IMPERIAL SOVEREIGNTY 203
people to the multitude, from dialectical opposition to the manage-
ment of hybridities, from the place of modern sovereignty to the
non-place of Empire, from crisis to corruption.
R
EFUSAL
Bartleby would prefer not to. The mystery of Herman Melville’s classic
story is the absoluteness of the refusal. When his boss asks him to perform
his duties, Bartleby calmly repeats over and over, ‘‘I would prefer not to.’’
Melville’s character fits in with a long tradition of the refusal of work. Any
worker with any sense, of course, wants to refuse the authority of the boss,
but Bartleby takes it to the extreme. He does not object to this or that
task, nor does he offer any reason for his refusal—he just passively and
absolutely declines. Bartleby’s behavior is indeed disarming, in part because
he is so calm and serene, but moreover because his refusal is so indefinite
that it becomes absolute. He simply prefers not to.
Given Melville’s great penchant for metaphysics, it is no wonder that
Bartleby solicits ontological interpretations.
1
His refusal is so absolute that
Bartleby appears completely blank, a man without qualities or, as Renais-
sance philosophers would say, homo tantum, mere man and nothing more.
Bartleby in his pure passivity and his refusal of any particulars presents us
with a figure of generic being, being as such, being and nothing more. And
in the course of the story he strips down so much—approximating ever
more closely naked humanity, naked life, naked being—that eventually
he withers away, evaporates in the bowels of the infamous Manhattan
prison, the Tombs.
Michael K, the central character in J. M. Coetzee’s wonderful novel
The Life and Times of Michael K, is also a figure of absolute refusal.
But whereas Bartleby is immobile, almost petrified in his pure passivity,
K is always on his feet, always moving. Michael K is a gardener, a simple
man, so simple that he appears to be not of this world. In a fictional country
divided by civil war, he is continually stopped by the cages, barriers, and
checkpoints erected by authority, but he manages quietly to refuse them, to
keep moving. Michael K does not keep moving just for the sake of perpetual
motion. The barriers do not just block motion, they seem to stop life, and
thus he refuses them absolutely in order to keep life in motion. What he
really wants is to grow pumpkins and tend to their wandering vines. K’s