Scott Derek B. Sounds of the Metropolis: The 19th Century Popular Music Revolution in London, New York, Paris and Vienna
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Index
289
Abdülaziz, Sultan, 44
Académie des Beaux Arts, 198, 216
Academy of Music, 57
Adelphi Theatre, 147
Adorno, Theodor, 4, 6, 217
Aeolian Ladies’ Orchestra, 22
African Polka, 47
Agricultural Hall, 160
Albarn, Damon (of Blur), Parklife, 195
“Ale Brider,” 181, 183
Alhambra Theatre, 55
Allais, Alphonse, 198–99, 214
Marche Funèbre, 198
Althusser, Louis, 193
Lénine et la philosophie, 58
Ambrose Park (Brooklyn), 165
American Dancing-Masters’ Associa-
tion, 53
“Annie Lisle,” 156–57
Apollo (dance hall), 65
Apollo Palace, 45
Apollo Rooms, 17
Appignanesi, Lisa, 200
Armstrong, Louis, 154
Armstrong, Tommy, “The Trimdon
Grange Explosion,” 72
Arnold, Matthew, Culture and Anarchy,
60–61
art worlds, 4, 94, 132, 219 n. 3
Astor Place Opera House, 57, 96
Astor Place riot, 96
Attali, Jacques, 31, 35
audience discipline, 61
Augarten, 42
avant-gardism, 196, 216–18
Avison, Charles, 92–93
Bailey, Peter, 80
Bakhtin, Mikhail, 168
Balfe, Michael William
The Bohemian Girl, 161
“Come into the Garden, Maud,”
35, 65, 186
“The Light of Other Days,” 176
Ballad Concerts, 26, 35–37. See also
drawing-room ballads
“royalty ballads,” 32, 37, 89
banjo, 147, 149, 155, 168
Banjo World, 168
Dobson’s Universal Banjo Instructor, 47
Banks, Aaron, “Emancipation Day,”
164
Banks, Billy, 161
Barbara (Monique Serf), 199
Barnum, P. T., 17, 96, 163
Baron, Camille, 207
Barras, Charles, The Black Crook, 57
Bart, Lionel, Oliver! 184
Bass, Michael, Street Music in the
Metropolis, 75
Bateman, Edgar, 189–90
Baudrillard, Jean, 183–84
Bauer, Henry, 212
Baumaine, Félix, “Hé Lambert,”
49–50
Bauman, Zygmunt, 97
Bayly, Thomas Haynes
“Long, Long Ago,” 176
“She Wore a Wreath of Roses,”
256 n. 39
“To the Home of My Childhood in
Sorrow I Came,” 236, n. 48
Beastie Boys, 170
Beatles, The
Revolver, 218
Sgt. Pepper’s Lonely Hearts Club
Band, 141, 218
“Strawberry Fields Forever,” 142
Bechstein, 31
Becker, Howard, 4, 57, 91, 93–94
Beecher, Henry Ward, 88
Beethoven, Ludwig van, 10–11, 42,
88, 91, 93–95, 98
Eighth Symphony, 95
Ninth Symphony, 17
Piano Sonata No. 16, 124
Bellini, Vincenzo
Norma: “Casta Diva,” 66, 68; “E in
silenzio,” 102–3
La sonnambula: “Sovra il sen la
man mi posa,” 105
Bellwood, Bessie (Kathleen Ma-
honey), 184
“What Cheer ‘Ria,” 20, 24, 65,
184–85
Benjamin, Walter, 55, 107–8
Bépoix, Henriette, 70
Béranger, Pierre-Jean de, 73, 197
Berger, Peter, and Thomas Luck-
mann, 93–94
Bergson, Henri, 50, 100–1
Berlioz, Hector, 93, 123, 132
Symphonie fantastique, 140
Berners Hall, 160
Berry and Gordon, 25
Bessière, Emile, Autour de la Butte:
Chansons de Montmartre et
d’ailleurs
“Au Clair de la lune,” 215
“Les Morphinomanes,” 216
Best, Geoffrey, 24
beuglants, 51
Biedermeyer Vienna, 135
Birmingham
Bingley Hall, 164
Midland Institute, 83
Bishop, Henry
Clari, or The Maid of Milan, 66:
“Home, Sweet Home,” 10, 17,
44, 66, 72, 86, 95, 110, 176
