Scott Derek B. Sounds of the Metropolis: The 19th Century Popular Music Revolution in London, New York, Paris and Vienna

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canon formation, 134

Carco, Francis, 202, 214, 218

Carltheater, 55

Carnegie Hall, 46

Carnival (Fasching), 45, 134–35

Carter, J. P., 156. See also “Lucy Neal”

Caryll, Ivan, and Lionel Monckton,

The Circus Girl, 56

Casino de Paris, 51

Casino Roof Garden (Broadway), 53

Casino Zögernitz, 136

Castle Garden (Battery), 42

Caveau moderne, 197

censorship, 76, 78, 90, 197, 215

Central Park Garden, 42

Chabrier, Emmanuel, L’Ouvreuse de

l’Opéra-Comique et l’employé du

Bon Marché, 97

“Champagne Charlie.” See Leybourne

Champs-Elysées, 41–42, 48, 50–51,

72, 166

chanson moderne, 12, 211–12

chanson populaire, 109, 197, 199, 249

n. 9

chanson réaliste, 4, 196–97, 199,

211–12

chansons royalistes, 215

Chant, Laura Ormiston, 76, 79, 186

Chappell (publishing house), 160

Chappell, Tom, 30–31, 33–34

Chappell, William

Collection of National English Airs,

109

Popular Music of the Olden Time, 10,

109

character types in music hall, 178

Charles X, 8

Chat Noir (journal), 198–99

Chemische Druckerei, 24

Chevalier, Albert, 35, 186–89, 192,

194, 213

“My Old Dutch,” 79, 187

“Wot Cher!” 186–87, 194

Chickering, 30

Chirgwin, G. H., 158, 169

choirs and choral societies, 18,

59–60, 110, 112

Chopin, Frédéric, 93–94, 134, 140

Chorley, Henry, 71

Christianity, 59–60, 145

Christy, Edwin Pearce, 15, 52, 155,

231 n. 57

Christy, George (George Harrington),

168

Cirque Napoléon (later, Cirque

d’Hiver), 17

Civil War (American), 25, 52–53,

155, 163

Claribel (Charlotte Alington

Barnard), 36

class fractions, 9, 100, 221 n. 19

Clément, Jean-Baptiste, “Le Temps

de cerises,” 73, 205

Clementi, Muzio, 31

Clifton, Harry, 79

“Polly Perkins of Paddington

Green,” 178

“Work, Boys, Work,” 72

Clowes, William, The Harmonicon, 27

Club des Hydropathes, 205

Coborn, Charles

“He’s All Right When You Know

Him,” 192

“Two Lovely Black Eyes,” 181

Cockney, 12, 21, 39, 158, 171–95,

203

Cocks, Robert, 134

Cole, Bob, and Billy Johnson, A Trip

to Coontown, 53, 71

Collard, 29

Collins, Lottie, 166

comédie-vaudeville, 54

Comic Opera Company, 56

Commune (Paris), 73–74, 76, 205

Concanen, Alfred, 24

concert monstre, 42

Concert of Ancient Music, 16

concertina, 18, 29

Concerts populaires de musique

classique, 17

Congress of Vienna, 45, 119

Connell, Jim, “The Red Flag,” 72

contredanses, 7

Cook, Will Marion

Clorindy, or The Origin of the Cake-

walk, 53

In Dahomey, 53

Cooke, Jay, 57

“coon songs,” 53

Cooper, Victoria, 24

292 Index

31–34, 156

Corder, Frederick, 99, 111, 162–63

Costa, Michael, 40

couplets, 55

Covent Garden, 48, 174

Theatre Royal, 40, 42

Royal Italian Opera House (from

1847), 16, 46, 56, 136

Cowell, Sam, 174

“Bacon and Greens,” 176

“The Ratcatcher’s Daughter,” 111,

174–76, 178

“Villikins and His Dinah,” 176–77

Crystal Palace, 17–18, 23, 35, 62

Cuffey, William, 145

Curwen, John, 27, 61

Czerny, Carl, 28

Dada, 217

Dahlhaus, Carl, 6, 86, 117

D’Albert, George, 161

dance halls, 44–45

dandy, 21, 52, 69–70, 154, 171, 182,

184–85

d’Anjou, Pierre, 210

Davey, Henry, 92

Davidson (publishing house), 26,

156

Musical Treasury, 156

