Unger M.P. Historical Dictionary of Choral Music

Подождите немного. Документ загружается.

512 • BIBLIOGRAPHY

Kent, Christopher. Edward Elgar: A Guide to Research. New York: Garland,

1993.

McGuire, Charles E. Elgar’s Oratorios: The Creation of an Epic Narrative.

Aldershot, Hampshire, UK: Ashgate, 2002.

McVeagh, Diana. Elgar the Music Maker. Rochester, N.Y.: Boydell & Brewer,

2007.

Monk Raymond, ed. Elgar Studies. Aldershot, Hampshire, UK: Scolar Press,

1990.

Moore, Jerrold N. Edward Elgar: A Creative Life. Oxford: Oxford University

Press, 1984.

Neufeld, Gerald. “Structure, Symbolism, and Thematic Transformation in Ed-

ward Elgar’s The Dream of Gerontius.” Choral Journal 36/8 (March 1996):

9–14.

Young, Percy M. “Edward Elgar: Music for the Catholic Liturgy.” American

Choral Review 28/1 (January 1986).

———. Elgar, Newman, and the Dream of Gerontius: In the Tradition of Eng-

lish Catholicism. Aldershot, Hampshire, UK: Scolar Press, 1995.

Handel, George Frederic

André, Don. A. “G. F. Handel’s Brockes Passion of 1716.” Choral Journal

31/8 (March 1991): 27–33.

Burrows, Donald, ed. The Cambridge Companion to Handel. Cambridge: Cam-

bridge University Press, 2008.

———. Handel and the English Chapel Royal. London: Church Music Society,

1985; rept. London: Oxford University Press, 2005.

———. Handel: Messiah. Cambridge: Cambridge University Press, 1991.

Dean, Winton. Handel’s Dramatic Oratorios and Masques. London: Oxford

University Press, 1959; rept. 1990.

Deutsch, Otto Erich. Handel: A Documentary Biography. London: Adam and

Charles Black, 1955.

Dixon, G. “Handel’s Music for the Carmelites: A Study in Liturgy and Some

Observations on Performance.” Early Music 15/1 (February 1987): 16–24.

Doyle, Roger O. “Handel of Brook Street.” Choral Journal 25/10 (June 1985):

20–22.

Hurley, David R. Handel’s Muse: Patterns of Creation in His Oratorios and

Musical Dramas, 1743–1751. Oxford: Oxford University Press, 2001.

Jordan, James, Jr. “Handel’s Coronation Anthems.” American Choral Review

30/3 (Summer 1988).

Lock, William. “Handel’s Chandos Anthems.” Choral Journal 25/8 (April

1985): 28–35.

BIBLIOGRAPHY • 513

Paiement, Nicole A. “Handel’s Dixit Dominus—History, Style and Perfor-

mance.” American Choral Review 33/1 (Winter/Spring 1991).

Parker, Mary Ann. G. F. Handel: A Guide to Research. New York: Routledge,

2005.

Schaub, Carol J. “A Guide to Handel’s London.” Choral Journal 28/2 (Sep-

tember 1987): 32–39.

Shaw, Watkins. A Textual and Historical Companion to Handel’s “Messiah.”

London: Novello, 1965.

Smith, Ruth. Handel’s Oratorios and Eighteenth Century Thought. Cambridge:

Cambridge University Press, 1995.

Young, Percy M. The Oratorios of Handel. London: Dobson, 1949.

Haydn, Franz Joseph

Chusid, Martin. “Some Observations on Liturgy, Text, and Structure in

Haydn’s Late Masses.” In Studies in Eighteenth-Century Music: A Tribute

to Karl Geiringer on His Seventieth Birthday. Edited by H. C. Robbins

Landon and Roger E. Chapman. New York: Oxford University Press, 1970

(pp. 125–135).

