PROD
CTIVITY
HEORIES
which can be attested frequently in a dicti
nary but which do not appear to be used
n the coining of new forms (Bauer cites -
hat productivity and
ransparency
annot be equated is
llustrated by Aronoff
1983
in his discussion of nouns i
-ibilit
(see above), and a
ain b
-
which
as become non-productive despite remainin
transparent. We can also consider the
ase of semantic transparenc
Lack of semantic transpa
enc
in an individual word
s often taken as a signal of lexicalization of that work. This seems to imply that all
roductive word-formation is semantic
ly transparent and compositional (as
ronoff 1976: 45 remarks, ‘productivity goes hand in hand with semantic
oherence’). The problem is that much non-productive morphology is also
emantically coherent. Again -
springs to mind. A form such as
ot be creatable in the present stage of the language system, but its meaning is
perfectl
clear. It is even ar
uable that not all productive morpholo
need be
emanticall
coherent. Without a context, it ma
not be clear whether a
he sense in which it listed as a new word b
Knowles 1997) is a person, instrument
r location. Only in context does it become clear that it is an instrument used to
hoke
or slow down
traffic in suburb
n neighbourhoods. Thus we can argue that
-
suffixation, productive though it clearly is, is not very semantically coherent.
Regularity
s difficult to distinguish from p
ductivity, if only because the ter
s used differently by different authors, and it is not clear what it really means. For
ome authors, thou
h, somethin
is irre
ular if it is not the ma
orit
pattern. Yet
inorit
patterns are not necessaril
unproductive, as is shown b
Dutch plurals in
-
which remain freel
coinable (for i
stance the plurals of newl
coined
imin
ti
tak
-
, even if the -
marker is the one found in the majority of cases.
Some authors appear to use the term ‘regular’ to mean ‘productive’, and then, of
ourse, distinctions can no longer be made.
Similarly, although there is considerable argumentation in the literature that the
default plural on German nouns is -
(since this occurs in places where the noun
ystem makes no predictions, such as on acronyms like
F
s
phonologically
trange formations like A
– strange in that this word ends in an unstressed
and prepositions or conjunctions used as nouns like A
r
‘buts’ – compare English
‘but me no buts’), yet this is not the only plural suffix in German which can be used
for new nouns (new feminine nouns regularly take
. A default must be
productive, but not all productive morphological processes must be defaults.
aturalness is partly a matter of transparency and other factors mentioned here,
and to the extent that they do not equate with productivity, naturalness does not
equate with it either. The -ibilit
example certainly shows that processes which are
ot maximally natural can nevertheless be productive.
auer also distin
uishes between ‘productivit
’ and ‘creativit
’. The distinction
s not original, though the precise definiti
n an
t
rmin
l
gy may be. Although
auer’s analysis differs from the earlier wo
k in many ways, the debt to Aronoff
1976) and Van Marle (1985) is clear. Although ‘productivity’ and ‘creativity’ are
ynonyms for some authors, we can take the
r
in creativit
literally, and use
his term to refer to the less automatic creations, those which are clearly deliberate
and independent of the s
stem. These ma
be the words of poetr
and headline-ese