Davidson, Donald, 106

Davison, James, 99

Degas, Edgar, Au Café-concert, le chan-

son du chien, 76

Delmet, Paul, 210–11, 214

“Les Petits Pavés,” 210

DeNora, Tia, 41, 93, 110

Devereaux, L., “The Swiss Herds-

man,” 96

Dianabad-Saal, 134

Dickens, Charles, 163, 172–74

Hard Times, 174

Oliver Twist, 174

Pickwick Papers, 172–73

Dibdin, Charles, “Peggy Perkins,” 153

diseuse, 211

Ditson, Oliver, 25

Dixon, George, “Zip Coon,” 52, 154

Dobson, Henry, 47, 149

Dockstader, Lew, 165

Dodd, Charles, 157

Dommayer’s Casino, 135–36, 142

Donizetti, Gaetano, 88

La Favorite, 101

Donnay, Maurice, 198

Doors, The, 218

D’Oyly Carte, Richard, 56

drawing-room ballads, 65–69, 83–84,

Dreher, 11, 118, 248 n. 3

Drury Lane (Theatre Royal), 40–41

Duchamp, Marcel, Fountain, 217

Duclerc, Marguerite, 166

Dufresne, Louis, 42

Duke of York’s Theatre, 213

Dumba, Nicolaus, 98, 139

Dundee Ladies’ String Orchestra, 22

Dupont, Pierre, “Le Chant des

paysans,” 73

Durand, Claude, “Le Chant des vi-

gnerons,” 73

Dylan, Bob, 7, 149

“Desolation Row,” 218

“Early One Morning,” 109

Eco, Umberto, 190–91

Eden-Concert, 54, 69, 212

education, 10, 16, 25, 53, 60–61,

108, 156

Edward, Prince of Wales (later, King

Edward VII), 164, 168, 213

Ehrlich, Cyril, 16, 30

Elen, Gus, 35, 65, 187, 189–92, 194

“Down the Road,” 192

“If It Wasn’t for the ‘Ouses in

Between,” 189–91

“I’m Very Unkind to My Wife,” 192

“It’s a Great Big Shame,” 79, 189,

191–92

Elias, Norbert, 90

Elisabeth, Empress, 109

Ella, John, 86

Elliot, G. H., 169

Elysée-Montmartre, 51

Emmett, Dan, 168

“Dixie’s Land,” 152, 154–55

Genuine Negro Jig, 150

My First Jig, 152

“Old Dan Tucker,” 145, 149–52,

170

Index 293

“Empty Cradle, The,” 9

Engel, Carl, 109

Engels, Friedrich, 11

English Folk Song Society, 109

Enoch and Sons, The Dance Album,

entertainment music (Unterhal-

tungsmusik), 5, 22, 87, 113,

117–18, 131, 139

entrepreneurialism, 15, 19, 87,

131–34, 164

Erard, 29–30

Ethiopian Delineators, 147

Ethiopian Serenaders, 145, 147–48,

166

“My Old Aunt Sally,” 153

Evans’s Late Joys, 48, 174, 229 n. 33

Ewer, 27

Exeter Hall, 39–40, 60

Fahrbach Jr., Philipp, Les Minstrels,

167

“Far above Cayuga’s Waters,” 255

n. 33

Faraday, Michael, Experimental Re-

searches in Electricity, 133

“Father’s a Drunkard and Mother Is

Dead,” 67

female accomplishments, 30, 61,

111–12, 134

Female American Serenaders, 148

female impersonator, 161, 169

Ferré, Léo, 199

Fétis, François-Joseph, 27

Fields, Armond, 215–16

Fifth Avenue Theater, 33

Firth and Pond (formerly Firth and

Hall), 25, 27

flageolet, 18

Flaubert, Gustave, Madame Bovary,

Folies Nouvelles, 54

Folies-Bergère, 51

folk music, 6, 10, 92, 108–110, 122,

138

Formby, George, 79

Foster, Stephen, 32, 52, 144, 166, 168

“Angelina Baker,” 151

“De Camptown Races” (“Gwine to

Run All Night”), 152, 155

“Jeanie with the Light Brown

Hair,” 52

“Massa’s in de Cold Ground,” 52,

144

“My Old Kentucky Home, Good

Night,” 52, 144

“Oh! Susanna,” 52, 144

“Old Folks at Home,” 25, 52

Foucault, Michel, Surveiller et punir,

Fourierists, 216

Fragerolle, Georges, 198

Fragson, Harry, 214

Francis, Day and Hunter (formerly

Francis and Day), 34, 161

David Day, 16

James and William Francis, 160

Hunter (see Hunter, Harry)

