MUSIC • 279
duced in 1657, and since that time organ construction in Canada has
achieved worldwide recognition for quality. Many figures prominent
in Canada’s history were practicing musicians—explorer Louis Jol-
liet (1645–1700), for instance, was a master of several instruments.
British military bands made a different kind of contribution, broaden-
ing popular understanding of their repertoire. Concert halls and later
opera houses were built in colonial cities.
The first published music was by New France composer, poet,
and playwright Joseph Quesnel (1746–1809). Celtic music came
with new immigrants. Folk music flourished: “The Canadian Boat
Song,” composed by Thomas Moore, was a notable triumph. Choirs
and musical societies enlarged musical activities. In 1844, Samuel
Nordheimer opened a store in Toronto, selling pianos and sheet
music. In the 1870s, conservatories were opened, providing string,
woodwind, and brass instruction. The national anthem “O Canada”
was written by Calixa Lavallée, becoming popular. Robert Nathaniel
Dett (1882–1943), among the first African Canadian composers,
performed at Carnegie Hall. World War I introduced many popular
songs, some of imperial and martial sentiment.
Arguably the beginning of modern Canadian music and composi-
tion can be traced to Toronto-born Murray Adaskin (1906–2002),
a violinist, composer, conductor, and teacher at the University of
Saskatchewan. For many years, he was an orchestral and chamber
musician with the Toronto Symphony Orchestra, but he became a
composer-in-residence at the University of Saskatchewan, the first
appointment of its type.
In popular music, many notable individuals and groups made their
appearance, among them Guy Lombardo and his Royal Canadians,
a noted dance band that sold millions of records; Oscar Peterson
(1925–2007), considered among the greatest of jazz pianists (and a
champion of racial equality); Hank Snow, a regular Nashville per-
former; Portia White (1911–1968), of African descent, a contralto;
Paul Shaffer, music director of comedian David Letterman’s Late
Show; Paul Anka, a rock and teen idol famous for “Diana”; and other
notable performers and groups such as Neil Young, k.d. lang, Rush,
Barenaked Ladies, Bryan Adams, and Celine Dion.
In classical music performance, a similar long list could be com-
piled, including Jon Vickers (tenor), Edward Johnson (singer and
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