Demaree, Robert W., and Don V. Moses. “A New View of Haydn: A Twenty-

First Century Reassessment of the Masses of Joseph Haydn.” Choral Jour-

nal 50/2 (September 2009): 38–51.

Gilbert, Nina. “Haydn’s First Mass: A Practical Introduction to His Style.”

Choral Journal 25/9 (May 1985): 19–23.

Grave, Floyd K. and Margaret G. Grave. Franz Joseph Haydn: A Guide to

Research. New York: Garland, 1990.

Johnson, Eric A. “Franz Joseph Haydn’s Late Masses: An Examination of the

Symphonic Mass Form.” Choral Journal 42/7 (February 2002): 19–24.

Jones, David Wyn, ed. Haydn. Oxford: Oxford University Press, 2002.

Lamkin, Kathleen. “Haydn’s Musicians at the Esterházy Court, 1796–1802.”

Choral Journal 50/2 (September 2009): 24–37.

Landon, H. C. Robbins. Haydn: Chronicle and Works, 5 vols. London:

Thames, 1976–1980.

——— and David Wyn Jones, Haydn: His Life and Music. Bloomington: Indi-

ana University Press, 1988.

Larsen, Jens Peter. “Haydn’s Early Masses: Evolution of a Genre.” American

Choral Review 24/2–3 (April and July 1982).

MacIntyre, Bruce C. Haydn: The Creation. New York: Schirmer and Prentice

Hall International, 1998.

McGrann, Jeremiah W. “Haydn, A Prince, and Beethoven’s Mass in C.” Cho-

ral Journal 50/2 (September 2009): 8–23.

514 • BIBLIOGRAPHY

Schenbeck, Lawrence. Joseph Haydn and the Classical Choral Tradition. Cha-

pel Hill, N.C.: Hinshaw Music, 1996.

Sisman, Elaine R., ed. Haydn and His World. Princeton, N.J.: Princeton Uni-

versity Press, 1997.

Sutcliffe, W. Dean, ed. Haydn Studies. Cambridge: Cambridge University

Press, 1998.

Temperley, Nicholas. Haydn: The Creation. Cambridge: Cambridge University

Press, 1991.

Josquin des Prez

Alwes, Chester. “Josquin’s Ave Maria . . . virgo serena: A Question of Pro-

portion.” Choral Journal 33/3 (October 1992): 29–30; continued in 33/4

(November 1992): 15–16.

Clutterham, Leslie. “Dating Josquin’s Enigmatic Motet Illibata Dei virgo nu-

trix.” Choral Journal 38/3 (October 1997): 9–14.

Godt, Irving. “Motivic Integration in Josquin’s Motets,” Journal of Music

Theory 21 (1977): 264–292.

Hall, Barbara L. “The Missa Pange lingua of Josquin des Prez: An Approach to

Renaissance Performance Practice.” Choral Journal 26/7 (February 1986):

5–10.

Noble, Jeremy. “The Function of Josquin’s Motets.” Tijdschrift van de Vereni-

ging voor Nederlandse Muziekgeschiedenis 35 (1985): 9–31.

Osthoff, Helmuth. Josquin Desprez. 2 vols. Tutzing: Schneider, 1962–1965.

Paulk, Jason. “Unifying Elements in the Masses of Josquin des Prez.” Choral

Journal 46/8 (February 2006): 53–61.

Robinson, Sydney Charles. Josquin des Prez: A Guide to Research. New York:

Garland, 1983.

Sherr, Richard, ed. Josquin Companion. New York: Oxford University Press,

2000.

Thompson, Douglas E. “A Summary of Current Debates Regarding Josquin’s

Biography and the Attribution of Absalon, fili mi.” Choral Journal 42/1

(August 2001): 25–31.

Lassus, Orlande de [Orlando di Lasso]

Bergquist, Peter, ed. Orlando di Lasso Studies. Cambridge: Cambridge Uni-

versity Press, 1999.