Franco-Prussian War, 73

Frankfurter Schule, 108

Franz Joseph, Emperor, 109

“Free and Easy,” 177

“Freiheit Schlachtruf, Der”

Freud, Sigmund, 101, 246 n. 104

Fulcher, Jane, 60

fumisme, 196, 198, 209

Furiant, 125

Gadamer, Hans Georg, 85, 97

Gaiety Theatre, 56

Gaîté, 54

Gallery of Illustration, 109

Gallmeyer, Josephine, 35

Gans, Herbert, 85, 91, 94

Garcia, Manuel, 36

Garcia, Maria (later, Mme. Mali-

bran), 95

Garde Republicaine, 62

Geistinger, Marie, 35, 55

Gendron, Bernard, 92, 196, 217

Georgia Minstrels, 163

German Reed, Albert and Priscilla,

247 n. 115

Gesellschaft der Musikfreunde, 16,

60, 139, 142

Gilbert and Sullivan, 22, 55, 57,

81–83, 101–8

H.M.S. Pinafore, 33, 91, 103: “He

remains an Englishman,” 105–6

Iolanthe, 11, 40, 69, 81–82, 99:

294 Index

March of the Peers, 11; “When

Britain really ruled the waves,”

56, 107

The Mikado, 56, 59, 69, 105: “The

sun whose rays,” 82; “Tit Wil-

low,” 82, 107; “A wand’ring

minstrel I,” 101

Patience, 39, 81–82, 102, 105:

“Am I alone, and unobserved?”

102;

The Pirates of Penzance, 33, 101:

“Poor wand’ring one,” 105;

“When a felon’s not engaged

in his employment,” 192; “With

cat-like tread,” 104

Ruddigore, 40, 82

The Sorcerer, 91

Trial by Jury, 56

Utopia Limited: “Society has quite

forsaken,” 158; “A tenor, all

singers above,” 108, 246 n. 107

Yeomen of the Guard, 82: “Rapture,

rapture,” 105

Gilbert, William Schwenck, 22, 69,

81–83. See also Gilbert and Sul-

livan

Gilroy, Paul, 165

Girardi, Alexander, 35

Glover, Sarah, 61

Gluck, Christoph Willibald, “Che faro

senza Euridice,” 54, 101

“God Save the Queen!” 27, 134

Goddard, Arabella, 21, 35

Goffman, Erving, 51, 202

goguette, 73

Golden Gate Quartet, 165

gommeux (and gommeuse), 70

Goncourt, Jules de, 49

Gottschalk, Louis Moreau, The Dying

Poet, 18

Goudeau, Emile, 197, 211, 214

Goulue, la (Louise Weber), 51

Gounod, Charles

Faust, 33

Mireille, 33

Graf, Conrad, 28–29

Grain, Corney, 247 n. 115

Gramsci, Antonio, 9, 76

Quaderni del carcere, 58

Grand Theatre, 166

Great Exhibition of 1851 (London),

29–30

Great MacDermott, The (Michael

Farrell), 35, 69

Great Vance, The (see Vance, Alfred)

Great Waltz, The (MGM), 142

Greenberg, Clement, 217

Grosser Musikvereinsaal, 89, 142–43

Guilbert, Yvette, 41, 69, 211–13,

215–16, 264–65 n. 49

“Le Fiacre,” 69, 212

“Je suis pocharde!” 69, 212

“La Soûlarde,” 211

“Les Vierges,” 50

Gung’l Josef, Die Hydropaten, 35, 198

Gutman, Albert, 34

Gypsy music (Zigeunermusik), 166

Habaneck, Antoine, 17

Habermas, Jürgen, 59, 92–93

Hague, Sam, 164

Hall and Son, 25

Hallé, Charles, 10

Hallel Festival Hymn, 181–82

Hamm, Charles, 12, 51, 144

Hampton, Pete, 166

Handel, George Frideric, 42, 110

Messiah, 9, 27, 37

Handel Festivals, 23

Hanover Square Rooms, 132, 145

Hanslick, Eduard, 89–90, 92–93,

111–12, 248 n. 129

Vom musikalisch-Schönen, 98

Harms (publishing house), 26, 34

Harney, Ben, 53

Rag Time Instructor, 53

“You’ve Been a Good Old Wagon,”

