218 The Ancient Languages of Europe
The order of the runes is known from several inscriptions containing the full list. Their
value can be deduced from their use in identifiable words, and from their correspondence
with letters in the Mediterranean alphabets. In addition, each rune has its own name,
beginning with the sound that it represents. The twenty-four runes are organized into three
groups of eight runes each. The groups are called œttir (sg. œtt “family,” or the word may
also be related to ´atta “eight”).
There is a close correspondence between what may be assumed to be the phonetic value
of the runes and the reconstructed phonological system of the language. The only real
uncertainty residesinç, which probably representsa long, lowunroundedvowel, contrasting
in Proto-Germanic with a long, low rounded vowel (Antonsen 1975:2f.). This is a contrast
that does not exist in the short vowel system of Proto-Germanic, where /a/ is the only low
vowel. The rune eventually became superfluous through phonological development, which
explains why it is found almost only in the futharks, and hardly in any complete word
(with one possible exception). One other rune which may not have represented a separate
phoneme is Ñ.
The reflex of Germanic /z/ (from /s/ by Verner’s Law) is written
m. This letter was earlier
considered to represent a palatalized /
ˆ
r/, since it later merged with /r/. It could not be /z/, it
was assumed, since it did not undergo final devoicing (as its Gothic equivalent did: Gothic
dags “day” vs. Old Norse dagr). But since there is no other reason to posit a transitional stage
between /z/ and /r/, we will follow Antonsen (1975), among others, in transcribing it <z>
and considering it a voiced sibilant.
The writing is usually from left to right, but the opposite direction and bidirectional
writing (boustrophedon) are also used. Words are usually not spaced.
2.2 Origin
The futhark is a phonologically based writing system of the same type as the Greek and Latin
alphabets. Many of the symbols have a clear Latin or Greek base, such as f, b, k, i, s, t, m.
In addition, r and h can have a Latin, but not a Greek, origin. Conspicuously, runes that
represent phonemes not found in Latin show no similarity to Latin or Greek letters: D, w, ï, Ñ.
The most likely root of the runic script may therefore be the Latin alphabet, combined with
the creativity and ingenuity of its inventor (notice that the runic script, unlike the Latin
alphabet, distinguishes between /i/ and the semivowel /j/, and between /u/ and the semivowel
/w/), who also found inspiration in the Greek alphabet and perhaps in North Italian writing
systems.
Who the inventor was and when and where s/he lived, we of course do not know. The
date of invention must be prior to AD 150, but perhaps not much earlier, since this is
the earliest date of a securely identified inscription (the Meldorf Fibula from before the
middle of the first century AD may contain runes; in which case the date of the first ap-
pearance of runic inscriptions has to be pushed back more than a century). On the other
hand, it is not unlikely that the runes were first exclusively written on wooden objects that
are now lost, as the angular shape of the runes may indicate that they were originally de-
signed for carving in wood. Their inventor must have been a Germanic-speaking person,
since the futhark is particularly well suited for representing an early Germanic phonolog-
ical system. If the invention took place not too long before the earliest inscriptions, it is
plausible that the locale was somewhere near the center of their greatest diffusion, namely
Denmark (as claimed by Moltke [1985:64]). It is clear, however, that the runes could not
have been invented by someone who did not have contact with the classical cultures of the
Mediterranean. On the other hand, it is not likely that the futhark would have been invented
in the immediate vicinity of the Latin or the Greek world, since in that case one could simply