The immortality of the soul had been Christian teaching for many
centuries, and the religious teaching had already been combined with
Aristotelian hylomorphism at the Council of Vienna in 1311. What is
noteworthy about the Lateran Council’s declaration is its insistence on
the relationship between revealed and philosophical truth, and its claim
that the immortality of the soul is not only true, but provable by reason.
The Church, for the Wrst time, was laying down the law not just on
religious truth, but also on religious epistemology. This decree, like the
reforming decrees, seems to have had little practical eVect. A couple of
years later Pomponazzi published his treatise on the soul: it was topped and
tailed with professions of faith and submission to the Holy See, but the
meat of the work consists of a battery of arguments against personal
immortality.
It was while the Lateran Council was in session that Raphael painted in
the Vatican, Wrst for Pope Julius and then for Pope Leo, the Stanza della
Segnatura, on whose walls and ceilings are represented the disciplines of
theology, law, philosophy, and poetry. The fresco The School of Athens
contains some of the most loving representations of philosophers and
philosophical topics in the history of art. Here the reconciliation of Plato
and Aristotle is given spatial and colourful form. The two philosophers,
side by side, preside over a resplendent court of thinkers, Greek and
Islamic. Plato, wearing the colours of the volatile elements air and Wre,
points heavenwards; Aristotle, clothed in watery blue and earthly green,
has his feet Wrmly on the ground. The two are reconciled, in Raphael’s
vision, by being assigned diVerent spheres of inXuence. Aristotle, standing
under the aegis of Minerva on the side of the fresco next to the law
wall, dominates a group of ethical and natural philosophers. Plato,
under the patronage of Apollo, stands above a throng of mathematicians
and metaphysicians. Surprisingly, perhaps, he, who banished the poets
from his Republic, is given his place next to the wall dedicated to
poetry and dominated by Homer. Facing, across the room, is The Disputation
of the Sacrament, where sit the great Christian philosophers: Augustine,
Bonaventure, and Aquinas. The whole is a masterpiece of recon ciling
genius, bringing together the two truths which, so the Lateran fathers
were proclaiming, no man should put asunder.
THE SCHOOLMEN
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