Cook, Larry. “Polychoral Compositions of Orlando di Lasso.” Choral Journal

20/2 (October 1979): 5–9.

Denis, Arnold. “The Grand Motets of Orlandus.” Early Music 6/2 (April 1978):

170–181.

BIBLIOGRAPHY • 515

Erb, James. Orlando di Lasso: A Guide to Research. New York: Garland,

1990.

Leuchtmann, Horst. Orlando di Lasso. 2 vols. Wiesbaden: Breitkopf & Härtel,

1976–1977.

Roche, Jerome. Lassus. Oxford Studies of Composers. New York: Oxford

University Press, 1982.

Liszt, Franz

Arnold, Ben. The Liszt Companion. Westport, Conn.: Greenwood Press, 2002.

Friddle, David. “Franz Liszt’s Oratorio Christus.” Choral Journal 46/5 (No-

vember 2005): 89–99.

Hamilton, Kenneth, ed. The Cambridge Companion to Liszt. Cambridge: Cam-

bridge University Press, 2005.

Saffle, Michael. Franz Liszt: A Guide to Research. New York: Routledge,

1991.

Studebaker, Donald. “The Liszt ‘Requiem.’” Choral Journal 23/9 (May 1983):

19–21.

Walker, Alan. Franz Liszt. 3 vols. New York: Alfred A. Knopf, 1983–1997.

Watson, Derek. Liszt. New York: Schirmer Books, 1989.

Williams, Adrian. Portrait of Liszt: By Himself and His Contemporaries. New

York: Oxford University Press, 1990.

Mendelssohn, Felix

Blunt, Wilfrid. On Wings of Song. A Biography of Felix Mendelssohn. New

York: Charles Scribner’s Sons, 1974.

Campbell, Robert M. “Mendelssohn and Goethe: The First Walpurgis Night.”

American Choral Review 33/1 (Winter/Spring 1991).

———. “Mendelssohn’s Te Deum in D.” American Choral Review 28/2. (April

1986).

Cooper, John M. Felix Mendelssohn Bartholdy: A Guide to Research with an

Introduction to Research Concerning Fanny Hensel. New York: Routledge,

2001.

———. “Mendelssohn’s Valediction.” Choral Journal 49/10 (April 2009):

34–47.

Curtis, John. “Thematic Transformation in Mendelssohn’s Lobgesang.” Choral

Journal 44/7 (February 2004): 21–25.

Edwards, Frederick George. The History of Mendelssohn’s Oratorio “Elijah.”

London: Novello, 1896.

Griggs-Janower. “Mendelssohn’s Chorale Cantatas: A Well-kept Secret.” Cho-

ral Journal 33/4 (November 1992): 31–33.

516 • BIBLIOGRAPHY

Jacob, Heinrich Eduard. Felix Mendelssohn and His Times. Translated by

Richard and Clara Winston. Englewood Cliffs, N.J.: Prentice-Hall, 1963.

Janisch, Joseph H. “An Investigation of Nineteenth-Century Musical Perfor-

mance Practice as It Pertains to the Festgesang: An Die Künstler, Opus 68,

by Felix Mendelssohn-Bartholdy.” Choral Journal 44/4 (November 2003):

51–55.

Kimber, Marian Wilson. “Performing Athalia: Mendelssohn’s Op. 74 in the Nine-

teenth-Century Choral World.” Choral Journal 49/10 (April 2009): 8–23.

Mercer-Taylor, Peter. The Cambridge Companion to Mendelssohn. Cambridge:

Cambridge University Press, 2004.

———. The Life of Mendelssohn. Cambridge: Cambridge University Press,

2000.

Reichwald, Siegwart. “Lost in Translation: The Case of Mendelssohn’s Psalm

95.” Choral Journal 49/9 (March 2009): 28–47.

Robinson, Ray. “‘Quis desiderio sit’: A Newly Discovered Work by Felix

Mendelssohn.” Choral Journal 35/10 (1994): 27–30.

