A Student’s Guide to U.S. History
9
professionalized ethos, or blinded by the preconceptions of
ideology. It would be nice to report that this trend shows
signs of reversal. But if anything the opposite is the case. So,
unless you are blessed with uncommonly thoughtful teach-
ers, as a student of history you will have to dig in and do for
yourself the work of integration, of asking what it all means.
I hope this book will help.
I have not striven for originality, precisely because it is
my hope that this book will not become readily outdated.
History, like all fields of study in our day, is highly subject to
the winds of fashion. There is no getting around this fact
entirely, just as one cannot entirely avoid fashion in clothing.
(Even being stodgily unfashionable is a “fashion statement,”
and the vanity of the man who will never wear anything fash-
ionable in public, out of fear of being thought vain, is vanity
just the same.) So I will not pretend to be immune, and I
also respectfully decline to play the role of the old fogey, who
thinks all innovation in historical scholarship is humbug.
Would that it were that easy to distinguish gold from dross.
Nevertheless, I try to look beyond the ebb and flow of fash-
ion in this book, and attempt to draw our attention instead
to the more permanent questions.
What follows, then, is divided into several sections. I begin
with introductory essays about the character and meaning of
historical study in general, leading into an examination of the
special questions and concerns animating the study of Ameri-
can history. These are followed by a series of short essay-sketches,
which I call “windows,” offering us brief glimpses of the cen-