Harrigan, Edward, and David Bra-

ham, 57

Mulligan Guards, 57

Harris, Charles, “After the Ball,” 26

Harrison, Denham, “Give Me a

Ticket to Heaven,” 83

Hart, Tony, 57

“Has Anybody Seen My Tiddler?” 79

Haslinger, Carl, 134, 141

Haslinger, Tobias, 133–34, 136

Haussmann, Baron, 8, 50, 137

Haverly, J. H., 52, 164

Index 295

Haweis, Hugh, 63, 75, 157

Hawkins, John, 29

Hawkins, Peter, 200

Haydn, Joseph, 11, 87, 91, 110, 119

The Creation (Die Schöpfung), 27

Haymarket (Her Majesty’s Theatre),

Hegel, Georg Wilhelm Friedrich,

98–99

Heine, Henri, 29

Hemyng, Bracebridge, 81

Henderson, May, 169

Herbeck, Johann, 134

Herbert, Michel, 100, 206, 210

Hervé (Florimond Ronger), 54

Don Quichotte, 54

Herz, Henri, 31

Heuberger, Richard, 120

Hill, Jenny, 35, 77

“‘Arry,” 185

Hirsch, Carl, 132, 135

Hirsutes, 205

Hofburg, 17, 45, 119

Hofzinser, Johann, 87

Hogan, Ernest, “All Coons Look

Alike to Me,” 53

Hoggart, Richard, 192

honky-tonk, 53, 71

Hopwood and Crew, 26, 155–57, 161

Household Brigade (band), 62

Hughes, Meirion, and Robert

Stradling, 98

Hullah, John, 27, 61

“Three Fishers Went Sailing,” 67

Hunt, Mrs. (and her orchestra), 22–23

Hunter, Harry, 160–62

“Because He Was a Nob,” 161–62

Hutchinson Family, 67, 96

“Get off the Track,” 145

Huyssen, Andreas, 218

Hydropathes, 196–98, 205, 215

Hyer Sisters, 52

Hymns Ancient and Modern, 37

Hypsa, Vincent, 196, 199

“I’d Choose To Be a Daisy,” 155

“If I Had a Donkey,” 154

Imprimerie lithographique, 24

improvement, 59–63, 65, 112

Incohérents, 196, 198

industrialization, 5, 11, 29, 46, 57,

62, 91, 100, 136–39

innuendo, 77–83

Irish, 167–68, 181, 184, 193, 260 n.

irony (musical), 56, 105–7, 207–8

Jack, Sam T., The Creole Show, 52–53

Jackson, Michael, 170

Jacob, Heinrich, 11, 122, 136

Japanese fiddle, 158

Jarry, Alfred, Ubu Roi, 214

jazz, 3, 150, 153

symphonic jazz, 141

third stream jazz, 141

Jellacˇic´, General, 74

Jews (in London), 178–79, 181, 259

n. 28

Jewish Working Men’s Club, 178

Joanot, 215

“John Brown’s Body,” 72

Johnson, Charles, and Dora Dean, 53

Johnson, Frank, 144

Jolson, Al, 165, 169

Jones, Sidney, The Geisha, 56

“Jones’s Sister,” 77

Joplin, Scott, 53

jour chic, 213

Jouy, Jules, 199, 205, 217

“Le Réveillon des Gueu,” 197

“Le Temps des crises,” 205

“La Terre,” 212

“La Veuve,” 205

Juba, Master (William Henry Lane),

163, 170

Jubilee Singers, 52, 165–66

“Go Down, Moses,” 52, 165

“Roll, Jordan, Roll,” 165

Jullien (Louis-Antoine Julien),

18–19, 41–43, 133

The Fall of Sebastopol, 42

Kaiser, Augustine, “La Plébiéienne,”