Seaton Douglas, ed. The Mendelssohn Companion. Westport, Conn.: Green-

wood Press, 2001.

Seaton, Douglass. “‘But I Don’t Like It’: Observations and Reflections on the

Two Finales of Elijah.” Choral Journal 49/10 (April 2009): 24–33.

Sposato, Jeffrey S. “A New History of Mendelssohn’s Psalm 42.” Choral Jour-

nal 49/9 (March 2009): 9–27.

———. The Price of Assimilation: Felix Mendelssohn and the Nineteenth-Cen-

tury Anti-Semitic Tradition. New York: Oxford University Press, 2005.

Todd, R. Larry. Mendelssohn. A Life in Music. New York: Oxford University

Press, 2003.

———. Mendelssohn and His World. Princeton, N.J.: Princeton University

Press, 1991.

——— and Angela R. Mace. “Mendelssohn and the Free Chorale.” Choral

Journal 49/9 (March 2009): 48–69.

Town, Stephen. “Mendelssohn’s ‘Lobgesang’: A Fusion of Forms and Tex-

tures.” Choral Journal 33/4 (November 1992): 19–26.

Werner, Jack. Mendelssohn’s “Elijah”: A Historical and Analytical Guide to

the Oratorio. London: Chappell, 1965.

White, Chris D. “Mendelssohn’s Der zweite Psalm, ‘Warum toben die Heiden’:

Personal Perspective or Political Enlightenment?” Choral Journal 39/2

(September 1998): 17–22.

Monteverdi, Claudio

Arnold, Denis. Monteverdi. London: Octagon, 1963; 3rd ed., rev. edited by

Tim Carter. Oxford: Oxford University Press, 1990.

BIBLIOGRAPHY • 517

——— and Nigel Fortune, eds. The New Monteverdi Companion. London:

Faber, 1985.

Conlon, Joan Catoni. Performing Monteverdi: A Conductor’s Guide. Chapel

Hill: Hinshaw Music, 2001.

Fabbri, Paolo. Monteverdi. Translated by Tim Carter. 2nd ed. Cambridge:

Cambridge University Press, 1994.

Kurtzman, Jeffrey G. The Monteverdi Vespers of 1610: Music, Context, Perfor-

mance. Oxford: Oxford University Press, 1999.

Tomlinson, Gary. Monteverdi and the End of the Renaissance. Berkeley: Uni-

versity of California Press, 1987.

Whenham, John. Monteverdi: Vespers (1610). Cambridge: Cambridge Univer-

sity Press, 1997.

Mozart, Wolfgang Amadeus

Anderson, Ronald. “Marriner on Mozart.” Choral Journal 26/1 (August 1985):

23–26.

Campbell, John W. “Mozart and the Baron: Musical Patronage at Work.” Cho-

ral Journal 35/10 (May 1995): 17–22.

Cassel, David C. “Some Performance Suggestions for the Mozart Missae breves

and Others of His Works.” Choral Journal 26/1 (August 1985): 7–11.

Catanzaro, Christine D. “On the Performance of Mozart’s Salzburg Masses.”

Choral Journal 34/3 (October 1993): 9–15.

Cottle, Andrew. “Mozart’s Arrangement of Messiah.” Choral Journal 31/9

(April 1991): 19–24.

Crabb, R. Paul. “Mozart’s Grand Mass in C Minor K. 427/417a.” Choral Jour-

nal 26/1 (August 1985): 7–22.

Dean, Scott. “Mozart for the Church Musician.” Choral Journal 46/12 (June

2006): 77–80; Part II in 47/1 (July 2006): 37–42; Part III in 47/2 (May 2008):

45–52.

Eisen, Cliff. Wolfgang Amadeus Mozart: A Guide to Research. New York:

Routledge, 2009.

Guittar, Forrest. “Mozart, Catholic Faith, and Freemasonry.” Choral Journal

31/9 (April 1991): 27–30.