“The Dashing White Sergeant,”
154–55
“The Merry Mountain Horn,”
96–97
Bizet, Georges, Carmen, 99
“Toreador’s Song,” 199
black minstrels, 161, 163–64
black musicals, 51–53, 161, 163–66
blackface minstrelsy, 3, 7, 10–12, 15,
44, 47, 51–52, 54, 57, 94, 111,
144–70
Bland, James, 52, 164, 168
“Carry Me Back to Old Virginny,”
52
“Oh, Dem Golden Slippers,” 52
Blémont, Emile, 71
blue notes, 150, 153
Blümensaal, 45
Bohee Brothers, 164
James Bohee, 164, 168
bohemianism, 9, 71, 99–100, 213
Boosey (publishing house), 33–34
Boosey, John, 33
Boosey, William, 37
Booth, Charles, 178
Booth, William, 23
Bösendorfer, 29–30
Bösendorfer-Saal, 30
Botrel, Théodore, 215
“Le couteau,” 215
290 Index
Boucher, John, 168
Bouffes Parisiens, 54, 56
Boukay, Maurice, 214–15
Boulez, Pierre, 6
Bourdieu, Pierre, 9, 85
Bowery Theatre, 51, 144
Bradley, Edward (Cuthbert Bede),
174–76, 258 n. 11
Brahms, Johannes, 7, 93
Brandard, John, 24
brass bands, 10, 18, 19, 62, 112
Brassens, Georges, 199
Bratton, Jacqueline, 78
Brecht, Bertholdt, 108
Breitkopf and Härtel, 26–27
Brel, Jacques, “Amsterdam,” 7
“British Grenadiers, The,” 37
Broadwood, John, 29
Broadwood, Lucy, and J. A. Fuller
Maitland, English Country Songs,
112
Brown, James D., 91
Bruant, Aristide, 12, 35, 197,
199–205, 207, 213–14, 217–18,
265 n. 65
“A Grenelle,” 200, 213
“A la Bastille,” 200
“A la Bastoche,” 203–5
“A la Villette,” 200–2, 211, 213
“A Saint-Lazare,” 213
“Belleville-Ménilmontant,” 204
“Le Chat Noir,” 199
“Serrez les rangs,” 201
Bruckner, Anton, 95, 124
“Buffalo Gals,” 151
Buffet, Eugène, 212
“Pauvre Pierreuse!” 212–13
Bürger, Peter, Theory of the Avant-
Garde, 217–18
Burgtheater, 122
burlesque, 56
burnt cork, 158
Busch, Moritz, Wanderungen zwischen
Hudson und Mississippi, 144
Butt, Clara, “Land of Hope and
Glory,” 97
Büttner, 134
Byron, George Gordon, The Waltz:
An Apostrophic Hymn, 63–64
cabaret artistique, 3, 7, 11, 35, 44,
51, 93, 100, 196–218
cabarets artistiques
L’Abbaye de Thélème, 214
L’Auberge du Clou, 214
La Boîte à Fursy, 265 n. 63
Le Cabaret des Décadents, 205
Le Cabaret du Coup de Gueule,
215
Le Cabaret du Pacha Noir, 265 n.
63
Le Café de l’Avenir, 205
Le Café des Incohérents, 198
Le Chat Noir, 12, 41, 51, 100,
196–99, 205–6, 211, 213–14,
216–17
Le Chien Noir, 205, 215
Le Ciel et L’Enfer, 214
Elf Scharfrichter (Munich), 216
Die Fledermaus (Vienna), 216
Le Lapin Agile, 216
Le Mirliton, 199–200, 203, 213,
215
La Purée, 212
Le Rat Mort, 214
Les Nouvelles Athènes, 214
Les Quat’z’Arts, 51, 214, 217
Quatre Gats (Barcelona), 216
Schall und Rauch (Berlin), 216
café-concert, 15, 31, 34–35, 39,
48–51, 69–72, 76, 100, 199, 205,
212–13
cafés-concerts
Alcazar d’été, 34, 50, 61
Ambassadeurs, 50, 61, 166, 203,
217
Divan Japonais, 41, 50, 213
Eldorado, 34, 49–50, 70, 73, 203
Horloge, 199
Scala, 199
cakewalk, 53, 167
Calender’s Georgia Minstrels (for-
merly Barney Hicks’s Georgia
Minstrels), 164
Callender, Charles, 52, 164
Callender’s Colored Minstrels, 161,
164
Campbell, Colin, 81
cancan, 55
Index 291