Kálmán, Emmerich, Die Herzogin von

Chicago, 167

Kärntnertor Theater, 17, 55

Kassan, John, 61

Kattfuss, J. H., Taschenbuch für Freunde

und Freundinnen des Tanzes, 118

296 Index

Kerker, Gustave, The Pearl of Pekin,

Kersands, Billy, 164, 168

Kidson, Frank, English Peasant Songs,

Kipling, Rudyard, Mandalay, 83

Krauss, Clemens, 89, 143

Krauss, Karl, 90

Kunstreligion, 98

labor songs (Arbeiterlieder), 72

ladies’ orchestras (Damenkapellen),

21–23

Lady Radnor’s Orchestra, 22

Lamoureux, Charles, 60

Ländler, 11, 118–21, 132, 138

Langaus, 118

Lanner, Joseph, 41–45, 85–86, 93,

119–21, 131–32, 139–40

Dance music: Dornbacher Ländler,

121; Hofball-Tänze, 132; Neue

Wiener, 249 n. 11; Die Osmanen,

44; Pesther-Walzer, 44, 132; Die

Romantiker, 132; Die Schönbrun-

ner, 94, 125

Latin Quarter, 211

Laube, Heinrich, 121–22

Le Brunn, George, 189, 192

Lecocq, Charles

Fleur de thé, 57

La Fille de Madame Angot, 33, 103:

“Quand on conspire,” 104

Leech, John (Punch cartoonist), 148,

177

Lefébure-Wély, Louis, Les Cloches du

monastère, 86

leichte Musik (see light music)

Leno, Dan, “Young Men Taken in

and Done For,” 79

Leppert, Richard, 15

Lerner, Alan Jay, and Frederick

Loewe

My Fair Lady: “Wouldn’t It Be

Luverly,” 195

Levine, Lawrence, 91, 95

Lévy, Jules, 198

Leybourne, George, 35, 65, 69, 191

“Champagne Charlie,” 21, 46–48,

70, 110

Lhamon, W. T., 170

Libert, 50, 70

“L’Amant d’Amanda,” 49–50

Liberty Hall, 46

Liedertafel, 72, 133

light music (leichte Musik), 5–6, 41,

85, 87–92, 95, 117, 134, 249

n. 9

Liguori, Alfonso, 90

Lind, Jenny, 17, 34, 36, 42, 96

“The Herdsman’s Song,” 96

Linke, Norbert, 125, 133

Linley, George, “The Swiss Girl,” 96

lions comiques, 21, 34, 69, 171

Lisle, Rouget de, 72

“Marseillaise,” 43, 54, 72–74, 239

n. 89, 241 n. 133

“Premier Chant des industriels,” 72

Liszt, Franz, 35

Littleton, Henry, 27

Liverpool, 147

St. James’s Hall, 164

Theatre Royal, 164

Lloyd, Arthur

“Immenseikoff,” 184–85

“It’s Naughty but It’s Nice,” 77

Lloyd, Marie, 35, 78–79, 186, 192–93

“The Coster Girl in Paris,” 193

“Every Little Movement Has a

Meaning of Its Own,” 193

“A Little of What You Fancy Does

You Good,” 78, 193

“Oh, Mr. Porter,” 78

“The Twiddly Wink,” 78

“Twiggy Voo?” 78

“What’s That For, Eh?” 78–79

“When I Take My Morning Prome-

nade,” 78

Loesser, Arthur, 63

London Corresponding Society, 145

London County Council, 20, 78, 80,

240 n. 109

London Orchestral Association, 23

Lott, Eric, 168

Lotta (Carlotta Crabtree), 168

Lou, Mama, “Ta-Ra-Ra Boom-

Der-É,” 166

Louis XI, 165

Louis XIII, 198

Louis-Philippe, 8

Lucas, Sam, 52

Index 297

“Lucy Neal” (J. P. Carter), 147–48

Lunn, Henry, 38, 86, 97–98, 244 n. 68

Lyceum, 41, 132

Lyric Theatre, 56

MacDermott. See Great MacDermott

Mackay, Charles, 77

Maclise, Daniel, 88

Mac-Nab, Maurice, 205, 209–10, 217

“L’Expulsion,” 206

“Les Fœtus,” 205, 207

“Le Grand Métingue du Métropoli-

tain,” 206–9

“Le Pendu,” 206

Poèmes mobiles, 210

“Suicide en partie double,” 205

Mahar, William, 154

Mahmud II, Sultan, 44

Mainzer, Joseph, 27

Singing for the Million, 61

Manchester, 147–49

Athenaeum Rooms, 147

Free Trade Hall, 147–49

Manhattan Minstrels (London), 160

Manns, August, 18

“Marquis of Camberwell Green,

The,” 185

“Marseillaise” (see Lisle, Rouget de)

