Regardless, Turner continues to liv e on in American history and cultural memory
as something of an enigma, if not a completely unknowable individual. Because
Turner was a slave, and therefore considered property and not fully a person in a
legal sense, the only real record of his life comes from the “confessions” he allegedly
made to Gray at the Southampton County jail in November 1831. Thus, while the
historical record of T urner’s insurrection and the its consequences reflects the actions
of such parties as the Virginia General Assembly, the U.S. Congress, and countless
individuals, the memory of Nat Turner in American life is somewhat more difficult
to pin dow n. Whereas history depends on the written record, almost no record exists
of Turner’s life with the exception of Gray’s pamphlet.
As a result, historians and cultural observers continue to be vexed by the confes-
sions, since there is no way of knowing whether the words attributed to Turner by
Gray were actually his own. On the one hand, Gray clearly may have been moti-
vatedbythesamethingthatmotivatedmanyprominentwhitesatthetimehe
met Turner: namely, a desire to attach some kind of explanation to the insurrection
so that the fears of white people could be assuaged. On the other hand, it is entirely
possible that Gray lacked either the creativity or the initiative to create a profile of
Turner entire ly on his own. To have done so would have been remarkable,
given the short time between Gray’s interview with Turner and the subsequent
publication of The Confessions of Nat Turner. Moreover, Gray claimed on the
cover of the pamphlet that the entire transcript of the “confessions” had been read
in court in Southampton County on November 5, 1831, where Turner allegedly
acknowledged the veracity of the account.
Nevertheless, the confessions raise more questions about Nat Turner than
answers. The pamphl et has allowed Turner to be portrayed differently by people
with disparate motives for remembering him. Gray’s insistence that the confes-
sions were accurate provide cover t o historians an d others inte nt on portrayi ng
Turner as something of a hero, as a person who responded to horrors of slavery
with a t errifying rampage of his own, and who s poke of his exploits calmly and
with conviction and intelligence. To many, Turner’s actions are made understand-
able, if not necessarily justifiable, by the dehumanization and violence engendered
by the insti tution of slavery; and to these observers, Turner’s confessions offer a
glimpse into the deep sense of frustration and religious evangelism that must have
driven him to do what he did. Others demonize Turner not only for recounting the
deaths of so many people to Gray, but for doing so in such grisly detail. In th eir
view, Turner is no thing but a monster, a fanatic bent on exacting revenge blindly
from any white person who had the misfortune of crossing his path on the morning
of August 22, 1831.
At the same time, doubts about the role Gray may have played in recording
Turner’s alleged confessions make it possible to discount the more gruesome
276 Nat Turner ’s Rebellion (1831)