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Russian society, law and economy
that same line of business and an agricultural labourer in the course of a single
year, made it virtually impossible to measure status, occupation and class; the
geographical location and employ of many provincial inhabitants was subject
to change. The Sormovo shipbuilding plant, dating back to the 1840s and one
of the earliest working-class communities in Russia, alone employed 10,748
workers in 1899 (up from 2,000 only five years earlier).
35
Even more elusive are the middle classes. Fortunately, we can turn to the
eye of contemporaries who, if they did not count, caught members of Nizhnii
Novgorod society on paper or on film: Aleksandr Gatsiskii’s fondest project,
in fulfilment of his belief that ‘history should take as its task the detailed
biography of each and every person on the earth without exception’,
36
was
the compilation of quantities of biographies of local citizens; in combination
with the exquisitely posed portraits by the local photographer A. O. Karelin,
we can get a satisfying impression, if not quantification, of Nizhnii’s middle
class.
37
Through Gatsiskii’s materials, we learn of Anna Nikolaevna Shmidt,
the eccentric journalist of petty gentry background who created a theology
which she called the Third Testament, and was ‘adopted’ by various Silver
Age cultural figures, Zina
¨
ıda Gippius in particular; of Petr Bankal’skii, the
meshchanin and small businessman who eventually opened a bar, then a hotel
near the fairgrounds, in the meantime writing treatises that sought to reconcile
science and religion;
38
of the much-admired local historian Stepan Eshevskii
(1829–65);
39
of A. V. Stupin (1776–1861), founder of a well-known icon-painting
school in the wilds of Nizhnii Novgorod province; of Liubov’ Kositskaia (1829–
68), beloved local actress.
40
Karelin, in the meantime, went inside the bourgeois
household with his camera (1870s–90s) to portray families, loving couples,
girls in exotic dress – in short, the whole panoply of Victorian photographic
repertoire. Whether verbal or visual, the portraits are unmistakably middle-
class. The middle class might perfectly well contain people officially classified
as gentry, merchants, clergy (namely in the Dobroliubov family’s apartment
building), meshchane, and even peasants (who continued to be counted as
such even if – as happened in Old Believer circles – they happened to be
35 K
¨
untzel, Von Niznij, p. 94.
36 Gatsiskii, Liudi nizhegorodskogo povolzh’ia (NN: Tip. nizhegorodskogo gubernskogo
pravleniia, 1887), p. vii.
37 See A. A. Semenov and M. M. Khorev (eds.), A. O. Karelin: tvorcheskoe nasledie (NN:
Volgo-Viatskoe knizhnoe izd., 1990).
38 On these two figures, see C. Evtuhov, ‘Voices from the Provinces: Living and Writing in
Nizhnii Novgorod, 1870–1905’, Journal of Popular Culture 31, 4 (Spring 1998): 33–48.
39 Gatsiskii, Nizhegorodka,pp.235–47.
40 On Kositskaia, see Toby Clyman and Judith Vowles (eds.), Russia through Women’s Eyes:
Autobiographies from Tsarist Russia (New Haven: Yale University Press, 1996), chapter 4.
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