Gutman, Robert. Mozart: A Cultural Biography. New York: Harcourt Brace,

1999.

Karna, Duane R. “Mozart’s Three Settings of Regina Coeli.” American Choral

Review 48/2 (Summer/Fall 2006).

Keefe, Simon P., ed. The Cambridge Companion to Mozart. Cambridge: Cam-

bridge University Press, 2003.

Landon, H. C. Robbins, ed. The Mozart Compendium: A Guide to Mozart’s Life

and Music. New York: Schirmer Books, 1990.

518 • BIBLIOGRAPHY

Long, Janice. “Missa Brevis in F Major, K. 192 [by] Wolfgang Amadeus Mo-

zart.” Choral Journal 18/6 (February 1978): 5–7.

Newton, Timothy. “Mozart’s Evolving ‘Great’ Mass in C Minor, K427/417a.”

Choral Journal 46/12 (June 2006): 52–73.

O’Neal, Melinda. “An Introduction to Performance Practice Considerations for

the Mozart Requiem.” Choral Journal 31/9 (April 1991): 47–56.

Rayl, David. “An Annotated Listing of Mozart’s Smaller Sacred Choral

Works.” Choral Journal 31/9 (April 1991): 11–17.

Rosselli, John. The Life of Mozart. Cambridge: Cambridge University Press,

1998.

Shenbeck, Lawrence. “Baroque Influence in Mozart’s Masses.” American Cho-

ral Review 20/1 (January 1978) and 20/4 (October 1978).

Solomon, Maynard. Mozart: A Life. New York: Harper Collins, 1995.

Studebaker, Donald. “On Mozart’s Vespers.” American Choral Review 33/2

(Summer/Fall 1991).

Suderman, Mark J. “Comparisons between the Requiems of Florian Leopold

Gassmann and Wolfgang Amadeus Mozart.” Choral Journal 31/9 (April

1991): 33–41.

Trame, Richard H. “For What Confessor Saint Did Mozart Compose His Vesperae

solennes de Confessore, K. 339?” Choral Journal 26/3 (October 1985): 5–6.

Welch, Susan C. “Mozart’s Missa Solemnis K. 262: An Overlooked Master-

piece.” Choral Journal 30/1 (September 1989): 9–13.

Wolff, Christoph. Mozart’s Requiem: Historical and Analytical Studies, Docu-

ments, Score. Berkeley: University of California Press, 1994.

Palestrina, Giovanni Pierluigi da

Boyd, Malcolm. Palestrina’s Style: A Practical Introduction. Oxford: Oxford

University Press, 1973.

Garratt, James. Palestrina and the German Romantic Imagination: Interpreting

Historicism in Nineteenth-Century Music. Cambridge: Cambridge Univer-

sity Press, 2002.

Lockwood, Lewis, ed. Palestrina: Pope Marcellus Mass. Norton Critical

Scores. New York: W. W. Norton, 1975.

Marvin, Clara. Giovanni Pierluigi da Palestrina: A Guide to Research. New

York: Routledge, 2002.

Roche, Jerome. Palestrina. Oxford: Oxford University Press, 1971.

Schaefer, Edward. “A Reexamination of Palestrina’s Role in the Catholic Ref-

ormation.” Choral Journal 35/1 (August 1994): 19–25.

Poulenc, Francis

Barrow, Lee G. “Francis Poulenc’s “Grand Choral Symphony.” Choral Jour-

nal 39/9 (April 1999): 21–28.

BIBLIOGRAPHY • 519

Buckland, Sidney, and Myriam Chimènes, eds. Francis Poulenc: Music, Art,

and Literature. Aldershot, Hampshire, UK: Ashgate, 1999.

Daniel, Keith. “The Choral Music of Francis Poulenc.” American Choral Re-

view 24/1 (January 1982).

Ivry, Benjamin. Francis Poulenc. London: Phaidon Press, 1996.

