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n five original colours
In painting, the colours red, green, yellow, blue and purple are sometimes referred
to as the ‘original colours’ (in addition to black and white). Aristotle’s theories
indicated that all other colours could be produced by adding black or white to
these five colours. In the 17th century Guido Scarmiglioni and Robert Boyle
regarded black, white, blue, red and yellow as the five simple colours from which
all others were derived. See essential colours.
c flag
Similar to the dark blue of the flower, iris; violet.
a flake
Used to describe those pigments which are in the form of flakes.
c flake white
The pure toxic white pigment often in the form of flakes used by all the famous
oil painters of the past; made from lead carbonate. Also known as Cremnitz white,
silver-white or lead white. Used by the ancient Chinese, Egyptians and Greeks
and the only white pigment until the 1830’s.
c flambe
The yellow colour of the yellow iris.
n flambé
A crimson and blue glaze originating in China in the Sung Dynasty (968-1280)
giving the appearance of flames.
a flamboyant
Florid; showy; coloured in a flamelike manner.
c flame
A bright yellowish-red akin to the colour of flame. Also called
‘flame-red’.
a flame-coloured
Of the colour of flame; Shakespeare in Henry IV Part 1 and
Twelfth Night and in C S Lewis’ Perelandra.
adjective a
adverb adv
a colour c
noun n
prefix pr
suffix su
verb vb