harmonics. Mathematically, we can express the current in phases a, b,
and c as:
with j 1, 2, 3, . . .. We see that I
1
is the amplitude of the fundamen-
tal, and the I
n
s are the amplitudes of the odd harmonics. There are
phase shifts, denoted by u
n
, for each of the harmonics as well.
To further simplify matters, let’s next consider a load that produces
only third-harmonic currents. In many three-phase circuits, the third
harmonic is the dominant harmonic. In three-phase systems where there
are third-harmonic currents, the 120-degree phase shift for the funda-
mental results in a 360-degree phase shift for the third harmonic. This
means that the third-harmonic currents from each phase conductor are
in phase with one another, and that the neutral current is equal to the
sum of the third-harmonic amplitudes from each of the phases, or:
where I
h3
is the amplitude of the third-harmonic current in each
phase. We’ll next examine this phenomenon graphically, using a
system that has a third-harmonic amplitude on each phase that is
30 percent of the fundamental. Shown in Figure 4.17 (top traces) are
the first and third harmonics of this phase conductor. Note that the peak
of the 60 Hz fundamental is 1.0 amps, and the peak of the 180 Hz third
harmonic is 0.3 amps. Shown in the bottom trace of Figure 4.17 is the
total phase-a current, which is the vector sum of the fundamental and
third harmonic.
Next, we add up the sum of the phase currents to get the total neutral
current.
i
n
5 i
a
1 i
b
1 i
c
5 0.9 sins3vtd
i
c
5 s1.0d sinsvt 2 2408d 1 s0.3d sins3vt 2 s3d 3 2408d
i
b
5 s1.0d sinsvt 2 1208d 1 s0.3d sins3vt 2 s3d 3 1208d
i
a
5 s1.0d sinsvtd 1 s0.3d sins3vtd
i
n
5 3I
h3
i
c
5 I
1
sinsvt 2 u
1
2 2408d 1
`
n52j11
I
n
sinsnvt 2 u
n
2 n2408d
i
b
5 I
1
sinsvt 2 u
1
2 1208d 1
`
n52j11
I
n
sinsnvt 2 u
n
2 n1208d
i
a
5 I
1
sinsvt 2 u
1
d 1
`
n52j11
I
n
sinsnvt 2 u
n
d
Harmonics and Interharmonics 57