Keck, George. Francis Poulenc: A Bio-Bibliography. New York: Greenwood

Press, 1990.

Mellers, Wilfrid H. Francis Poulenc. Oxford: Oxford University Press, 1993.

Schmidt, Carl B. Entrancing Muse: A Documented Biography of Francis Pou-

lenc. Hillsdale, N.Y.: Pendragon Press, 2001.

———. The Music of Francis Poulenc: A Catalogue. Oxford: Oxford Univer-

sity Press, 1995.

Purcell, Henry

Adams, Martin. Henry Purcell: The Origins and Development of His Musical

Style. Cambridge: Cambridge University Press, 1995.

Holman, Peter. Henry Purcell. Oxford: Oxford University Press, 1994.

Jones, Erik Reid. “The Victorian Revival of Purcell’s Music: Publications and

Publishers.” Choral Journal 36/1 (August 1995): 19–23.

Meredith, Victoria. “Magic and Majesty: Spirited Choruses in Henry Purcell’s

Semi-Operas.” Choral Journal 36/1 (August 1995): 9–17.

Price, Curtis, ed. Purcell Studies. Cambridge: Cambridge University Press,

2006.

White, J. Perry. “The Life and Vocal Music of Daniel Purcell: A Reevalua-

tion.” Choral Journal 26/1 (August 1985): 27–33.

Zimmerman, Franklin B. Henry Purcell: A Guide to Research. New York:

Garland, 1989.

Schubert, Franz

Badura-Skoda, Eva. “On Schubert’s Choral Works.” American Choral Review

24/2–3 (April and July 1982).

Black, Leo. Franz Schubert: Music and Belief. Rochester, N.Y.: Boydell &

Brewer, 2005.

Curtis, John J. “Franz Schubert’s Mass in A-flat Major: A Consideration of the

Composer’s Revisions.” Choral Journal 36/7 (February 1996): 9–16.

Gibbs, Christopher H. The Cambridge Companion to Schubert. Cambridge:

Cambridge University Press, 1997.

Heider, Anne Harrington. “A Survey of Schubert’s Part-Songs for Mixed

Voices.” American Choral Review 22/3 (July 1980).

Jacobson, Joshua R. “Franz Schubert and the Vienna Synagogue.” Choral

Journal 38/1 (August 1997): 9–15.

520 • BIBLIOGRAPHY

McKay, Elizabeth Norman. Franz Schubert: A Biography. Oxford: Oxford

University Press, 1996.

Marek, George R. Schubert. New York: Viking, 1985.

Newbould, Brian. Schubert: The Music and the Man. Berkeley: University of

California Press, 1997.

Perkins, Tim. “The Development of the Early Romantic Choral Song and the

Contribution of Franz Schubert.” Choral Journal 21/9 (May 1981): 20–24.

Reed, John. Schubert: The Final Years. New York: St. Martin’s Press, 1972.

Schütz, Heinrich

Buelow, George J. A Schütz Reader: Documents on Performance Practice.

New York: American Choral Foundation, 1985.

Cook, Larry. “Form and Style in the Musicalische Exequien by Heinrich

Schütz.” Choral Journal 29/2 (September 1988): 5–10.

Fain, Janice M. “Text-Setting in the Music of Heinrich Schütz.” Choral Jour-

nal 27/7 (February 1987): 5–13.

Kingsbury, Stephen A. “Rhetoric and Drama in Schütz’s St. Matthew Passion.”

Choral Journal 44/3 (October 2003): 19–33.

Moser, Hans Joachim. Heinrich Schütz: His Life and Work. Translated and

edited by Derek McCulloch. New York: St. Martin’s Press, 1967.

Skei, Alien B. Heinrich Schütz: A Guide to Research. New York: Garland

Press, 1981.

Smallman, Basil. Schütz. New York: Oxford University Press, 2000.

