Get on Board, Little Children 185
prospect that a second wave of Nashville Freedom Riders would be dispatched
later in the week.
The chosen included two whites—Jim Zwerg and Salynn McCollum—
and eight blacks: John Lewis, William Barbee, Paul Brooks, Charles Butler,
Allen Cason, Bill Harbour, Catherine Burks, and Lucretia Collins. Zwerg
was a twenty-one-year-old exchange student from Wisconsin who had joined
the Lawson workshops and the theater stand-ins soon after his arrival at Fisk
in early 1961; preparing for a career as a Congregational minister, he had
grown close to Lewis in the months leading up to the Freedom Ride.
McCollum, also twenty-one, was a transplanted upstate New Yorker attend-
ing George Peabody College; active in the sit-in movement, she would later
work for SNCC in Atlanta. Barbee, nineteen, was a theology student at Ameri-
can Baptist Theological Seminary, as was Brooks, a twenty-two-year-old East
St. Louis, Illinois, native who had become one of Nashville’s most outspoken
activists.
The remaining five Riders were all students at Tennessee Agricultural
and Industrial (A&I) State University, an all-black public institution that had
recently gained fame as the home campus of Olympic track star Wilma
Rudolph. Tennessee State, as the university was commonly known, had also
provided the Nashville Movement with many of its most committed partici-
pants. Butler was a twenty-year-old sophomore from Charleston, South Caro-
lina, and Cason was a bookish nineteen-year-old freshman from Orlando,
Florida, who insisted on taking his typewriter on the Freedom Ride. Harbour,
also nineteen, was from Piedmont, Alabama, where his father worked in a
yarn factory. Like fellow Alabamian John Lewis, Harbour was the first mem-
ber of his family to go to college, and earlier in the year he and Lewis had
struck up a friendship during a long bus ride to the jail-in rally in Rock Hill,
South Carolina. Burks was an outgoing and vivacious Birmingham native,
who, like Nash, posed for Jet magazine. A twenty-one-year-old senior, she
would marry fellow Freedom Rider Paul Brooks later in the year. Collins,
who had lived on an army base in El Paso, Texas, before coming to Nash-
ville, was also a twenty-one-year-old in her last semester at Tennessee State.
Tall and strikingly attractive, with a soft voice that masked a steely determi-
nation to confront the white supremacist power structure, she always seemed
to be on the front lines of the local freedom struggle. While the ten Riders
represented a range of personalities and class backgrounds, all were seasoned
veterans of the Nashville Movement. None had yet reached the age of twenty-
three.
13
Once the lineup of Freedom Riders was set, Nash placed a call to
Shuttlesworth. This time much of their conversation was relayed in a prear-
ranged code. Realizing that his phone had been tapped by local police, the
Birmingham minister had worked out a set of coded messages related to, of
all things, poultry. “Roosters” substituted for male Freedom Riders, “hens”
for female Riders, “pullets” for students, and so on. What the eavesdropping