equality we have encountered earlier. But this encounter did not take place
in our present life, nor by means of the senses: it must have taken place in a
previous life and by the operation of pure intellect. What goes for the Idea
of absolute equality must work also for other similar Ideas, like absolute
goodness and absolute beauty (73a–77d).
Thirdly, Socrates argues from the concepts of dissolubility and indissolu-
bility. Whatever can disintegrate, as the body does at death, must
be composite and changeable. But the Ideas with which the soul is
concerned are unchangeable, unlike the visible and fading beauties we
see with our eyes. Within the visible world of Xux, the soul staggers like
a drunkard; it is only when it returns within itself that it passes into the
world of purity, eternity, and immortality in which it is at home. If even
bodies, when mummiWed in Egypt, can survive for many years, it is hardly
credible that the soul dissolves at the moment of death. Instead, provided it
is a soul puriWed by philosophy, it will depart to an invisible world of bliss
(78b–81a).
In response to these arguments, Simmias oVers a diVerent conception of
the soul. Consider, he says, a lyre made out of wood and strings, which is
tuned by the tension of the strings. A living human body may be compared
to a lyre in tune, and a dead body to a lyre out of tune. It would be absurd
to argue that because attunement is not a material thing like wood and
strings, it could survive the smashing of the lyre. W hen the strings of the
body lose their tone through injury or disease, the soul must perish like the
tunefulness of a br oken lyre (84c–86e).
Cebes, too, has an objection to make. He agrees that the soul is tougher
than the body and need not come to an end when the body does; in the
normal course of life, the body suVers frequent wear and tear and needs
constant repair by the soul. But a soul might be immortal, in the sense that
it can survive death, without being imperishable, in the sense that it will
live for ever. Even if it transmigrates from body to body, perhaps one day it
will pass away, just as a weaver, who has made and worn out many coats in
his lifetime, one day meets his death and leaves a coat behind (86e–88b).
Socrates produces several reasons for rejecting Simmias’ analogy. Being
in tune admits of degrees; but no soul can be more or less a soul than
another. It is the tension of the strings that causes the lyre to be in tune,
but in the human case the relationship goes in the other direction: it is the
soul that keeps the body in order (92a–95e).
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SOUL AND MIND