Advanced experimental techniques in vehicle noise 201
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costs of such a system. However, 1D scanning LDVs are widely used
because they offer a good compromise between problem insight, ease of
installation and measurement and analysis time. However, as surface vibra-
tions are measured this provides only indirect information about the radi-
ated noise.
If measurement of in-plane vibrations is required (e.g. for brake squeal on
disc brakes) a 3D scanning LDV is required, which is more than three times
as expensive as a 1D scanning LDV. Therefore such LDVs are found only
where absolutely necessary (e.g. at a brake system manufacturer).
For non-stationary signals holographic methods can be used. Here the
object beam is widened to highlight the whole surface of interest. If the test
object is stationary on a mechanically isolated bed plate, a reference holo-
gram can be measured without excitation and the interference pattern
under operation can be evaluated to fi nd the desired surface vibration. The
technique is very similar to the LDV technique, only here the photodetec-
tor is an array of photodetectors.
If the test object is operating at a certain rpm it is not possible to use a
reference hologram without excitation as the test object may have moved
in between. Here a double- or multiple-pulse holographic interferometer
technique must be applied, which further complicates the measurement
process, thus increasing costs.
9.5 Sound quality and psychoacoustics:
measurement and analysis
There are many aspects of product quality: design, durability, functionality,
ease and simplicity of use, etc. Besides objective quality aspects, subcon-
scious impressions like feel, smell and noise become more and more impor-
tant in distinguishing an excellent product from merely good products. So
instead of measuring only the objective noise level it is desired to evaluate
the subjective noise quality. Unfortunately the human way of listening is
pretty much non-linear in several aspects:
• The frequency and amplitude sensation is not linear but approximately
logarithmic (as for most human senses).
• The frequency response of the ear is not linear.
• This effect varies with amplitude.
• Different signals may mask each other in time and frequency.
• The rating of noise differs individually and depends, e.g., on the ethnic
background and the expectation of the listener.
Therefore sound quality ratings are only meaningful in a special context.
Before the advent of digital measurement systems, a fi xed spectral
weighting was applied in order to simulate the lower sensitivity of the
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