Lattner, Stefan: Konzepte algorithmischer Komposition: Ein vergleichender ?berblick-BACHELORARBEIT

Literaturverzeichnis 45

[42] Stravinsky, I. und R. Craft: Memories and Commentaries. Faber, Lon-

don; Doubleday, New York, 1960.

[43] Thaler, S.: Device for the autonomous generation of useful information,

2008. CA Patent Nr. 2199969.

[44] Thaler, S.: Imagination Engines Incorporated, Website. April 2008.

http://www.imagination-engines.com/.

[45] Thaler, S.: song of the neurons, Website. April 2008.

http://www.imagination-engines.com/son/index.html.

[46] Todd, P.: “a connectionist approach to algorithmic composition”. Com-

puter Music Journal, 13(4):27–43, 1989.

[47] Toiviainen, P.: “symbolic ai versus connectionism in music research”. E .

Miranda, editor, Readings in Music and Artiﬁcial Intelligence. Gordon

and Breach, 1999.

[48] Tseytin, G. S.: Association Nets: an Alternative Formalization of Com-

mon Thinking. In: LFCS ’97: Proceedings of the 4th International Sym-

posium on Logical Foundations of Computer Science, S. 385–398, Lon-

don, UK, 1997. Springer-Verlag, ISBN 3-540-63045-7.

[49] Von Neumann, J.: “the general and logical theory of automata”. E.

Newmann, ed. The World of Mathematics, S. 2070–2098, 1951.

[50] Widmer, G.: Qualitative perception modeling and intelligent musical

learning. Computer Music Journal, 16(2):51–68, 1992.

[51] Wolfram, S.: A new kind of science. Wolfram Media Inc., Champaign,

Ilinois, US, United States, 2002, ISBN 1-57955-008-8.

[52] Xenakis, I.: “elements of stochastic music”. Gravesaner Blätter, 18:84–

105, 1960.

[53] Zell, A.: Simulation Neuronaler Netze. R. Oldenbourg Verlag, München,

Deutschland, 1997.