads go on for dozens of verses, and form complete short stories. If your only experience of these ballads is through mode folk-song renditions, you owe it to yourself to sit down and get the whole story. " (Quote from sacred-texts.com)
Table of Contents:
Publisher's Preface; Introduction; Chevy Chace; King Cophetua And The Beggar-maid; King Leir And His Three Daughters; Fair Rosamond; Phillida And Corydon; Fair Margaret And Sweet William; Annan Water; The Bailiff's Daughter Of Islington; Barbara Allen's Cruelty; The Douglas Tragedy; Young Waters; Flodden Field; Helen Of Kirkconnell; Robin Hood And Allen-a-dale; Robin Hood And Guy Of Gisboe; Robin Hood's Death And Burial; The Twa Corbies; Waly, Waly, Love Be Bonny; The Nut-brown Maid; The Fause Lover; The Mermaid; The Battle Of Otterbu; The Lament Of The Border Widow; The Banks O' Yarrow; Hugh Of Lincoln; Sir Patrick Spens
Many of these are from the Scottish border, and deal with clashes between the English and Scots in historical times. Others are set in an idealized 'Old England', including three ballads of Robin Hood. The ballads surprisingly feature well-constructed female characters, who are participants in the action, not just part of the backdrop. These lyrics give some insights, often grim in nature, into the culture and mindset of the middle ages, particularly one (Hugh of Lincoln) with a regrettable anti-Semitic theme.
Some of these ballads go on for dozens of verses, and form complete short stories. If your only experience of these ballads is through mode folk-song renditions, you owe it to yourself to sit down and get the whole story. " (Quote from sacred-texts.com)
Table of Contents:
Publisher's Preface; Introduction; Chevy Chace; King Cophetua And The Beggar-maid; King Leir And His Three Daughters; Fair Rosamond; Phillida And Corydon; Fair Margaret And Sweet William; Annan Water; The Bailiff's Daughter Of Islington; Barbara Allen's Cruelty; The Douglas Tragedy; Young Waters; Flodden Field; Helen Of Kirkconnell; Robin Hood And Allen-a-dale; Robin Hood And Guy Of Gisboe; Robin Hood's Death And Burial; The Twa Corbies; Waly, Waly, Love Be Bonny; The Nut-brown Maid; The Fause Lover; The Mermaid; The Battle Of Otterbu; The Lament Of The Border Widow; The Banks O' Yarrow; Hugh Of Lincoln; Sir Patrick Spens