➡7. Historical Present (Dramatic Present) ExSyn 526–32
a. Definition and amplification. The historical present is used fairly fre-
quently in narrative literature to describe a past event.
The reason for the use of the historical present is normally to portray an event
vividly, as though the reader were in the midst of the scene as it unfolds. Such
vividness might be rhetorical (to focus on some aspect of the narrative) or literary
(to indicate a change in topic). The present tense may be used to describe a past
event, either for the sake of vividness or to highlight some aspect of the narrative.
However, with levgei and other verbs introducing (in)direct discourse, the his-
torical present is for the most part a stereotyped idiom that has lost its original
rhetorical powers. levgei/levgousin is by far the most common verb used as a his-
torical present, accounting for well over half of all the instances.
The aspectual value of the historical present is normally, if not always, reduced
to zero.
13
The verbs used, such as levgei and e[rcetai, normally introduce an
action in the midst of aorists without the slightest hint that an internal or pro-
gressive aspect is intended.
14
The historical present has suppressed its aspect, but
not its time. But the time element is rhetorical rather than real.
15
The diagram
below reflects this.
The Basics of New Testament Syntax226
13
So BDF, 167 (§321); Robertson, Grammar, 867 (though he says that some instances are
equal to an imperfect); Fanning, Verbal Aspect, 227–31.
14
If the nontemporal view of tense were true, we would expect the aspect to be in full
flower. Porter argues that this is indeed the case (Verbal Aspect, 195). Yet in his description he
argues for vividness (rather than a progressive portrayal) as the force of the aspect. This seems
better suited to the temporal view.
15
Fanning has arrived at similar conclusions (Verbal Aspect, 228): “The point of the his-
torical present is not how the occurrence is viewed, but that it occurs (rhetorically) ‘now.’” He
goes on to say that “the temporal meaning predominates and neutralizes the aspectual force.”
Although we fully agree, it does seem that this description goes against the grain of Fanning’s
“invariant meaning” for the tenses (in this case, that the present tense has an invariant mean-
ing of an internal aspect).
Regarding use and genre, the historical present occurs mostly in less educated
writers as a function of colloquial, vivid speech. More literary authors, as well as
those who aspire to a distanced historical reporting, tend to avoid it (John [162],
Mark [151], Matthew [93], Luke [11], Acts [13]). The historical present is pre-
eminently the storyteller’s tool and as such occurs exclusively (or almost exclu-
sively) in narrative literature.
b. Clarification/semantic situation. Because the historical present occurs
primarily in narrative, it is natural that it is used only in the third person. More-
Diagram 53
The Force of the Historical Present
Past Present Future
.