its teachings be lost upon you because you have heard it so
often. As a parabola pleases the eye more than a perpen-
dicular, so gracefulness is grateful to the aesthetic sense to
often outraged by awkward angularity. It is a duty that we
owe, to be as graceful as we can. We have all seen bows so
awkward, attitudes and movements so full of clumsiness,
that something of a moral turpitude has seemed to attach
to them. Who knows that there shall not come an age
when to outrage the taste—to agonize the delicate per-
ception—to impose discord upon the sensitive ear, shall
be in some way punishable as a grave offense? One of the
gifts, then, which society gladly receives, is an individual of
fine appearance, or grace of manner. “But I cannot bring
either of those,” is the plaintive cry from scores of aspiring
maidens.
Well, it has been often, yet not too often said, that
there is another kind of beauty which the soul seeks—a
higher kind, because more spiritual, hence more lasting
than the first, speaking of which a writer has said (describ-
ing one of the persons he met on a promenade down
Broadway): “There comes the ever welcome ugly face of a
beautiful soul!” All true culture at the last amounts to this.
Plato’s prayer we are still offering, in this Christian land,
“O make me beautiful within!” or, paraphrased by Milton:
What in me is dark illume;
What is low, raise and support.
To grow pure and good is in the power of all. That is
the greatest gift. But the subject is a wide one, and is made
familiar to us by every sermon to which we listen, by every
prayer we hear.
To be of highest value in society, a lady should have
some accomplishments—should be able, in some way, to
be a felt force in the entertainments of the hour. Can you
sing a song for us? Can you render poetry into music by a
fantasie of Thalberg, a sonata or a symphony by
Beethoven? Can you give us a pathetic ballad or a humor-
ous roundelay to the accompaniment of your harp or gui-
tar? If so, you are welcome, says Society, and we need you
hardly less than you need us. But, better than all, can you
talk? Are you quick at retort—fluent, fond of badinage?
Have you good descriptive powers? Are you kindly and
generous in your estimates of persons and their acts? Is
your language choice and free from provincial and inele-
gant words and phrases? Are you well read? If so, you are
a prize indeed. These questions must be all affirmatively
answered before one is a candidate for society’s highest
awards. For, though music is charming, though beauty and
grace are as rich in attractions as they are rare in actualiza-
tion, it remains true that conversational powers rank high-
est in the scale of social gifts.
It is the duty of all to do their best, even should they
carry their industry so far as to prepare bon-mots before-
hand, like Sheridan, or make memoranda of things suitable
to be said, upon their thumb nails, like one less famous
than the great wit. But all cannot talk well, though many
make a feint of doing so, poising themselves over a subject
like a humming-bird over a flower; dallying with ideas,
playing hide- and-seek with them, the hiding being for the
most part done by the ideas. But not so, your real Talker,
endowed for the purpose. He can take a subject, like a
flower, up by the roots, to look into its philosophy; or he
can merely descant upon its beauties, as he would call
attention to the coloring of a corolla, its size and outline—
or, if botanically inclined, its species, habits and uses; or he
can be so transcendental as give you what might be termed
the perfume of the subject, as he would direct your atten-
tion to the aroma of the flower. So that, as it seems, he can
give to society “small talk,” if the relations in which he is
placed demand it (his “relations,” for example, to a pout-
ing, wordless beauty of “sweet sixteen”); or he can be
descriptive, didactic, historic, polemic—what you will.
It is related to the credit of Socrates, that he said on
one occasion, as his apology for leaving a social circle:
“That which I know would not be suited to the occasion;
and what would be suited to the occasion, of that I am
ignorant.” But surely these words detract from his reputa-
tion as a conversationalist, and do not add to his fame as a
philosopher. Versatility may be named as the first qualifi-
cation of a good talker. Practice is requisite—tact—with
generosity enough to be a good listener also. Some persons
wait impatiently for their vis-a-vis to put in a few words,
and then make their next sentence tangent to his, touching
it at the point of departure only. To be a good listener is not
only one of the minor duties of morality, but is a sine qua
non in polite life. Monopoly of words is intolerable. Here,
then, in powers of conservation we have the highest gift
that one can exercise for the benefit of the circle in which
he moves. It can dispense with accessories, if need be. The
nimble, eloquent, versatile tongue alone is requisite. There
is no formula of invitation to the exercise of this gift, as,
“May I have the honor of conducting you to the talker’s
chair?” “Won’t you talk? Please do! Give us that imitation
of Dr. Johnson, with variations; that monologue a la
Coleridge. That’s in your best style, I have heard.” Or,
“Please favor us with your new bon mot, that original con-
ceit which is considered so amusing-” No, all is simple and
direct. The machinery is not cumbrous, it can be brought
into action at a moment’s warning. Grammatical propriety
has suggested the use of the pronoun in the third person,
masculine gender, while this gift has been treated of; but
its feminine correlative was all along intended. For with
her quickness, her fineness of taste and delicacy of per-
ception, woman has it in her power to be unrivaled as a
conversationalist; and in Madame Roland, whose elo-
quence, never heard beyond her own salon, helped to kin-
dle a revolution—Madame De Stael, whose powers were
972 ERA 5: Civil War and Reconstruction