as the age of Henry VIII moved toward the Elizabethan; and on the
Continent an easy morality allowed nude women, in festival pageants,
to impersonate historical or mythological characters; Durer
confessed himself fascinated by such a display at Antwerp in
1521. `063382
And there were games. Rabelais filled a chapter by merely listing
them, real and imagined; and Brueghel showed almost a hundred of
them in one painting. Bear-baiting, bullfighting, cockfighting, amused
the populace; football, bowling, boxing, wrestling, exercised and
exorcized young commoners; and Paris alone had 250 tennis courts for
its blue bloods in the sixteenth century. `063383 All classes hunted
and gambled; some ladies threw dice, some bishops played cards for
money. `063384 Mummers, acrobats, and players roamed the
countryside, and performed for lords and royalty. Within doors
people played cards, chess, backgammon, and a score of other games.
Of all pastimes the best beloved was the dance. "After dinner," says
Rabelais, "they all went tag-rag together to the willowy grove, where,
on the green grass, to the sound of merry flutes and pleasant
bagpipes, they danced so gallantly that it was a sweet and heavenly
sport to see." `063385 So in England, on May Day, villagers gathered
round a gaily decorated Maypole, danced their lusty rustic measures,
and then, it appears, indulged in intimacies reminiscent of the
Roman festival of Flora, goddess of flowers. Under Henry VIII the
May games usually included the morris (i.e., Moorish) dance, which had
come from the Spanish Moors via the Spanish fandango with castanets.
Students danced so boisterously at Oxford and Cambridge that William
of Wykeham had to forbid the ecstasy near chapel statuary. Luther
approved of dancing, and relished especially the "square dance, with
friendly bows, embracings, and hearty swinging of the
partners." `063386 The grave Melanchthon danced; and at Leipzig, in
the sixteenth century, the city fathers regularly held a ball to
permit students to become acquainted with the "most honorable and
elegant daughters of magnates, senators, and citizens." `063387
Charles VI often led ( balait ) the ballet or dance at the French
court; Catherine de Medicis brought Italian dancers to France, and
there, in the later days of that unhappy queen mother, dancing
developed new aristocratic forms. "Dancing," said Jean Tabourot, in