CultureShock! Portugal
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variety of styles and techniques, from photography to
installation and video art. In Lisbon, 15 galleries all over the
city participate in the bimonthly LisboArte Contemporânea,
a simultaneous showing of contemporary art, with opening
receptions at weekends.
Azulejos
One of the most characteristic elements of Portuguese
architecture and decorative arts are the glazed tiles known as
azulejos (pronounced ‘ah-zoo-LAY-shos’). The most magnifi cent
examples can be found in churches, monasteries and palaces,
but they also adorn the façades of old commercial and
apartment buildings. Although azulejos are today considered
a uniquely Portuguese decorative
art form, they were originally
introduced to Portugal from
Moorish Spain at the beginning
of the 16th century. Portuguese
workshops soon began to take
up tile making, and developed
a unique tradition of their own.
Portugal is today best known for
its blue tile designs, a technique
of Dutch origin. Portuguese
azulejos have become so much associated with azul (the
colour blue) that it is often erroneously assumed that the
word azulejo comes from azul. The term azulejos, however,
is derived from the Arabic word al zulaïque, which means
smooth and polished stone.
In the late 19th and early 20th century, an increasing number
of ceramic artists and painters began to work with azulejos
and introduced new stylistic elements from Modernism, art
nouveau and later from abstract art. The painter Maria Keil
was one of the fi rst artists to use modern azulejo designs
in an urban context. From 1959 to 1972, she designed
several azulejo panels for the Lisbon subway, combining
traditional pattern motifs and subject matter with modern
design elements. In fact, the Lisbon subway has become
the most prominent outlet for Portuguese artists working
Thanks to the adaptability of
azulejos
to diverse techniques
and designs, glazed tiles continue
to play a vital role in the decoration
of public buildings and spaces
today. One of the most recent
and interesting examples is
the Parque das Nações, where
several Portuguese artists
created
azulejo
panels for the
1998 World Expo.
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