Marx, Karl, 11, 74

Die deutsche Ideologie, 58

Das Kapital, 59

masked balls, 46

Maugham, Somerset, 190

Maxim’s, 167

Mayhew, Henry, 177–78

A Few Odd Characters out of the

London Streets, 173

London Labour and the London Poor,

173

McClain, Billy, 165

McColl, Sandra, 95

McCready, Mike, 111

McGlennon, Felix, 79

McKim, Lucy, 165

Mechanic’s Hall (New York), 15

Mechanics’ Institutes, 62

Mechetti, Pietro, 134, 136

Meilhac, Henri, and Ludovic Halévy,

46, 55, 101

mélodie, 37

Melville, Herman, Moby-Dick, 167

Mendelssohn, Felix, 88, 91, 95, 110

Elijah, 27, 60

Midsummer Night’s Dream, 95

Metropolitan Opera House, 57

Metternich, Clemens, 74–75, 90,

133, 135, 252 n. 49

Meusy, Victor, 205

Meyer, Leonard, 15, 39

Meyerbeer, Giacomo, 62, 88, 105

Middleton, Richard, 10

military bands, 18, 42, 53, 62, 136

Mill, John Stuart, 11

Utilitarianism, 58

Millöcker, Karl, Der Bettelstudent, 57

Mills, C. Wright, 76

Mistinguett, 70

modernism, 51, 84, 196, 216–18

modernity, 12, 97, 167

Mohawk Minstrels, 160–62

Mohawk Minstrels’ Magazine, 168

Molloy, James Lynam, “Love’s Old

Sweet Song,” 36

Monday “Pops,” 18, 21, 35

Monschein Hall, 118

Moore and Burgess Minstrels (for-

merly Moore and Crocker), 17,

52, 155, 157–62

Moore, George Washington, 157–58

“The Grecian Bend,” 58–60

Moore, Thomas, 86

Morecambe and Wise, “Bring Me

Sunshine,” 7

“Moritat von Mackie Messer, Die,”

199

Morris, George Pope, 66–67

Morton, Charles, 48

mothers, 155

Moulin-Rouge, 51

Mozart, Wolfgang A., 4, 6, 87, 117,

119

Die Zauberflöte, 4

Müller, Adolf, Die Falsche Pepita, 55

Müller, H. F., 134

Müller, Matthias, 29

Musard, Philippe, 41–43, 123, 132

Music Hall Artistes Association, 21

music-hall (France), 48, 51, 70

music halls (London)

Canterbury, 19, 48

298 Index

Collins’s, 76

Empire Theatre of Varieties, 76, 213

Metropolitan, 19

Middlesex (formerly Mogul Sa-

loon), 19

Oxford, 19, 48, 78, 98, 186

Queen’s, 237 n. 59

Surrey, 19

Weston’s. 19

Wilton’s, 20

musique populaire, 5

“My Old Man’s a Dustman,” 194

Napoleon I (Napoleone di Buona-

parte), 45

Napoleonic Wars, 45, 60

Napoléon III (Louis-Napoléon Bona-

parte), 8, 73, 75, 109

Nathan, Hans, 149, 153

National Conservatory of Music, 53

Neruda, Wilma, 21

Nettel, Reginald, 40

New Orleans Serenaders, 148

Niblo’s Garden, 42, 57, 67

Nicolai, Karl Otto, 17

Niecks, Frederick, 99

Nietzsche, Friedrich, 99

Der Fall Wagner, 99

Northcote, Sydney, 89

Northumbrian pipes, 18

Norton, Caroline, 36

Novello (publishing house), 24–27

Novello, Alfred, 27

Novello, Vincent, 27

Oates, J. P., 30

Odéon (Paris), 54

Odeon (Vienna), 45

Offenbach, Jacques, 33, 45, 55, 57,

71, 91

La Belle Hélène, 55, 71, 101, 105–6:

“Ah! Fatale beauté,” 101; “Duo

du rêve,” 101, 246 n. 104; “Ty-

rolienne,” 97

Les Brigands, 103

La Grande-Duchesse de Gérolstein, 9,

35, 71, 105: “Couplets du sabre,”

