
to the general progression, to the present. Instead, drawn to
German historicism, he began to realize the value of past periods
in their own terms.
29
Having eschewed causality, Liang came to challenge the effec-
tiveness of the inductive method in historical study. While a good
scientific method, he found, it was however inadequate for the his-
torian other than as an aid in collecting and examining sources.
Considering historiography a form of culture, Liang became more
and more interested in its humanities side, namely its function as
a philosophical discourse on the past.
30
Since history was now a dis-
course, there was no need for the historian to describe the linear
course of development in history, as expounded by the idea of
progress. Instead, the historian should consider the unique worthi-
ness of every historical figure. According to Liang, it would be
absurd to compare Confucius with Buddha, or Dante with Shake-
speare and/or Homer. In the development of culture, there was no
definite and tangible progress.
31
Liang’s new position in understanding history allows Xiaobing
Tang to offer a postcolonial reading of Liang’s historical thinking.
Tang states that Liang’s cultural approach represented a new devel-
opment of his thinking of history, in which China and the West were
now regarded as equals.
32
Considering Liang’s negative impression
of Europe, or Western civilization, after World War I, it is under-
standable why he thought it was time for his country to play some
role, if not regain its “central” position, in the world. On various
occasions Liang admitted that he was prepared to challenge the “old
me” (jiuwo) for a “new me” (xinwo). That is to say, Liang changed
his position in scientific history not only because he discovered
Rickert, or German historicism, but because he developed a new
outlook on world history, in which China was no longer a “sick man
in the East,” but a valuable, equal participant.
Since Chinese culture was now an equal to Western culture, so
was the Chinese historiographical tradition. Liang began to find
values in that tradition and attempted a new evaluation. For
example, in the New Historiography he had angrily attacked dynas-
tic historians for using the form of biography in writing history and
taking an elitist approach. In the Historical Methods, he came to
acknowledge the methodological value of these biographies, In the
Historical Methods 2, he went further: biographical writing came to
be the focus of his discussion on historical methodology.
33
Liang was
even willing to make room for morality to play a role in history. In
analyzing good qualities of a historian, he chose to follow the ideas
of Liu Zhiji and Zhang Xuecheng and used their terms: “intelligence,
knowledge, insight, and integrity (cai, xue, shi, de)” for an explana-
110 EQUIVALENCES AND DIFFERENCES