ABSTRACT
our chronological thought. This change in thought should go from a "square"
conception of time, in which there are clear borders between stages and phases, to
"rhombic" time, where the stages and phases become partially parallel to one another.
It's natural that any new phenomenon (fashion) happens in the majority of cases
within the borders of the previous phenomenon, and that as the most active, new
generation becomes its carrier, that this phenomenon becomes more wide-spread,
and then begins to die out, being replaced by yet newer cultural phenomena. These
processes can be traced in modern life as well. In such a case new possibilities arise
to make a different comparison between written sources and archaeology then was
done earlier.
The idea of a "rhombic approach" goes through the entire book like a "red thread".
The idea is best expressed in the third chapter entitled "The Problem of Absolute
Chronology" (fig. 27-28) and in the part on the later date of Chernjakhov culture in
the fifth chapter (fig. 86-87). It is also demonstrated in the series of tables in the
appendices N 2-4.
As far as the long-debated question of the exodus of the Goths from Scandinavia
goes, the author of this book is not so skeptical as some researchers (such as Hachmann
1970). There probably wasn't a massive emigration of people from Scandinavia, but
the penetration of various groups into the Polish Pomeranian region could obviously
have had its place. The monuments constructed here in the first century AD almost
completely changed their appearance, while the Wiclbark culture was formed (fig. 1),
several parts of which could have come from Scandinavia, such as, for example,
concentric stone lay-outs on burial mounds (fig. 2-4).
One of the main signs of a new culture in distinction to the prior Oksywie and the
neighboring Przeworsk cultures is the complete absence of weapons in burial graves.
In such a case the main region from which Scandinavian emigrants could come from
would most likely be Western Sweden, in the current-day province of Westergitfaland
and Boguslan, where burial graves with weapons are rare and stone constructions on
burial mounds are common. Since the inhabitants of the Baltic in the 1
SI
century AD
didn't have sails, and transportation could be most easily undertaken using coastal
courses along the shore, the Swedish regions named seem to be the most likely starting
point for the Goths to come to current-day Polish regions (fig. 12).
Movement took place in this way not once, but obviously many times, and
constantly, starting at the beginning of the 1
st
century AD. In the lower reaches of the
Oder River, and the adjoining bank with the island Rugen, even a little earlier than
the Wielbark culture was formed, a group of sites named the Gustov group was
formed (fig. 7-8). The author is inclined to include these sites in Wielbark culture. In
that case the contradiction between the accounts of Tacitus (Tac. Ann. II. 62, 63)
about the activities in the 19 year AD of the "young Goth Carualda" and a little later
of the formation of the Wielbark culture in Polish Pomerania can be dismissed.
The information derived by Jordanes (lord. Get. 25, 95) from Gothic «historical
songs» about the three boats of King Berig can reflect only one of the episodes of a
more long-lasting and wide process of emigration.
In the 1
st
century AD the first contact between the inhabitants of Central and
Northern Europe with the Sarmatians of the Northern Black Sea region took place.
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