105; “Piff, paff, pouff,” 56, 106–7

Orphée aux enfers, 54, 59–60: “Aux

armes! dieux et demi-dieux,“

54; galop infernale 55; “On m’a

ravi mon Eurydice,” 54, 101

La Périchole, 56, 101, 105: “Gris-

erie,” 212

“Old Jaw Bone, The,” 158

Olympia, 51

Olympic Theatre, 56, 176

Opera Comique (London), 33, 91

Opera House (on the Bowery), 54

opéra-bouffe, 54

operetta, 47–48, 54–57, 71, 81–83,

93, 100–108

oratorios, 25, 42, 60, 110–12

Oriental America (John W. Isham,

dir.), 53

Orphéon choirs, 27, 60

Orwell, George, 192

Paganini, Nicolai, 16

Paine, Thomas, Rights of Man, 145

Palmer’s Theater, 53

Palmo’s Opera House, 15

pantomime, 16

parody, 101–8, 172–78

Parry, Hubert, 46–47, 109–10, 128,

186–87

Parry, John, 247 n. 115

Parsons, Talcott, 58

Pasdeloup, Jules, 17

Pasha, Fethi Ahmed, 44

Pastor, Tony, 54

Pater, Walter, The Renaissance, 98–99

Patti, Adelina, 96

Paulus (Jean-Paul Habans), 35

Payne, John Howard, 66

Pearsall, Ronald, Victorian Popular

Music, 168

Peiss, Kathy, 71

Pell’s Serenaders, 163

Pennell, Elizabeth, 99

penny gaff, 177–78

People’s Concert Society, 62

People’s Palace, 62

Petzmeyer, Johann, 46

Philharmonic Society (London),

16–18, 40, 108

Philharmonic Society (New York), 17

Philharmonic Society (Vienna), 17

Philharmonische Concert-

Unternehmung, 89

Index 299

pianos, 26, 28–31, 61, 71

Picasso, Pablo, 51

Pickering, Michael, 11

Pierrot troupes, 166

Pigott, Edward, 80

Pink Floyd, 218

piracy, 32–33

Planché, James Robinson, Olympic

Revels, 56

pleasure gardens, 42

Pleyel, 30

Poe, Edgar Allan, 67

Ponchielli, Amilcare, La gioconda,

102, 106

Pond, Sylvanus, 25

Popular Musical Union, 62

populäre Musik, 5

population growth, 16, 18, 38, 85,

137

postmodernism, 217–18

postmodernity, 183

Pottier, Eugène, “L’Internationale,” 73

Power, Nelly, “The Boy in the

Gallery,” 80

Prater, 139

Presley, Elvis, “Jailhouse Rock,” 142,

170

Primrose and West Minstrels, 164–65

private and public morality, 65–72

private and public space, 8, 133

Procter, Adelaide, 65

Proctor, Frederick Freeman, 54

professionalization, 3, 15, 16–18, 20

for women, 21–23

prostitution, 65, 76, 81, 186, 212

“Put My Little Shoes Away,” 83

quadrille réaliste, 51

Queen’s Hall, 24, 112

Rabelais, François, 168, 197

race, 109–10, 165, 167–68

Radiohead, “Creep,” 7

ragtime, 53, 166

railways, 19

Rainer Family, “The Sweetheart,” 96

Ranelagh Gardens, 42

rational amusement and rational

recreation. See improvement

Ravel, Maurice, La Valse, 93

Raynor, Henry, 4, 11, 46, 192

recapitulation theory, 108–9

Redoutensaal, 17, 45, 131

Redoutes, 45

reed organs, 29

Reeves, Sims, 35–36

respectability, 40, 59, 69–70, 80

Restaurant du Rat Mort, 167

Revolutions

French Revolution, 8

1830 (France), 8

1848 (Austria), 45, 73, 135

1848 (France), 8, 216

1848 (Hungary), 73

Reynolds, Harry, 157, 164

Rice, Thomas, 144–45

“Jim Crow,” 51–52, 144, 150,

153–54

Richard, Lionel, 100

Riethmüller, Albrecht, 88–89

Ringstrasse, 8, 137

Ritchie, James, 177

Ritson, Joseph, 109

Robinson, Tom, 216

Robson, Frederick, The Wandering