Sprague, Raymond. “Heinrich Schütz and His Musikalische Exequien.” Choral

Journal 46/8 (February 2006): 8–21.

Stravinsky, Igor

Banks, Timothy. “The Use of Timbre in Igor Stravinsky’s Mass.” Choral Jour-

nal 20/8 (April 1980): 29–36.

Boudreaux, Margaret. “The Choral Music of Igor Stravinsky.” Research

Memorandum Series 154 (October 1989).

Cross. Jonathan. The Cambridge Companion to Stravinsky. Cambridge: Cam-

bridge University Press, 2003.

Gillion, Marianne. “Eastern Orthodox Spirituality in the Choral Music of Igor

Stravinsky.” Choral Journal 49/2 (August 2008): 8–25.

Griffiths, Paul. Stravinsky. New York: Schirmer Books, 1992.

Joseph, Charles M. Stravinsky Inside Out. New Haven, Conn.: Yale University

Press, 2001.

Lang, Paul Henry. Stravinsky: A New Appraisal of His Work. New York: W.

W. Norton, 1963.

BIBLIOGRAPHY • 521

Lundergan, Edward. “Modal Symmetry and Textual Symbolism in the Credo

of the Stravinsky Mass.” Choral Journal 45/8 (March 2005): 8–15.

Moffett, Maureen Cash. “Stylistic Consistency in Three Choral Works of

Stravinsky.” Choral Journal 23/6 (February 1983): 11–14.

Newby, David. “Igor Stravinsky’s Oedipus Rex: Literary Background, Musical

Structure and Dramatic Symbolism.” DM diss., Indiana University, 1994.

Rodriguez, Carlos Xavier. “The Textual and Musical Functions of the Chorus

in Stravinsky’s Oedipus Rex.” Choral Journal 33/1 (August 1992): 11–15.

Stravinsky, Igor. Poetics of Music. Translated by Arthur Knodel and Ingolf

Dahl. Cambridge: Harvard University Press, 1947.

———. Themes and Conclusions. London: Faber, 1972.

Stravinsky, Igor and Robert Craft. Conversations with Igor Stravinsky. New

York: Doubleday, 1959.

———. Dialogues and a Diary. New York: Doubleday, 1963.

———. Expositions and Developments. New York: Doubleday, 1962.

———. Retrospectives and Conclusions. New York: Alfred A. Knopf, 1969.

Taylor, Robert. “An Examination of Stravinsky’s Fugal Writing in the Second

Movement of Symphony of Psalms.” Choral Journal 36/3 (October 1995):

17–20.

Vlad, Roman. Stravinsky. Translated by Frederick and Ann Fuller. Oxford:

Oxford University Press, 1960.

Walsh, Stephen. The Music of Stravinsky. New York: Routledge, 1987.

———. Stravinsky: A Creative Spring: Russia and France, 1882–1934. New

York: Alfred A. Knopf, 1999.

———. Stravinsky: “Oedipus Rex.” Cambridge: Cambridge University Press,

1993.

White, Eric Walter. Stravinsky: The Composer and His Works. London: Faber,

1966; enlarged 2nd ed. Berkeley: University of California Press, 1979.

Vaughan Williams, Ralph

Borton, Allen L. “Ralph Vaughan Williams’s Hodie at Forty.” Choral Journal

35/5 (December 1994): 17–20.

Butterworth, Neil. Ralph Vaughan Williams : A Guide to Research. New York:

Garland, 1990.

Conte, David. “Ralph Vaughan Williams’s Three Shakespeare Songs: An Ana-

lytical Guide for Conductors and Composers.” Choral Journal 42/9 (April

2002): 9–23.

Day, James. Vaughan Williams. London: J. M. Dent and Sons, 1961; 3rd rev.

ed. New York: Oxford University Press, 1998.

Foreman, Lewis, ed. Ralph Vaughan Williams in Perspective. London: Albion

Music, 1998.