Minstrel, 176

rock ‘n’ roll, 3, 142, 170

“progressive” rock, 141

punk rock, 156

Rodrigo, Joaquín, Guitar Concerto, 4

romance, 37

Romanian Cabaret (Paris), 167

Ronalds, Mary Frances, 83

Root, George, “Tramp, Tramp,

Tramp,” 25, 238 n. 72

Ross, W. G., “Sam Hall,” 176–77

Rosselson, Leon, 216

Rossini, Gioachino

Il barbiere di Siviglia, 95

Guillaume Tell, 101

Royal Academy of Music, 16

Royal College of Music, 87

Royal Theatre, 56

Rubens, Peter Paul, 88

Rubinstein, Anton, 31

“Rule, Britannia!” 27, 134

Ruskin, John, 10, 241 n. 133, 262

n. 2

Russell, David, 80

300 Index

Russell, Lillian, 35

Russell, Henry, 66–67, 145, 154, 167

“De Merry Shoe Black,” 153

“Woodman, Spare That Tree!” 25,

66–68

Saal Ehrbar, 30

Sacred Harmonic Society, 40, 59–60

Sacred Music Society, 60

Said, Edward, 60

St. James’s Hall, 17–18, 31, 35, 52,

108, 155, 161–62

St. Mary’s Hall, 160

Sainton Dolby, Madame, 35

Saint-Saëns, Camille, Samson et

Dalila, 105–6

Saint-Simone, Henri de, 72

Salis, Rodolphe, 197–99, 202

Salon des Beaux Arts, 100

Salon des Indépendants, 217

salons, 35, 37, 41, 86, 100, 111, 140,

207, 217

saloons, 19, 53

Salvation Army, 23, 224 n. 43

Salzburg Festival, 89

Sarcey, Francisque, 199

Satie, Erik, 196, 199

Gnossiennes, 217

Gymnopédies, 217

Saturday afternoon “Pops,” 18

Savoy Hotel, 213

Sax, Adolphe, 30, 62

Sayers, Henry, 166

Schenker, Heinrich, 111

Schipek, Marie, 21

Schlager, 10

Schlesinger (publishing house), 26

Schmitz, Oscar, Das Land ohne Musik,

8–9

Schneider, Hortense, 35, 55, 71

Schoenberg, Arnold, 7, 111

Schönherr, Max, 125

Schott (publishing house), 26–27

Schottische, 159

Schubert, Franz, 93, 119–20, 134

8 Ländler, 119

Moderne Liebeswalzer, 119–20

Schumann, Robert, 87

scie, 49–50

Second Empire, 48, 73, 197, 216

Select Committee on Theatres and

Places of Entertainment (1892),

“Semaine sanglante, La,” 73

Senefelder, Aloys, 24

serious music (ernste Musik), 4, 6, 86–

92, 112–13, 117, 125, 139–40

Sharp, Cecil, 110

Shaw, Bernard, 21–22, 189–90, 195

The Irrational Knot, 156

Pygmalion, 186

Shaw, Captain, 81

“She’s Going There Every Night,” 80

Sheard, Charles, 34

Musical Bouquet, 26, 156

sheet music, 24–27, 30, 32–33, 134

Sheridan, Mary Agnes, 72

Shield, William, “The Wolf,” 17

Sickert, Walter, 99

Simmel, Georg, 38, 97, 137

Simpson, Harold, 212

Sims, George, 190

slang, 200, 202–3

backslang, 173, 181

le verlan, 203

Slave Songs of the United States, 165

Slave Troupe of Georgia Minstrels,

164

slavery, 145, 147, 163, 167

Smiles, Samuel, 69, 91

Smirnitzki, Olga, 136

Société de l’Harmonie Sacrée, 60

Société des Auteurs, Compositeurs,

et Editeurs de Musique

(SACEM), 31–32, 34

Société des concerts du conserva-

toire, 17

Société des Gens de Lettres, 199

Society of British Musicians, 16

Sofiensaal, 45

soirées (“at home” functions), 61, 139

Soldene, Emily, 35, 98

Solie, Ruth, 41

“Somewhere a Voice Is Calling,” 83

song and supper rooms, 48, 174

“Song That Goes Like This, The,” 246

n. 107

Sousa, John Philip. 112–13

The Washington Post, 53

Southern, Eileen, 168

Index 301